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The Choir of Magdalen College, Oxford|Byrd: Second Service & Consort Anthems (The Choir of Magdalen College, Oxford & Fretwork)

Byrd: Second Service & Consort Anthems (The Choir of Magdalen College, Oxford & Fretwork)

The Choir of Magdalen College, Oxford & Fretwork

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Following on a successful and equally distinctive release offering service music and anthems of Gibbons, the Choir of Magdalen College, Oxford, and its director Bill Ives return with a similar program devoted to William Byrd. Once again the most immediately unusual feature of the sound is the presence of instrumental accompaniment by the viol consort Fretwork -- this music generally has been performed a cappella. But the group is in no way treading already-covered ground. The English-language music of Byrd, a Catholic in the closet, has often been taken as rather plain and treated in kind of minimalist fashion, with its comparatively simple polyphonic writing straightforwardly presented. Ives and his youthful musicians hear a completely different Anglican Byrd, a melancholy, madrigalian whose soul is unlocked by the presence of the viols -- they slow the music down slightly and emphasize the small moments of dissonance, especially in cadential figures. The program includes several instrumental In nomines for viols and one organ fantasia -- ornate, intensely chromatic works in which Byrd displayed the power of his contrapuntal fancy. The striking thing is that, the way they are performed here, his Second Service and his shorter anthems come out sounding of a piece with those instrumental works. Part of the unearthly effect comes from the unique sound Ives coaxes from the choir's boy trebles -- this may be a disc for those who think they don't like choirs with boys on the top part. In place of the purity other leaders strive for as a sound ideal, you will hear wiry, intense lines at the top of the texture, perfectly suited to the aims of the performance as a whole. Did Byrd really imbue his English church music with despair as profound as that hidden in his Latin works? Byrd has rarely if ever been done this way, but sample track 3, Alack, when I look back, and see what you think.

© TiVo

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Byrd: Second Service & Consort Anthems (The Choir of Magdalen College, Oxford & Fretwork)

The Choir of Magdalen College, Oxford

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1
Byrd: Arise, O Lord
Bill Ives
00:03:22

The Choir of Magdalen College, Oxford, Performer - Bill Ives, Conductor - William Byrd, Composer

2007 harmonia mundi usa

2
Byrd: O God, that guides the cheerful sun
Bill Ives
00:05:43

The Choir of Magdalen College, Oxford, Performer - Bill Ives, Conductor - Stefan Roberts, Featuring - William Byrd, Composer

2007 harmonia mundi usa

3
Byrd: Alack, when I look back
Bill Ives
00:05:39

The Choir of Magdalen College, Oxford, Performer - Bill Ives, Conductor - Rogers Covey-Crump, Featuring - William Byrd, Composer

2007 harmonia mundi usa

4
Byrd: In nomine a5 (II)
The Choir of Magdalen College, Oxford
00:02:34

The Choir of Magdalen College, Oxford, Performer - William Byrd, Composer

2007 harmonia mundi usa

5
Magnificat
Stefan Roberts
00:04:01

The Choir of Magdalen College, Oxford, Performer - Bill Ives, Conductor - Stefan Roberts, Featuring - William Byrd, Composer

2007 harmonia mundi usa

6
Byrd: Organ Fantasia in D Minor
The Choir of Magdalen College, Oxford
00:04:53

The Choir of Magdalen College, Oxford, Performer - Ryan Leonard, Featuring - William Byrd, Composer

2007 harmonia mundi usa

7
Nunc dimittis
Stefan Roberts
00:02:13

The Choir of Magdalen College, Oxford, Performer - Bill Ives, Conductor - Stefan Roberts, Featuring - William Byrd, Composer

