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アントワーヌ・タムスティ|Bel Canto. The Voice of the Viola

Bel Canto. The Voice of the Viola

Antoine Tamestit - Cédric Tiberghien

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対応言語:英語

Here the diva is the viola!
How did the viola move from the status of ‘dramatic contralto among instrumental voices’ (to quote the critic Henri Blanchard) to ‘a character of nobility and languor’, according to Georg Kastner’s treatise on instrumentation (1837)? Going well beyond mere historical interest, this album answers the question by unveiling the charms of a repertory that delighted Parisian concert halls and salons throughout the 19th century. It tells the story of an instrument that at last emerged from the violin’s shadow thanks to immense virtuosos; and now the talent of two great musicians of our time brings back to life these pieces which offer much more than the exquisite languors of bel canto. The diva is the viola; its servant is named Antoine Tamestit. (Text from harmonia mundi label)

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Bel Canto. The Voice of the Viola

アントワーヌ・タムスティ

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Viola Sonata in B-Flat Major, Op. 36 (Henri Vieuxtemps)

1
I. Maestoso - Allegro
Antoine Tamestit
00:11:38
2
II. Barcarolla. Andante con moto
Antoine Tamestit
00:06:31

Antoine Tamestit, Viola - Cédric Tiberghien, Piano - Henri Vieuxtemps, Composer

2017 harmonia mundi harmonia mundi 2017

3
III. Finale scherzando. Allegretto
Antoine Tamestit
00:04:05

Antoine Tamestit, Viola - Cédric Tiberghien, Piano - Henri Vieuxtemps, Composer

2017 harmonia mundi harmonia mundi 2017

La Fille du Régiment (Gaetano Donizetti)

4
Act I, Scene 11: Air de Marie "Il faut partir" (Arr. for Piano & Viola)
Antoine Tamestit
00:05:55

Antoine Tamestit, Viola - Cédric Tiberghien, Piano - Gaetano Donizetti, Composer

2017 harmonia mundi harmonia mundi 2017

Élégie in F Minor, Op. 30 (Henri Vieuxtemps)

5
Elegie in F Minor, Op. 30
Antoine Tamestit
00:06:47

Antoine Tamestit, Viola - Cédric Tiberghien, Piano - Henri Vieuxtemps, Composer

2017 harmonia mundi harmonia mundi 2017

La Favorita (Gaetano Donizetti)

6
Act III, Scene 4: Air de Léonore "Ô mon Fernand" (Arr. for Piano & Viola)
Antoine Tamestit
00:03:41

Antoine Tamestit, Viola - Cédric Tiberghien, Piano - Gaetano Donizetti, Composer

2017 harmonia mundi harmonia mundi 2017

Le Songe, Op. 92 (Jacques Féréol Mazas)

7
Elégie sur un thème de "La Favorite"
Antoine Tamestit
00:11:58

Prelude No. 15 for Solo Viola (Casimir Ney)

8
Prelude No. 15 for Solo Viola
Antoine Tamestit
00:04:58

Antoine Tamestit, Viola - Casimir Ney, Composer

2017 harmonia mundi harmonia mundi 2017

Norma (Vincenzo Bellini)

9
Act I, Scene 1: Air de Norma "Casta Diva" (Arr. for Piano & Viola)
Antoine Tamestit
00:06:15

Antoine Tamestit, Viola - Cédric Tiberghien, Piano - Vincenzo Bellini, Composer

2017 harmonia mundi harmonia mundi 2017

Capriccio for Solo Viola, Op. 55 (Henri Vieuxtemps)

10
Capriccio for Solo Viola, Op. 55
Antoine Tamestit
00:03:26

Antoine Tamestit, Viola - Henri Vieuxtemps, Composer

2017 harmonia mundi harmonia mundi 2017

アルバム·レビュー

Here the diva is the viola!
How did the viola move from the status of ‘dramatic contralto among instrumental voices’ (to quote the critic Henri Blanchard) to ‘a character of nobility and languor’, according to Georg Kastner’s treatise on instrumentation (1837)? Going well beyond mere historical interest, this album answers the question by unveiling the charms of a repertory that delighted Parisian concert halls and salons throughout the 19th century. It tells the story of an instrument that at last emerged from the violin’s shadow thanks to immense virtuosos; and now the talent of two great musicians of our time brings back to life these pieces which offer much more than the exquisite languors of bel canto. The diva is the viola; its servant is named Antoine Tamestit. (Text from harmonia mundi label)

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