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The Marian Consort|Christmas with the Shepherds: Morales, Mouton & Stabile

Christmas with the Shepherds: Morales, Mouton & Stabile

The Marian Consort

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The singing on this release by Oxford University's one-voice-per-part Marian Consort is very strong. The group follows in the footsteps of the Tallis Scholars, with a clean, dispassionate style and a focus on sacred music of the High Renaissance. The choice of composers is yet a stronger reason to investigate the album: director Rory McCleery offers music by two Renaissance composers, Jean Mouton and Cristóbal de Morales, who were admired in their own time but whom history has consigned to secondary roles. The Morales Missa Quaeramus cum pastoribus is broken up with motets so as to suggest its liturgical use without being over-literal about it. There is also a delicious motet by the almost forgotten Annibale Stabile, perhaps a student of Palestrina. But the choice of repertoire is the best reason of all. The pastoral Christmas flavor is no less defined in music of the Renaissance than it is in the Baroque: these pieces are consistently marked by an emphasis on melody, by major-sounding modes, and by a hyper-consonance that unifies the program beautifully and makes it listenable even for casual buyers interested in the album as a holiday release. It's a concept that any listener in the 16th century would have recognized, but perhaps nobody has tried it on recordings before. With solid engineering from Delphian in Oxford's Merton chapel, this is a superior Renaissance a cappella choral release.

© TiVo

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Christmas with the Shepherds: Morales, Mouton & Stabile

The Marian Consort

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1
Quaeramus cum pastoribus a 5
00:05:41

Jean Mouton, Composer - The Marian Consort, MainArtist - Rory McCleery, Conductor - Delphian Records Ltd., MusicPublisher

(C) 2014 Delphian Records Ltd (P) 2014 Delphian Records

2
Missa Quaeramus cum pastoribus: Kyrie
00:05:28

Cristóbal De Morales, Composer - The Marian Consort, MainArtist - Rory McCleery, Conductor - Delphian Records Ltd., MusicPublisher

(C) 2014 Delphian Records Ltd (P) 2014 Delphian Records

3
Missa Quaeramus cum pastoribus: Gloria
00:06:30

Cristóbal De Morales, Composer - The Marian Consort, MainArtist - Rory McCleery, Conductor - Delphian Records Ltd., MusicPublisher

(C) 2014 Delphian Records Ltd (P) 2014 Delphian Records

4
Puer natus est nobis
00:07:15

Jean Mouton, Composer - The Marian Consort, MainArtist - Rory McCleery, Conductor - Delphian Records Ltd., MusicPublisher

(C) 2014 Delphian Records Ltd (P) 2014 Delphian Records

5
Missa Quaeramus cum pastoribus: Credo
00:11:31

Cristóbal De Morales, Composer - The Marian Consort, MainArtist - Rory McCleery, Conductor - Delphian Records Ltd., MusicPublisher

(C) 2014 Delphian Records Ltd (P) 2014 Delphian Records

6
Noe, noe, noe, psallite noe
00:04:41

Jean Mouton, Composer - The Marian Consort, MainArtist - Rory McCleery, Conductor - Delphian Records Ltd., MusicPublisher

(C) 2014 Delphian Records Ltd (P) 2014 Delphian Records

7
Missa Quaeramus cum pastoribus: Sanctus & Benedictus
00:05:52

Cristóbal De Morales, Composer - The Marian Consort, MainArtist - Rory McCleery, Conductor - Delphian Records Ltd., MusicPublisher

(C) 2014 Delphian Records Ltd (P) 2014 Delphian Records

8
Pastores dicite, quidnam vidistis?
00:04:02

Cristóbal De Morales, Composer - The Marian Consort, MainArtist - Rory McCleery, Conductor - Delphian Records Ltd., MusicPublisher

(C) 2014 Delphian Records Ltd (P) 2014 Delphian Records

9
Missa Quaeramus cum pastoribus: Agnus Dei
00:06:26

Cristóbal De Morales, Composer - The Marian Consort, MainArtist - Rory McCleery, Conductor - Delphian Records Ltd., MusicPublisher

(C) 2014 Delphian Records Ltd (P) 2014 Delphian Records

10
Quaeramus cum pastoribus a 8
00:05:22

Annibale Stabile, Composer - The Marian Consort, MainArtist - Rory McCleery, Conductor - Delphian Records Ltd., MusicPublisher

(C) 2014 Delphian Records Ltd (P) 2014 Delphian Records

アルバム·レビュー

The singing on this release by Oxford University's one-voice-per-part Marian Consort is very strong. The group follows in the footsteps of the Tallis Scholars, with a clean, dispassionate style and a focus on sacred music of the High Renaissance. The choice of composers is yet a stronger reason to investigate the album: director Rory McCleery offers music by two Renaissance composers, Jean Mouton and Cristóbal de Morales, who were admired in their own time but whom history has consigned to secondary roles. The Morales Missa Quaeramus cum pastoribus is broken up with motets so as to suggest its liturgical use without being over-literal about it. There is also a delicious motet by the almost forgotten Annibale Stabile, perhaps a student of Palestrina. But the choice of repertoire is the best reason of all. The pastoral Christmas flavor is no less defined in music of the Renaissance than it is in the Baroque: these pieces are consistently marked by an emphasis on melody, by major-sounding modes, and by a hyper-consonance that unifies the program beautifully and makes it listenable even for casual buyers interested in the album as a holiday release. It's a concept that any listener in the 16th century would have recognized, but perhaps nobody has tried it on recordings before. With solid engineering from Delphian in Oxford's Merton chapel, this is a superior Renaissance a cappella choral release.

© TiVo

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