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マウリツィオ・ポリーニ|Beethoven: Sonatas Op. 7, 14 & 22

Beethoven: Sonatas Op. 7, 14 & 22

Maurizio Pollini

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Milanese-born pianist Maurizio Pollini has a flawless technique that, for his champions, seems to merge with the virtuosic aspect of Beethoven's music. Few would disparage his readings of the late Beethoven sonatas, which like the composer's other late music reside at the limits of playability; Pollini does wonderful things there. Likewise, for Pollini's detractors, he has a willful interpretive streak that can jangle the nerves if you don't connect with what he's doing. There's plenty of ammunition for both sides of the debate on this recording, comprising an attractive selection of four early sonatas, two of them grand four-movement pieces of symphonic scope, and two, the pair of Op. 14 works, small lyrical works that look forward to the Romantics. Pollini does very well with the outer pair, the Piano Sonata No. 4 in E flat major, Op. 7, which was the first sonata to depart decisively from Haydn's world, and the Piano Sonata No. 11 in B flat major, Op. 22, which in Pollini's hands really looks forward to the monumental accomplishments of Beethoven's middle period. The two smaller works of Op.14, however, are a good deal more troublesome. Generally taken as calm, pastoral, Mendelssohnian works, they become with Pollini nervous mutterings, with the major-key passages having the flavor of rushed little etudes. It's without question an original take, but there's a question as to whether it can stand up to precedent. Nevertheless, Pollini has lost neither technical flair nor boldness in his old age, and it's always worth hearing what he has to say.

© TiVo

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Beethoven: Sonatas Op. 7, 14 & 22

マウリツィオ・ポリーニ

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ピアノ・ソナタ 第4番 変ホ長調 作品7 (ルートヴィヒ・ヴァン・ベートーヴェン)

1
第1楽章: Allegro molto e con brio
00:07:34

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer, Recording Producer - Christian Badzura, Producer - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2013 Deutsche Grammophon GmbH, Berlin

2
第2楽章: Largo, con gran espressione
00:07:20

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer, Recording Producer - Christian Badzura, Producer - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2013 Deutsche Grammophon GmbH, Berlin

3
第3楽章: Allegro
00:04:30

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer, Recording Producer - Christian Badzura, Producer - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2013 Deutsche Grammophon GmbH, Berlin

4
第4楽章: Rondo. Poco allegretto e grazioso
00:06:34

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer, Recording Producer - Christian Badzura, Producer - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2013 Deutsche Grammophon GmbH, Berlin

ピアノ・ソナタ 第9番 ホ長調 作品14の1 (ルートヴィヒ・ヴァン・ベートーヴェン)

5
第1楽章: Allegro
00:06:01

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer, Recording Producer - Christian Badzura, Producer - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2013 Deutsche Grammophon GmbH, Berlin

6
第2楽章: Allegretto
00:02:34

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer, Recording Producer - Christian Badzura, Producer - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2013 Deutsche Grammophon GmbH, Berlin

7
第3楽章: Rondo. Allegro comodo
00:03:00

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer, Recording Producer - Christian Badzura, Producer - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2013 Deutsche Grammophon GmbH, Berlin

ピアノ・ソナタ 第10番 ト長調 作品14の2 (ルートヴィヒ・ヴァン・ベートーヴェン)

8
第1楽章: Allegro
00:05:46

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer, Recording Producer - Christian Badzura, Producer - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2013 Deutsche Grammophon GmbH, Berlin

9
第2楽章: Andante
00:04:54

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer, Recording Producer - Christian Badzura, Producer - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2013 Deutsche Grammophon GmbH, Berlin

10
第3楽章: Scherzo. Allegro assai
00:03:05

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer, Recording Producer - Christian Badzura, Producer - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2013 Deutsche Grammophon GmbH, Berlin

ピアノ・ソナタ 第11番 変ロ長調 作品22 (ルートヴィヒ・ヴァン・ベートーヴェン)

11
第1楽章: Allegro con brio (2012 Recording)
00:06:45

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer, Recording Producer - Christian Badzura, Producer - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2013 Deutsche Grammophon GmbH, Berlin

12
第2楽章: Adagio con molto espressione (2012 Recording)
00:06:15

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer, Recording Producer - Christian Badzura, Producer - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2013 Deutsche Grammophon GmbH, Berlin

13
第3楽章: Menuetto (2013 Recording)
00:03:03

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer, Recording Producer - Christian Badzura, Producer - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2013 Deutsche Grammophon GmbH, Berlin

14
第4楽章: Rondo. Allegretto (2013 Recording)
00:05:21

Ludwig van Beethoven, Composer - Maurizio Pollini, Piano, MainArtist, AssociatedPerformer - Christopher Alder, Producer, Recording Producer - Christian Badzura, Producer - Klaus Hiemann, Recording Engineer, StudioPersonnel - Oliver Rogalla Von Heyden, Asst. Recording Engineer, StudioPersonnel

℗ 2013 Deutsche Grammophon GmbH, Berlin

アルバム·レビュー

Milanese-born pianist Maurizio Pollini has a flawless technique that, for his champions, seems to merge with the virtuosic aspect of Beethoven's music. Few would disparage his readings of the late Beethoven sonatas, which like the composer's other late music reside at the limits of playability; Pollini does wonderful things there. Likewise, for Pollini's detractors, he has a willful interpretive streak that can jangle the nerves if you don't connect with what he's doing. There's plenty of ammunition for both sides of the debate on this recording, comprising an attractive selection of four early sonatas, two of them grand four-movement pieces of symphonic scope, and two, the pair of Op. 14 works, small lyrical works that look forward to the Romantics. Pollini does very well with the outer pair, the Piano Sonata No. 4 in E flat major, Op. 7, which was the first sonata to depart decisively from Haydn's world, and the Piano Sonata No. 11 in B flat major, Op. 22, which in Pollini's hands really looks forward to the monumental accomplishments of Beethoven's middle period. The two smaller works of Op.14, however, are a good deal more troublesome. Generally taken as calm, pastoral, Mendelssohnian works, they become with Pollini nervous mutterings, with the major-key passages having the flavor of rushed little etudes. It's without question an original take, but there's a question as to whether it can stand up to precedent. Nevertheless, Pollini has lost neither technical flair nor boldness in his old age, and it's always worth hearing what he has to say.

© TiVo

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