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マッコイ・タイナー|Counterpoints:  Live In Tokyo

Counterpoints: Live In Tokyo

McCoy Tyner

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対応言語:英語

Although these live tracks were recorded on the same evening in 1978 as McCoy Tyner's earlier Milestone album Passion Dance, they inexplicably remained unreleased until 2004. With Tyner joined by a powerful rhythm section consisting of bassist Ron Carter and drummer Tony Williams, the fireworks begin with an explosive interpretation of the pianist's "The Greeting." Next are two solo piano features, including a return to Tyner's exotic "Aisha" and "Sama Layuca," the latter building upon a hypnotic vamp from Tyner's left hand as thunderous chords with occasional tremolos are played by his right hand. Tyner begins Duke Ellington's "Prelude to a Kiss" with a well-disguised introduction before entering familiar territory just prior to Carter's entrance, producing an absolutely stunning interpretation. The disc wraps with the return of Williams for Tyner's "Iki Mashio (Let's Go)," another over the top work comparable to the pianist's "Passion Dance," with an interlude featuring a quiet but intricate solo by Carter. Even with Tyner's fierce attack at the keyboard and his heavy use of the sustain pedal at times, the sound is remarkably clear.

© Ken Dryden /TiVo

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Counterpoints: Live In Tokyo

マッコイ・タイナー

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1
The Greeting (live in Tokyo)
00:11:30

Ron Carter, AssociatedPerformer, Bass (Vocal) - Stephen Hart, Mixer, StudioPersonnel - Tony Williams, Drums, AssociatedPerformer - McCoy Tyner, Piano, MainArtist, AssociatedPerformer, ComposerLyricist - ED MICHEL, Producer - Orrin Keepnews, Producer, Executive Producer - Jim Stern, Recording Engineer, StudioPersonnel - Stuart Kremsky, Producer

℗ 2004 Fantasy, Inc.

2
Aisha (live in Tokyo)
00:07:08

Stephen Hart, Mixer, StudioPersonnel - McCoy Tyner, Piano, MainArtist, AssociatedPerformer, ComposerLyricist - ED MICHEL, Producer - Orrin Keepnews, Producer, Executive Producer - Jim Stern, Recording Engineer, StudioPersonnel - Stuart Kremsky, Producer

℗ 2004 Fantasy, Inc.

3
Sama Layuca (live in Tokyo)
00:06:38

Ron Carter, AssociatedPerformer, Bass (Vocal) - Stephen Hart, Mixer, StudioPersonnel - McCoy Tyner, Piano, MainArtist, AssociatedPerformer, ComposerLyricist - ED MICHEL, Producer - Orrin Keepnews, Producer, Executive Producer - Jim Stern, Recording Engineer, StudioPersonnel - Stuart Kremsky, Producer

℗ 2004 Fantasy, Inc.

4
Prelude To A Kiss (live in Tokyo)
00:09:20

Duke Ellington, Composer - Ron Carter, AssociatedPerformer, Bass (Vocal) - Irving Mills, Author - Irving Gordon, Author - Stephen Hart, Mixer, StudioPersonnel - McCoy Tyner, Piano, MainArtist, AssociatedPerformer - ED MICHEL, Producer - Orrin Keepnews, Producer, Executive Producer - Jim Stern, Recording Engineer, StudioPersonnel - Stuart Kremsky, Producer

℗ 2004 Fantasy, Inc.

5
Iki Masho (Let's Go) (live in Tokyo)
00:13:58

Ron Carter, AssociatedPerformer, Bass (Vocal) - Stephen Hart, Mixer, StudioPersonnel - Tony Williams, Drums, AssociatedPerformer - McCoy Tyner, Piano, MainArtist, AssociatedPerformer, ComposerLyricist - ED MICHEL, Producer - Orrin Keepnews, Producer, Executive Producer - Jim Stern, Recording Engineer, StudioPersonnel - Stuart Kremsky, Producer

℗ 2004 Fantasy, Inc.

アルバム·レビュー

Although these live tracks were recorded on the same evening in 1978 as McCoy Tyner's earlier Milestone album Passion Dance, they inexplicably remained unreleased until 2004. With Tyner joined by a powerful rhythm section consisting of bassist Ron Carter and drummer Tony Williams, the fireworks begin with an explosive interpretation of the pianist's "The Greeting." Next are two solo piano features, including a return to Tyner's exotic "Aisha" and "Sama Layuca," the latter building upon a hypnotic vamp from Tyner's left hand as thunderous chords with occasional tremolos are played by his right hand. Tyner begins Duke Ellington's "Prelude to a Kiss" with a well-disguised introduction before entering familiar territory just prior to Carter's entrance, producing an absolutely stunning interpretation. The disc wraps with the return of Williams for Tyner's "Iki Mashio (Let's Go)," another over the top work comparable to the pianist's "Passion Dance," with an interlude featuring a quiet but intricate solo by Carter. Even with Tyner's fierce attack at the keyboard and his heavy use of the sustain pedal at times, the sound is remarkably clear.

© Ken Dryden /TiVo

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