2007 harmonia mundi usa

8
Byrd: In nomine a5 (IV)
The Choir of Magdalen College, Oxford
00:02:52

The Choir of Magdalen College, Oxford, Performer - William Byrd, Composer

2007 harmonia mundi usa

9
Byrd: Blessed is he that fears the Lord
Bill Ives
00:05:17

The Choir of Magdalen College, Oxford, Performer - Bill Ives, Conductor - Rogers Covey-Crump, Featuring - William Byrd, Composer

2007 harmonia mundi usa

10
Byrd: Thou God that guid'st
Bill Ives
00:03:49

The Choir of Magdalen College, Oxford, Performer - Bill Ives, Conductor - Stefan Roberts, Featuring - William Byrd, Composer

2007 harmonia mundi usa

11
Byrd: O Lord, make thy servant Elizabeth
Ryan Leonard
00:02:53

The Choir of Magdalen College, Oxford, Performer - Bill Ives, Conductor - Ryan Leonard, Featuring - William Byrd, Composer

2007 harmonia mundi usa

12
Byrd: Organ Fantasia in A Minor
The Choir of Magdalen College, Oxford
00:07:17

The Choir of Magdalen College, Oxford, Performer - Ryan Leonard, Featuring - William Byrd, Composer

2007 harmonia mundi usa

13
Byrd: Lord in thy wrath
Ryan Leonard
00:03:39

The Choir of Magdalen College, Oxford, Performer - Bill Ives, Conductor - Rogers Covey-Crump, Featuring - Ryan Leonard, Featuring - William Byrd, Composer

2007 harmonia mundi usa

14
Byrd: In nomine a5 (V)
The Choir of Magdalen College, Oxford
00:02:48

The Choir of Magdalen College, Oxford, Performer - William Byrd, Composer

2007 harmonia mundi usa

15
Byrd: Have mercy upon me, O God
Bill Ives
00:04:07

The Choir of Magdalen College, Oxford, Performer - Bill Ives, Conductor - Stefan Roberts, Featuring - William Byrd, Composer

2007 harmonia mundi usa

16
Byrd: Why do I use my paper, ink & pen?
Bill Ives
00:07:13

The Choir of Magdalen College, Oxford, Performer - Bill Ives, Conductor - Rogers Covey-Crump, Featuring - William Byrd, Composer

2007 harmonia mundi usa

17
Byrd: Prevent us, O Lord
Bill Ives
00:02:34

The Choir of Magdalen College, Oxford, Performer - Bill Ives, Conductor - Ryan Leonard, Featuring - William Byrd, Composer

2007 harmonia mundi usa

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Following on a successful and equally distinctive release offering service music and anthems of Gibbons, the Choir of Magdalen College, Oxford, and its director Bill Ives return with a similar program devoted to William Byrd. Once again the most immediately unusual feature of the sound is the presence of instrumental accompaniment by the viol consort Fretwork -- this music generally has been performed a cappella. But the group is in no way treading already-covered ground. The English-language music of Byrd, a Catholic in the closet, has often been taken as rather plain and treated in kind of minimalist fashion, with its comparatively simple polyphonic writing straightforwardly presented. Ives and his youthful musicians hear a completely different Anglican Byrd, a melancholy, madrigalian whose soul is unlocked by the presence of the viols -- they slow the music down slightly and emphasize the small moments of dissonance, especially in cadential figures. The program includes several instrumental In nomines for viols and one organ fantasia -- ornate, intensely chromatic works in which Byrd displayed the power of his contrapuntal fancy. The striking thing is that, the way they are performed here, his Second Service and his shorter anthems come out sounding of a piece with those instrumental works. Part of the unearthly effect comes from the unique sound Ives coaxes from the choir's boy trebles -- this may be a disc for those who think they don't like choirs with boys on the top part. In place of the purity other leaders strive for as a sound ideal, you will hear wiry, intense lines at the top of the texture, perfectly suited to the aims of the performance as a whole. Did Byrd really imbue his English church music with despair as profound as that hidden in his Latin works? Byrd has rarely if ever been done this way, but sample track 3, Alack, when I look back, and see what you think.

© TiVo

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