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サー・アンドリュー・デイヴィス|Bliss: The Beatitudes, Introduction and Allegro & God Save the Queen

Bliss: The Beatitudes, Introduction and Allegro & God Save the Queen

Sir Andrew Davis, BBC Symphony Orchestra, Emily Birsan, Ben Johnson, BBC Symphony Chorus, David Temple

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The Beatitudes of Sir Arthur Bliss met an ignominious fate: scheduled for performance at the reopening of Coventry Cathedral in 1962, it was shoved aside when rehearsals for Britten's War Requiem spiraled out of control, relegated to a small local theater that could not hold the forces required, and performed with, of all things, a Hammond organ. Bliss was gracious about it but definitely received a raw deal: the work did not address the occasion in the immediate terms that Britten's did, but it's quite original, adapting the language of Elgar in novel ways. The nine biblical Beatitudes are actually almost interludes between poems by Henry Vaughan, George Herbert, Jeremy Taylor, and Dylan Thomas, with an adaptation of biblical text by the compiler, Christopher Hassall, in the "Voices of the Mob" section (sample track 11, where the Ninth Beatitude leads into this). That blood-and-guts music could have come out of one of Bliss' film scores, yet other poem settings are harmonically spiky and orchestrally dense. The music received several recordings at the time and several more along the way, including one with Heather Harper on the angelic soprano part in the 1960s. This one with Sir Andrew Davis leading the BBC Symphony Orchestra & Chorus, and made at Watford Colosseum, captures the hard-edged sound Bliss intended in a work that offered no solutions to the granddaughter to whom the composer dedicated it. A certain sympathy for the British choral style is necessary here, but the album is recommended to anyone who possesses such sympathy.

© TiVo

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Bliss: The Beatitudes, Introduction and Allegro & God Save the Queen

サー・アンドリュー・デイヴィス

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The Beatitudes, F. 28 (Arthur Bliss)

1
Prelude. A Troubled World
Sir Andrew Davis
00:03:17

BBC Symphony Orchestra, Orchestra, MainArtist - Sir Andrew Davis, Conductor, MainArtist - Sir Arthur Bliss, Composer

2018 Chandos Records 2018 Chandos Records

2
I. The Mount of Olives
Sir Andrew Davis
00:04:33

BBC Symphony Orchestra, Orchestra, MainArtist - BBC Symphony Chorus, Choir, MainArtist - Sir Andrew Davis, Conductor, MainArtist - Sir Arthur Bliss, Composer

2018 Chandos Records 2018 Chandos Records

3
II. First and Second Beatitudes
Sir Andrew Davis
00:03:39

Ben Johnson, MainArtist, TenorSolo - BBC Symphony Orchestra, Orchestra, MainArtist - BBC Symphony Chorus, Choir, MainArtist - Sir Andrew Davis, Conductor, MainArtist - Sir Arthur Bliss, Composer - Emily Birsan, MainArtist, SopranoSolo

2018 Chandos Records 2018 Chandos Records

4
III. Easter
Sir Andrew Davis
00:06:04

Ben Johnson, MainArtist, TenorSolo - BBC Symphony Orchestra, Orchestra, MainArtist - BBC Symphony Chorus, Choir, MainArtist - Sir Andrew Davis, Conductor, MainArtist - Sir Arthur Bliss, Composer - Emily Birsan, MainArtist, SopranoSolo

2018 Chandos Records 2018 Chandos Records

5
IV. I got me flowers to strew thy way
Sir Andrew Davis
00:04:30

Ben Johnson, MainArtist, TenorSolo - BBC Symphony Orchestra, Orchestra, MainArtist - BBC Symphony Chorus, Choir, MainArtist - Sir Andrew Davis, Conductor, MainArtist - Sir Arthur Bliss, Composer - Emily Birsan, MainArtist, SopranoSolo

2018 Chandos Records 2018 Chandos Records

6
V. Third Beatitude
Sir Andrew Davis
00:01:20

BBC Symphony Orchestra, Orchestra, MainArtist - Sir Andrew Davis, Conductor, MainArtist - Sir Arthur Bliss, Composer - Emily Birsan, MainArtist, SopranoSolo

2018 Chandos Records 2018 Chandos Records

7
VI. The lofty looks of man shall be humbled
Sir Andrew Davis
00:03:58

BBC Symphony Orchestra, Orchestra, MainArtist - BBC Symphony Chorus, Choir, MainArtist - Sir Andrew Davis, Conductor, MainArtist - Sir Arthur Bliss, Composer

2018 Chandos Records 2018 Chandos Records

8
VII. Fourth Beatitude
Sir Andrew Davis
00:02:11

Ben Johnson, MainArtist, TenorSolo - BBC Symphony Orchestra, Orchestra, MainArtist - BBC Symphony Chorus, Choir, MainArtist - Sir Andrew Davis, Conductor, MainArtist - Sir Arthur Bliss, Composer - Emily Birsan, MainArtist, SopranoSolo

