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バケットヘッド|Colma

Colma

Buckethead

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対応言語:英語

For a guy who takes his sartorial cues from teenage horror flicks (he plays onstage with a weird sort of hockey mask on his face), Buckethead sure does make pretty music. It was not always thus -- his work with Praxis, for example, has often been pretty challenging. But on this solo project, on which he plays both guitar and bass and is helped out on all tracks by drummer Brain, the material is surprisingly pleasant, bordering at times on the banal. Titles like "Hills of Eternity" and "Wishing Well" are something of a giveaway -- though Brain's beats are fairly funky (and DJ Disc throws in a bit of far-off turntable scratching on a few tracks), these compositions are mostly pretty contemplative, occupying a space just one step away from the new age section. That's not necessarily a bad thing, but there are a couple of problems: the first is that Buckethead is a lousy bass player. Like many guitarists, he seems to think that playing bass is simply a matter of hitting the root of the chord on the downbeat of the measure. A real bassist could have contributed enormously to the proceedings (as Bill Laswell does in his guest turn on "Machete"). Another problem is the unimaginative production, which is overly soft and sweet. That said, "Big Sur Moon" is a cool solo guitar piece, and "Machete" really does cook. The rest is merely very pleasant.

© Rick Anderson /TiVo

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Colma

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現在、試聴中です。

無制限ストリーミングプランで1億曲以上の楽曲を聴くことができます。

無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。

¥1,280/ 月から

1
Whitewash
00:04:43

Buckethead, Composer, MainArtist

(C) 1998 Higher Octave Music, Inc ℗ 1998 Higher Octave Music, Inc.

2
For Mom
00:05:09

Buckethead, Composer, MainArtist

(C) 1998 Higher Octave Music, Inc ℗ 1998 Higher Octave Music, Inc.

3
Ghost
00:05:27

Buckethead, Composer, MainArtist

(C) 1998 Higher Octave Music, Inc ℗ 1998 Higher Octave Music, Inc.

4
Hills Of Eternity
00:05:04

Buckethead, Composer, MainArtist

(C) 1998 Higher Octave Music, Inc ℗ 1998 Higher Octave Music, Inc.

5
Big Sur Moon
00:01:12

Buckethead, Composer, MainArtist

(C) 1998 Higher Octave Music, Inc ℗ 1998 Higher Octave Music, Inc.

6
Machete
00:06:16

Buckethead, Composer, MainArtist

(C) 1998 Higher Octave Music, Inc ℗ 1998 Higher Octave Music, Inc.

7
Wishing Well
00:04:00

Buckethead, Composer, MainArtist

(C) 1998 Higher Octave Music, Inc ℗ 1998 Higher Octave Music, Inc.

8
Lone Sal Bug
00:05:30

Buckethead, Composer, MainArtist

(C) 1998 Higher Octave Music, Inc ℗ 1998 Higher Octave Music, Inc.

9
Santum
00:03:40

Buckethead, Composer, MainArtist

(C) 1998 Higher Octave Music, Inc ℗ 1998 Higher Octave Music, Inc.

10
Wondering
00:02:15

Buckethead, Composer, MainArtist

(C) 1998 Higher Octave Music, Inc ℗ 1998 Higher Octave Music, Inc.

11
Watching The Boats With My Dad
00:05:05

Buckethead, Composer, MainArtist

(C) 1998 Higher Octave Music, Inc ℗ 1998 Higher Octave Music, Inc.

12
Ghost / Part 2
00:02:30

Buckethead, Composer, MainArtist

(C) 1998 Higher Octave Music, Inc ℗ 1998 Higher Octave Music, Inc.

13
Colma
00:03:10

Buckethead, Composer, MainArtist

(C) 1998 Higher Octave Music, Inc ℗ 1998 Higher Octave Music, Inc.

アルバム·レビュー

For a guy who takes his sartorial cues from teenage horror flicks (he plays onstage with a weird sort of hockey mask on his face), Buckethead sure does make pretty music. It was not always thus -- his work with Praxis, for example, has often been pretty challenging. But on this solo project, on which he plays both guitar and bass and is helped out on all tracks by drummer Brain, the material is surprisingly pleasant, bordering at times on the banal. Titles like "Hills of Eternity" and "Wishing Well" are something of a giveaway -- though Brain's beats are fairly funky (and DJ Disc throws in a bit of far-off turntable scratching on a few tracks), these compositions are mostly pretty contemplative, occupying a space just one step away from the new age section. That's not necessarily a bad thing, but there are a couple of problems: the first is that Buckethead is a lousy bass player. Like many guitarists, he seems to think that playing bass is simply a matter of hitting the root of the chord on the downbeat of the measure. A real bassist could have contributed enormously to the proceedings (as Bill Laswell does in his guest turn on "Machete"). Another problem is the unimaginative production, which is overly soft and sweet. That said, "Big Sur Moon" is a cool solo guitar piece, and "Machete" really does cook. The rest is merely very pleasant.

© Rick Anderson /TiVo

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