無制限ストリーミング再生
このアルバムをアプリから高音質で聴く
無料体験をはじめる このアルバムを再生するこのアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい
登録このアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい
デジタルダウンロード
このアルバムはお客様のニーズに合わせて様々なフォーマットで購入やダウンロードすることができます
This album marked the formal debut of the psychedelic-era Moody Blues; though they'd made a pair of singles featuring new (as of 1966) members Justin Hayward and John Lodge, Days of Future Passed was a lot bolder and more ambitious. What surprises first-time listeners -- and delighted them at the time -- is the degree to which the group shares the spotlight with the London Festival Orchestra without compromising their sound or getting lost in the lush mix of sounds. That's mostly because they came to this album with the strongest, most cohesive body of songs in their history, having spent the previous year working up a new stage act and a new body of material (and working the bugs out of it on-stage), the best of which ended up here. Decca Records had wanted a rock version of Dvorak's "New World Symphony" to showcase its enhanced stereo-sound technology, but at the behest of the band, producer Tony Clarke (with engineer Derek Varnals aiding and abetting) hijacked the project and instead cut the group's new repertory, with conductor/arranger Peter Knight adding the orchestral accompaniment and devising the bridge sections between the songs' and the album's grandiose opening and closing sections. The record company didn't know what to do with the resulting album, which was neither classical nor pop, but following its release in December of 1967, audiences found their way to it as one of the first pieces of heavily orchestrated, album-length psychedelic rock to come out of England in the wake of the Beatles' Sgt. Pepper's and Magical Mystery Tour albums. What's more, it was refreshingly original, rather than an attempt to mimic the Beatles; sandwiched among the playful lyricism of "Another Morning" and the mysticism of "The Sunset," songs like "Tuesday Afternoon" and "Twilight Time" (which remained in their concert repertory for three years) were pounding rockers within the British psychedelic milieu, and the harmony singing (another new attribute for the group) made the band's sound unique. With "Tuesday Afternoon" and "Nights in White Satin" to drive sales, Days of Future Passed became one of the defining documents of the blossoming psychedelic era, and one of the most enduringly popular albums of its era.
© Bruce Eder /TiVo
現在、試聴中です。
無制限ストリーミングプランで１億曲以上の楽曲を聴くことができます。
無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。
¥1,280/ 月から
Peter Knight, Conductor, ComposerLyricist - London Festival Orchestra, Orchestra - Paschal Byrne, Mastering Engineer, StudioPersonnel - MIKE PINDER, Spoken Word, AssociatedPerformer - Graeme Edge, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel
℗ 2017 Universal Music Operations Limited
Peter Knight, Conductor - London Festival Orchestra, Orchestra - Paschal Byrne, Mastering Engineer, StudioPersonnel - MIKE PINDER, Piano, Vocals, Mellotron, AssociatedPerformer - John Lodge, Bass Guitar, AssociatedPerformer - Ray Thomas, Percussion, AssociatedPerformer - Justin Hayward, Guitar, Vocals, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - Michael Pinder, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel
℗ 2017 Universal Music Operations Limited
Peter Knight, Conductor - London Festival Orchestra, Orchestra - Paschal Byrne, Mastering Engineer, StudioPersonnel - MIKE PINDER, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Flute, Percussion, Vocals, AssociatedPerformer, ComposerLyricist - Justin Hayward, Guitar, Background Vocalist, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel
℗ 2017 Universal Music Operations Limited
Peter Knight, Conductor - London Festival Orchestra, Orchestra - Paschal Byrne, Mastering Engineer, StudioPersonnel - MIKE PINDER, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Ray Thomas, Flute, Percussion, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, Background Vocalist, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel
℗ 2017 Universal Music Operations Limited
