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Budapest String Quartet|Beethoven: Late String Quartets (Live)

Beethoven: Late String Quartets (Live)

Budapest String Quartet

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For several generations of Americans, the Budapest Quartet defined the art of string quartet playing. One of the ways the Budapest achieved this was through its radio broadcasts from the Library of Congress while playing the Library's matched set of Stradivarius instruments. Between 1941 and 1960, the Budapest's performances of Mozart, Haydn, Schubert, and, of course, Beethoven were heard by more Americans than could ever have hoped to hear them before radio. This means that more Americans were exposed to the deep humanity and profound spirituality of Beethoven's late quartets through performances like those on this set remastered and reissued on Bridge. What a wonderful thing and what a shame: wonderful because so many heard so much truly sublime music and a shame because so many got to hear it in such wretched performances. From the pinched and narrow tone to the soloistic approach to ensemble, the Budapest's performances are often painfully out of tune and rhythmically out of sync. Worse yet, the Budapest sounds tired and weary: its Op. 127 is frail, its Op. 130 is feeble, its Op. 133 verges on disunity, its Op. 132 passes into disintegration, and its Op. 135 is just a mess. But all that having been said, the Budapest's July 7, 1943, performance of Op. 131, the C sharp minor, is terrific. In the opening Fugue, the tone seems less irritating than probing. In the Presto, the ensemble seems less free than driven. And the while its interpretation may be as much inspired as it is premeditated, its inspiration exhilarates and exalts its interpretation rather then sending it careening off a cliff. This is worth hearing for the C sharp minor; otherwise, it's proof that you can fool some of the people some of the time.

© TiVo

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Beethoven: Late String Quartets (Live)

Budapest String Quartet

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String Quartet No. 16 in F major, Op. 135 (Ludwig van Beethoven)

1
I. Allegretto (Live)
00:06:10

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

2
II. Vivace (Live)
00:03:13

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

3
III. Lento assai, cantante e tranquillo (Live)
00:07:15

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

4
IV. Grave, ma non troppo tratto - Allegro (Live)
00:06:38

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

String Quartet No. 15 in A minor, Op. 132 (Ludwig van Beethoven)

5
I. Assai sostenuto (Live)
00:09:39

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

6
II. Allegro ma non tanto (Live)
00:06:55

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

7
III. Molto adagio (Live)
00:17:02

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

8
IV. Alla marcia, assai vivace (Live)
00:02:15

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

9
V. Allegro appassionato (Live)
00:06:34

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

Disc 2

String Quartet No. 14 in C-Sharp Minor, Op. 131 (Ludwig van Beethoven)

1
I. Adagio ma non troppo e molto espressivo (Live)
00:05:52

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

2
II. Allegro molto vivace (Live)
00:02:50

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

3
III. Allegro moderato (Live)
00:00:37

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

4
IV. Andante ma non troppo e molto cantabile (Live)
00:12:18

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

5
V. Presto (Live)
00:05:03

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

6
VI. Adagio quasi un poco andante (Live)
00:01:46

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

7
VII. Allegro (Live)
00:06:23

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

String Quartet No. 12 in E-Flat Major, Op. 127 (Ludwig van Beethoven)

8
I. Maestoso - Allegro (Live)
00:06:11

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

9
II. Adagio ma non troppo e molto cantabile (Live)
00:14:58

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

10
III. Scherzando vivace (Live)
00:06:27

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

11
IV. Finale. Allegro (Live)
00:06:00

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

Disc 3

String Quartet No. 13 in B-Flat Major, Op. 130 (Ludwig van Beethoven)

1
I. Adagio, ma non troppo - Allegro (Live)
00:10:26

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

2
II. Presto (Live)
00:01:57

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

3
III. Andante con moto, ma non troppo (Live)
00:06:31

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

4
IV. Alla danza tedesca. Allegro assai (Live)
00:03:35

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

5
V. Cavatina. Adagio molto espressivo (Live)
00:07:15

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

6
VI. Finale. Allegro (Live)
00:07:50

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

Große Fuge, Op. 133 (Live) (Ludwig van Beethoven)

7
Große Fuge, Op. 133 (Live)
00:16:06

Budapest String Quartet, Ensemble, MainArtist - Ludwig van Beethoven, Composer

(C) 1997 Bridge Records (P) 1997 Bridge Records

アルバム·レビュー

For several generations of Americans, the Budapest Quartet defined the art of string quartet playing. One of the ways the Budapest achieved this was through its radio broadcasts from the Library of Congress while playing the Library's matched set of Stradivarius instruments. Between 1941 and 1960, the Budapest's performances of Mozart, Haydn, Schubert, and, of course, Beethoven were heard by more Americans than could ever have hoped to hear them before radio. This means that more Americans were exposed to the deep humanity and profound spirituality of Beethoven's late quartets through performances like those on this set remastered and reissued on Bridge. What a wonderful thing and what a shame: wonderful because so many heard so much truly sublime music and a shame because so many got to hear it in such wretched performances. From the pinched and narrow tone to the soloistic approach to ensemble, the Budapest's performances are often painfully out of tune and rhythmically out of sync. Worse yet, the Budapest sounds tired and weary: its Op. 127 is frail, its Op. 130 is feeble, its Op. 133 verges on disunity, its Op. 132 passes into disintegration, and its Op. 135 is just a mess. But all that having been said, the Budapest's July 7, 1943, performance of Op. 131, the C sharp minor, is terrific. In the opening Fugue, the tone seems less irritating than probing. In the Presto, the ensemble seems less free than driven. And the while its interpretation may be as much inspired as it is premeditated, its inspiration exhilarates and exalts its interpretation rather then sending it careening off a cliff. This is worth hearing for the C sharp minor; otherwise, it's proof that you can fool some of the people some of the time.

© TiVo

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