2018 Chandos Records 2018 Chandos Records

9
VIII. The Call
Sir Andrew Davis
00:03:53

BBC Symphony Orchestra, Orchestra, MainArtist - BBC Symphony Chorus, Choir, MainArtist - Sir Andrew Davis, Conductor, MainArtist - Sir Arthur Bliss, Composer

2018 Chandos Records 2018 Chandos Records

10
Interlude
Sir Andrew Davis
00:01:26

BBC Symphony Orchestra, Orchestra, MainArtist - Sir Andrew Davis, Conductor, MainArtist - Sir Arthur Bliss, Composer

2018 Chandos Records 2018 Chandos Records

11
IX. Fifth, Sixth, Seventh and Eighth Beatitudes
Sir Andrew Davis
00:03:46

Ben Johnson, MainArtist, TenorSolo - BBC Symphony Orchestra, Orchestra, MainArtist - BBC Symphony Chorus, Choir, MainArtist - Sir Andrew Davis, Conductor, MainArtist - Sir Arthur Bliss, Composer - Emily Birsan, MainArtist, SopranoSolo

2018 Chandos Records 2018 Chandos Records

12
X. And death shall have no dominion
Sir Andrew Davis
00:03:11

BBC Symphony Orchestra, Orchestra, MainArtist - BBC Symphony Chorus, Choir, MainArtist - Sir Andrew Davis, Conductor, MainArtist - Sir Arthur Bliss, Composer

2018 Chandos Records 2018 Chandos Records

13
XI. Ninth Beatitude
Sir Andrew Davis
00:01:30

Ben Johnson, MainArtist, TenorSolo - BBC Symphony Orchestra, Orchestra, MainArtist - Sir Andrew Davis, Conductor, MainArtist - Sir Arthur Bliss, Composer - Emily Birsan, MainArtist, SopranoSolo

2018 Chandos Records 2018 Chandos Records

14
Voices of the Mob
Sir Andrew Davis
00:01:03

BBC Symphony Orchestra, Orchestra, MainArtist - BBC Symphony Chorus, Choir, MainArtist - Sir Andrew Davis, Conductor, MainArtist - Sir Arthur Bliss, Composer

2018 Chandos Records 2018 Chandos Records

15
XII. Epilogue. O blessed Jesu
Sir Andrew Davis
00:06:51

Ben Johnson, MainArtist, TenorSolo - BBC Symphony Orchestra, Orchestra, MainArtist - BBC Symphony Chorus, Choir, MainArtist - Sir Andrew Davis, Conductor, MainArtist - Sir Arthur Bliss, Composer - Emily Birsan, MainArtist, SopranoSolo

2018 Chandos Records 2018 Chandos Records

16
Introduction and Allegro, F. 117 (Revised 1937)
Sir Andrew Davis
00:12:09

BBC Symphony Orchestra, Orchestra, MainArtist - Sir Andrew Davis, Conductor, MainArtist - Sir Arthur Bliss, Composer

2018 Chandos Records 2018 Chandos Records

17
God Save the Queen, "The National Anthem"
Sir Andrew Davis
00:02:59

BBC Symphony Orchestra, Orchestra, MainArtist - BBC Symphony Chorus, Choir, MainArtist - Sir Andrew Davis, Conductor, MainArtist - Sir Arthur Bliss, Composer

2018 Chandos Records 2018 Chandos Records

アルバム·レビュー

The Beatitudes of Sir Arthur Bliss met an ignominious fate: scheduled for performance at the reopening of Coventry Cathedral in 1962, it was shoved aside when rehearsals for Britten's War Requiem spiraled out of control, relegated to a small local theater that could not hold the forces required, and performed with, of all things, a Hammond organ. Bliss was gracious about it but definitely received a raw deal: the work did not address the occasion in the immediate terms that Britten's did, but it's quite original, adapting the language of Elgar in novel ways. The nine biblical Beatitudes are actually almost interludes between poems by Henry Vaughan, George Herbert, Jeremy Taylor, and Dylan Thomas, with an adaptation of biblical text by the compiler, Christopher Hassall, in the "Voices of the Mob" section (sample track 11, where the Ninth Beatitude leads into this). That blood-and-guts music could have come out of one of Bliss' film scores, yet other poem settings are harmonically spiky and orchestrally dense. The music received several recordings at the time and several more along the way, including one with Heather Harper on the angelic soprano part in the 1960s. This one with Sir Andrew Davis leading the BBC Symphony Orchestra & Chorus, and made at Watford Colosseum, captures the hard-edged sound Bliss intended in a work that offered no solutions to the granddaughter to whom the composer dedicated it. A certain sympathy for the British choral style is necessary here, but the album is recommended to anyone who possesses such sympathy.

© TiVo

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