Peter Knight, Conductor - London Festival Orchestra, Orchestra - Paschal Byrne, Mastering Engineer, StudioPersonnel - MIKE PINDER, Piano, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Ray Thomas, Flute, Percussion, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, Vocals, Background Vocalist, AssociatedPerformer, ComposerLyricist - Graeme Edge, Drums, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel
℗ 2017 Universal Music Operations Limited
Peter Knight, Conductor - London Festival Orchestra, Orchestra - Paschal Byrne, Mastering Engineer, StudioPersonnel - MIKE PINDER, Piano, Vocals, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Flute, Percussion, Vocals, AssociatedPerformer, ComposerLyricist - Justin Hayward, Guitar, Background Vocalist, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - Michael Pinder, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel
℗ 2017 Universal Music Operations Limited
Peter Knight, Conductor - London Festival Orchestra, Orchestra - Paschal Byrne, Mastering Engineer, StudioPersonnel - MIKE PINDER, Mellotron, Background Vocalist, Spoken Word, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Flute, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Graeme Edge, Drums, Percussion, AssociatedPerformer, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel
℗ 2017 Universal Music Operations Limited
アルバム·レビュー
This album marked the formal debut of the psychedelic-era Moody Blues; though they'd made a pair of singles featuring new (as of 1966) members Justin Hayward and John Lodge, Days of Future Passed was a lot bolder and more ambitious. What surprises first-time listeners -- and delighted them at the time -- is the degree to which the group shares the spotlight with the London Festival Orchestra without compromising their sound or getting lost in the lush mix of sounds. That's mostly because they came to this album with the strongest, most cohesive body of songs in their history, having spent the previous year working up a new stage act and a new body of material (and working the bugs out of it on-stage), the best of which ended up here. Decca Records had wanted a rock version of Dvorak's "New World Symphony" to showcase its enhanced stereo-sound technology, but at the behest of the band, producer Tony Clarke (with engineer Derek Varnals aiding and abetting) hijacked the project and instead cut the group's new repertory, with conductor/arranger Peter Knight adding the orchestral accompaniment and devising the bridge sections between the songs' and the album's grandiose opening and closing sections. The record company didn't know what to do with the resulting album, which was neither classical nor pop, but following its release in December of 1967, audiences found their way to it as one of the first pieces of heavily orchestrated, album-length psychedelic rock to come out of England in the wake of the Beatles' Sgt. Pepper's and Magical Mystery Tour albums. What's more, it was refreshingly original, rather than an attempt to mimic the Beatles; sandwiched among the playful lyricism of "Another Morning" and the mysticism of "The Sunset," songs like "Tuesday Afternoon" and "Twilight Time" (which remained in their concert repertory for three years) were pounding rockers within the British psychedelic milieu, and the harmony singing (another new attribute for the group) made the band's sound unique. With "Tuesday Afternoon" and "Nights in White Satin" to drive sales, Days of Future Passed became one of the defining documents of the blossoming psychedelic era, and one of the most enduringly popular albums of its era.
© Bruce Eder /TiVo
アルバムについて
- 組み枚数 : 1ディスク - 収録数 : 7曲
- 合計収録時間 : 00:41:14
- メインアーティスト : ムーディー・ブルース
- 作曲家 : Various Composers
- レーベル : UMC (Universal Music Catalogue)
- ジャンル： ポップス / ロック ロック
© 2017 Universal Music Operations Limited ℗ 2017 Universal Music Operations Limited
Qobuzで購入する理由...
-
音楽をダウンロードする
ハイレゾを含むアルバムや楽曲を1曲ずつ購入できます。
-
DRMフリー
ダウンロードしたファイルは使用回数の制限なく、あなたのものです。 何度でもダウンロードすることができます。
-
自分に最適なフォーマットを選ぶ
購入した楽曲は、ニーズに応じて様々なフォーマット（FLAC, ALAC, WAV, AIFF...）でダウンロードすることができます。
-
購入した音楽をアプリで聴く
スマートフォン、タブレット、パソコンでも、各デバイス向けのQobuzアプリをダウンロードすれば、購入した音楽をどこでも聴くことができます。
プレイリスト