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ギャビン・ブライアーズ(B)|Bryars: Live at Punkt (Live)

Bryars: Live at Punkt (Live)

Gavin Bryars Ensemble, Gavin Bryars and Arve Henriksen

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This recording of music by Gavin Bryars, featuring his Ensemble, was made live at the 2008 Punkt Festival in Kristiansand, Norway, and is testimony to his commitment to the particular vitality of live performance. The pieces, written between 2002 and 2008, are laudas, a form of non-liturgical religious song in Latin that flowered between the 13th and 16th centuries. Laudas were simple, popular songs, accessible to performers and audiences without musical training, and Bryars essentially sticks to that definition, although the listener is grateful that the singers recorded here have beautiful, obviously trained voices, because Bryars' laudas are not always so simple that just anyone could pick them up. The melodies are mostly modal and often follow the contours of medieval song; in fact, it's possible to imagine that, except for the accompaniment of the Gavin Bryars Ensemble (viola, cello, double bass, electric guitar, and on a few tracks, trumpet), these could be songs written half a millennium ago. Fans of the composer will recognize his stylistic imprint in these pieces, in their generous lyricism and piquant harmonies. Soprano Anna Maria Friman and tenor John Potter sing with exceptional purity and intensity, sometimes as soloists and sometime in duet, and several tracks feature instrumental versions of the songs. Almost every track uses a different combination of voices and instruments, so the album has an engaging diversity of timbres that offsets the melodic similarity of some of the songs. The Bryars Ensemble plays his understated accompaniments with delicacy, subtly complementing the voices and never overwhelming them. The sound is very close, but clean and ambient. This appealing CD should be of interest to fans of the composer and of contemporary vocal music, and perhaps to early music fans as well

© Stephen Eddins /TiVo

詳細はこちら

Bryars: Live at Punkt (Live)

ギャビン・ブライアーズ(B)

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無制限ストリーミングプランで1億曲以上の楽曲を聴くことができます。

無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。

¥1,280/ 月から

1
O divina virgo, flore (Lauda 29) (Live)
アンナ・マリア・フリーマン
00:03:19

Copyright Control, MusicPublisher - Gavin Bryars, Composer, Lyricist, MainArtist - Anna Maria Friman, MainArtist

2009 GB Records 2009 GB Records

2
Stomme allegro (Lauda 13) (Live)
ギャビン・ブライアーズ(B)
00:05:01

Nick Cooper, MainArtist - Copyright Control, MusicPublisher - John Potter, MainArtist - James Woodrow, MainArtist - Gavin Bryars, Composer, Lyricist, MainArtist - Anna Maria Friman, MainArtist - Morgan Goff, MainArtist

2009 GB Records 2009 GB Records

3
Omne homo (Lauda 19) (Live)
ギャビン・ブライアーズ(B)
00:02:23

Nick Cooper, MainArtist - Copyright Control, MusicPublisher - John Potter, MainArtist - James Woodrow, MainArtist - Gavin Bryars, Composer, Lyricist, MainArtist - Anna Maria Friman, MainArtist - Morgan Goff, MainArtist

2009 GB Records 2009 GB Records

4
Tre Laude Dolçe No. 1 (Instrumental) (Live)
ギャビン・ブライアーズ(B)
00:07:24

Nick Cooper, MainArtist - Copyright Control, MusicPublisher - James Woodrow, MainArtist - Gavin Bryars, Composer, Lyricist, MainArtist

2009 GB Records 2009 GB Records

5
Oi me lasso (Lauda 4) (Live)
アンナ・マリア・フリーマン
00:04:28

Copyright Control, MusicPublisher - John Potter, MainArtist - Gavin Bryars, Composer, Lyricist - Anna Maria Friman, MainArtist

2009 GB Records 2009 GB Records

6
L'alto prençe archangelo (Lauda 35) (Live)
ギャビン・ブライアーズ(B)
00:05:08

Nick Cooper, MainArtist - Copyright Control, MusicPublisher - John Potter, MainArtist - James Woodrow, MainArtist - Gavin Bryars, Composer, Lyricist, MainArtist - Morgan Goff, MainArtist

2009 GB Records 2009 GB Records

7
Ciascun ke fede sente (Lauda 37) (Live)
ギャビン・ブライアーズ(B)
00:08:59

Nick Cooper, MainArtist - Copyright Control, MusicPublisher - John Potter, MainArtist - James Woodrow, MainArtist - Arve Henriksen, MainArtist - Gavin Bryars, Composer, Lyricist, MainArtist - Anna Maria Friman, MainArtist - Morgan Goff, MainArtist

2009 GB Records 2009 GB Records

8
Lauda (Con sordino) (Live)
ギャビン・ブライアーズ(B)
00:12:23

Copyright Control, MusicPublisher - James Woodrow, MainArtist - Gavin Bryars, Composer, Lyricist, MainArtist - Morgan Goff, MainArtist

2009 GB Records 2009 GB Records

9
Gloria in cielo (Lauda 36) (Live)
ギャビン・ブライアーズ(B)
00:04:47

Nick Cooper, MainArtist - Copyright Control, MusicPublisher - John Potter, MainArtist - James Woodrow, MainArtist - Arve Henriksen, MainArtist - Gavin Bryars, Composer, Lyricist, MainArtist - Anna Maria Friman, MainArtist - Morgan Goff, MainArtist

2009 GB Records 2009 GB Records

10
Amor dolçe sença pare (Lauda 28) (Live)
ギャビン・ブライアーズ(B)
00:05:41

Nick Cooper, MainArtist - Copyright Control, MusicPublisher - John Potter, MainArtist - Gavin Bryars, Composer, Lyricist, MainArtist - Anna Maria Friman, MainArtist - Morgan Goff, MainArtist

2009 GB Records 2009 GB Records

アルバム·レビュー

This recording of music by Gavin Bryars, featuring his Ensemble, was made live at the 2008 Punkt Festival in Kristiansand, Norway, and is testimony to his commitment to the particular vitality of live performance. The pieces, written between 2002 and 2008, are laudas, a form of non-liturgical religious song in Latin that flowered between the 13th and 16th centuries. Laudas were simple, popular songs, accessible to performers and audiences without musical training, and Bryars essentially sticks to that definition, although the listener is grateful that the singers recorded here have beautiful, obviously trained voices, because Bryars' laudas are not always so simple that just anyone could pick them up. The melodies are mostly modal and often follow the contours of medieval song; in fact, it's possible to imagine that, except for the accompaniment of the Gavin Bryars Ensemble (viola, cello, double bass, electric guitar, and on a few tracks, trumpet), these could be songs written half a millennium ago. Fans of the composer will recognize his stylistic imprint in these pieces, in their generous lyricism and piquant harmonies. Soprano Anna Maria Friman and tenor John Potter sing with exceptional purity and intensity, sometimes as soloists and sometime in duet, and several tracks feature instrumental versions of the songs. Almost every track uses a different combination of voices and instruments, so the album has an engaging diversity of timbres that offsets the melodic similarity of some of the songs. The Bryars Ensemble plays his understated accompaniments with delicacy, subtly complementing the voices and never overwhelming them. The sound is very close, but clean and ambient. This appealing CD should be of interest to fans of the composer and of contemporary vocal music, and perhaps to early music fans as well

© Stephen Eddins /TiVo

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