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アンドラーシュ・シフ|ベートーヴェン:ピアノ・ソナタ第8集 (2006年ライヴ・アット・ライツターデル、ノイマルクト)

ベートーヴェン:ピアノ・ソナタ第8集 (2006年ライヴ・アット・ライツターデル、ノイマルクト)

András Schiff

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If it were possible to hear András Schiff's 2008 recording of Beethoven final three piano sonatas without having already heard his previous recordings of the earlier sonatas, what would it sound like? Indeed, if it were possible to hear this disc without having heard any of Schiff's recordings of his instrument's core Austro-Germanic repertoire from Bach through Mozart, Schubert, Schumann, and Brahms to Reger and Busoni, what would it sound like? After all, these three sonatas are acknowledged by listeners, critics, and musicologists alike to be among the very greatest works in their genre and the artistic stakes for the pianist are supremely high.
In terms of performance, the disc would sound all of a piece. Despite the enormous musical, emotional, and spiritual range of the music, the pianist sounds consistently like himself. In the face of Opus 109's radiant lyricism, Opus 110's luminous counterpoint, and Opus 111's transcendent variations, the pianist remains clear-headed and poised, his articulation deft, his balances lucid, and his tempos completely controlled. In terms of interpretation, the disc would sound a bit cool. The phrasing here is crisp, the sonorities do not linger and there is conspicuously little use of the sustain pedal. But more than that, the interpretations themselves sound a tad distant, as if the performer had considered all the ways to approach the music from the histrionic to the heroic and chose the middle way. Opus 109 shines, but does not gleam. Opus 110 argues but does not persuade. Opus 111 maps the starry skies but does not sail off into interstellar space. If one had not heard the canonical recordings of Schnabel, Fischer, Kempff, Richter, Brendel, and Pollini, this disc would sound splendid, particularly in ECM's virtually lifelike digital sound. But heard in comparison to those performers' awe-inspiring sublimity, Schiff sounds simply superb.

© TiVo

詳細はこちら

ベートーヴェン:ピアノ・ソナタ第8集 (2006年ライヴ・アット・ライツターデル、ノイマルクト)

アンドラーシュ・シフ

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ピアノ・ソナタ 第30番 ホ長調 作品109 (ルートヴィヒ・ヴァン・ベートーヴェン)

1
第1楽章: Vivace, ma non troppo - Adagio esspressivo (2006年ライヴ・アット・ライツターデル、ノイマルクト)
00:03:40

Ludwig van Beethoven, Composer - András Schiff, Piano, MainArtist, AssociatedPerformer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2008 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

2
第2楽章:Presstissimo (2006年ライヴ・アット・ライツターデル、ノイマルクト)
00:02:29

Ludwig van Beethoven, Composer - András Schiff, Piano, MainArtist, AssociatedPerformer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2008 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

3
第3楽章: Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo (2006年ライヴ・アット・ライツターデル、ノイマルクト)
00:12:36

Ludwig van Beethoven, Composer - András Schiff, Piano, MainArtist, AssociatedPerformer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2008 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

ピアノ・ソナタ 第31番 変イ長調 作品110 (ルートヴィヒ・ヴァン・ベートーヴェン)

4
第1楽章: Moderato cantabile molto espressivo (2006年ライヴ・アット・ライツターデル、ノイマルクト)
00:06:54

Ludwig van Beethoven, Composer - András Schiff, Piano, MainArtist, AssociatedPerformer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2008 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

5
第2楽章: Allegro molto (2006年ライヴ・アット・ライツターデル、ノイマルクト)
00:02:17

Ludwig van Beethoven, Composer - András Schiff, Piano, MainArtist, AssociatedPerformer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2008 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

6
第3楽章: Adagio ma non troppo - Fuga. Allegro ma non troppo (2006年ライヴ・アット・ライツターデル、ノイマルクト)
00:09:47

Ludwig van Beethoven, Composer - András Schiff, Piano, MainArtist, AssociatedPerformer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2008 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

ピアノ・ソナタ 第32番 ハ短調 作品111 (ルートヴィヒ・ヴァン・ベートーヴェン)

7
第1楽章: Maestroso - Allegro con brio ed appassionato (2006年ライヴ・アット・ライツターデル、ノイマルクト)
00:08:42

Ludwig van Beethoven, Composer - András Schiff, Piano, MainArtist, AssociatedPerformer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2008 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

8
第2楽章: Arietta. Adagio molto semplice e cantabile (2006年ライヴ・アット・ライツターデル、ノイマルクト)
00:18:03

Ludwig van Beethoven, Composer - András Schiff, Piano, MainArtist, AssociatedPerformer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer

℗ 2008 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

アルバム·レビュー

If it were possible to hear András Schiff's 2008 recording of Beethoven final three piano sonatas without having already heard his previous recordings of the earlier sonatas, what would it sound like? Indeed, if it were possible to hear this disc without having heard any of Schiff's recordings of his instrument's core Austro-Germanic repertoire from Bach through Mozart, Schubert, Schumann, and Brahms to Reger and Busoni, what would it sound like? After all, these three sonatas are acknowledged by listeners, critics, and musicologists alike to be among the very greatest works in their genre and the artistic stakes for the pianist are supremely high.
In terms of performance, the disc would sound all of a piece. Despite the enormous musical, emotional, and spiritual range of the music, the pianist sounds consistently like himself. In the face of Opus 109's radiant lyricism, Opus 110's luminous counterpoint, and Opus 111's transcendent variations, the pianist remains clear-headed and poised, his articulation deft, his balances lucid, and his tempos completely controlled. In terms of interpretation, the disc would sound a bit cool. The phrasing here is crisp, the sonorities do not linger and there is conspicuously little use of the sustain pedal. But more than that, the interpretations themselves sound a tad distant, as if the performer had considered all the ways to approach the music from the histrionic to the heroic and chose the middle way. Opus 109 shines, but does not gleam. Opus 110 argues but does not persuade. Opus 111 maps the starry skies but does not sail off into interstellar space. If one had not heard the canonical recordings of Schnabel, Fischer, Kempff, Richter, Brendel, and Pollini, this disc would sound splendid, particularly in ECM's virtually lifelike digital sound. But heard in comparison to those performers' awe-inspiring sublimity, Schiff sounds simply superb.

© TiVo

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