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ジェイムズ・ムーディ|Bebop

Bebop

James Moody, Don Byas, Howard McGhee

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対応言語:英語

Four different groups are heard on this compilation from the Jazz in Paris series. Although all groups were promoted as bop-oriented when they were overseas, the only bona fide bop musicians on the first two sessions are tenor saxophonist Don Byas and pianist Billy Taylor. The first date is jointly credited to Byas and trombonist Tyree Glenn (known for his work with Duke Ellington and Louis Armstrong); Glenn is an effective soloist, even though he's firmly a swinger at heart. But it is Byas' big-toned solos that stand out, especially in Dizzy Gillespie's "Dynamo A" (also known as "Dizzy Atmosphere"), along with the effective comping and solos of the relative youngster Billy Taylor, who also contributed "Mad Monk." Trumpeter Howard McGhee leads a sextet, featuring alto saxophonist Jimmy Heath and bassist Percy Heath, sticking primarily to the leader's compositions. McGhee's writing is insignificant (especially when compared to Jimmy Heath's output over the decades which followed); better are the interpretations of Charlie Parker's "Donna Lee" and Tadd Dameron's loping "Big Will." The last four tracks feature tenor saxophonist James Moody, with Byas, trombonist Nat Peck, and pianist Bernard Peiffer along for the ride. Only one is a Moody original, but in spite of the strong performances, the lousy work of the session's engineer produced consistently overmodulated recordings. The musicians deserved better.

© Ken Dryden /TiVo

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Bebop

ジェイムズ・ムーディ

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1
Mad Monk (Instrumental)
ドン・バイアス
00:02:42

Don Byas, MainArtist - BILLY TAYLOR, ComposerLyricist

℗ 1947 Decca Records France

2
Please Don't Talk About Me When I'm Gone (Instrumental)
ドン・バイアス
00:02:40

Don Byas, MainArtist - SAM H. STEPT, Composer - Sidney Clare, Author

℗ 1947 Decca Records France

3
The Hour Of Parting (Instrumental)
ドン・バイアス
00:03:26

Don Byas, MainArtist - Spoliansky, Composer - Gus Kahn, Composer

℗ 1947 Decca Records France

4
I Can't Get Started (Instrumental)
ドン・バイアス
00:02:40

Don Byas, MainArtist - Ira Gershwin, ComposerLyricist - Vernon Duke, ComposerLyricist

℗ 1947 Decca Records France

5
Billie's Bounce (Instrumental)
ドン・バイアス
00:02:54

Don Byas, MainArtist - Charlie Parker, ComposerLyricist

℗ 1947 Decca Records France

6
I Surrender Dear (Instrumental)
ドン・バイアス
00:03:16

Don Byas, MainArtist - Gordon Clifford, Author - Harry Barris, Composer

℗ 1947 Decca Records France

7
Walking Around (Instrumental)
ドン・バイアス
00:02:52

Don Byas, MainArtist, ComposerLyricist

℗ 1947 Decca Records France

8
How High The Moon (Instrumental)
ドン・バイアス
00:02:41

Don Byas, MainArtist - Nancy Hamilton, Author - Morgan Lewis, Composer

℗ 1947 Decca Records France

9
Red Cross (Instrumental)
ドン・バイアス
00:02:48

Don Byas, MainArtist - Charlie Parker, ComposerLyricist

℗ 1947 Decca Records France

10
Laura (Instrumental)
ドン・バイアス
00:03:44

Don Byas, MainArtist - Johnny Mercer, ComposerLyricist - David Raksin, ComposerLyricist

℗ 1947 Decca Records France

11
Cement Mixer (Album Version)
ドン・バイアス
00:02:54

Don Byas, MainArtist - Lee Ricks, ComposerLyricist - Slim Gaillard, ComposerLyricist - Peanuts Holland, Interprète Vocal, AssociatedPerformer

℗ 1947 Decca Records France

12
Dynamo A (Instrumental)
ドン・バイアス
00:03:32

Don Byas, MainArtist - Dizzy Gillespie, ComposerLyricist

℗ 1947 Decca Records France

13
Denise (Instrumental)
Howard McGhee Sextet
00:03:21

Howard McGhee, Composer - Howard McGhee Sextet, MainArtist

℗ 1948 Decca Records France

14
Nicole (Instrumental)
Howard McGhee Sextet
00:03:29

Howard McGhee, Composer - Howard McGhee Sextet, MainArtist

℗ 1948 Decca Records France

15
Etoile (Instrumental)
Howard McGhee Sextet
00:03:00

Howard McGhee, Composer - Howard McGhee Sextet, MainArtist

℗ 1948 Decca Records France

16
Punkins (Instrumental)
Howard McGhee Sextet
00:03:13

Howard McGhee Sextet, MainArtist - Vernon Biddle, Composer

℗ 1948 Decca Records France

17
Donna Lee (Instrumental)
Howard McGhee Sextet
00:03:07

Charlie Parker, ComposerLyricist - Howard McGhee Sextet, MainArtist

℗ 1948 Decca Records France

18
Big Will (Instrumental)
Howard McGhee Sextet
00:02:41

Tadd Dameron, Composer - Howard McGhee Sextet, MainArtist

℗ 1948 Decca Records France

19
Prelude To Nicole (Instrumental)
Howard McGhee Sextet
00:03:23

Howard McGhee, Composer - Howard McGhee Sextet, MainArtist

℗ 1948 Decca Records France

20
Oh Well (Instrumental)
James Moody Quintet
00:02:50

James Moody, Composer - James Moody Quintet, MainArtist

℗ 1949 Decca Records France

21
Convulsions (Instrumental)
James Moody Quintet
00:03:00

Eddie Barclay, Composer - James Moody Quintet, MainArtist

℗ 1949 Decca Records France

22
Verso (Instrumental)
James Moody Quintet
00:03:23

Eddie Barclay, Composer - James Moody Quintet, MainArtist

℗ 1949 Decca Records France

23
Recto (Instrumental)
James Moody Quintet
00:03:28

Eddie Barclay, Composer - James Moody Quintet, MainArtist

℗ 1949 Decca Records France

アルバム·レビュー

Four different groups are heard on this compilation from the Jazz in Paris series. Although all groups were promoted as bop-oriented when they were overseas, the only bona fide bop musicians on the first two sessions are tenor saxophonist Don Byas and pianist Billy Taylor. The first date is jointly credited to Byas and trombonist Tyree Glenn (known for his work with Duke Ellington and Louis Armstrong); Glenn is an effective soloist, even though he's firmly a swinger at heart. But it is Byas' big-toned solos that stand out, especially in Dizzy Gillespie's "Dynamo A" (also known as "Dizzy Atmosphere"), along with the effective comping and solos of the relative youngster Billy Taylor, who also contributed "Mad Monk." Trumpeter Howard McGhee leads a sextet, featuring alto saxophonist Jimmy Heath and bassist Percy Heath, sticking primarily to the leader's compositions. McGhee's writing is insignificant (especially when compared to Jimmy Heath's output over the decades which followed); better are the interpretations of Charlie Parker's "Donna Lee" and Tadd Dameron's loping "Big Will." The last four tracks feature tenor saxophonist James Moody, with Byas, trombonist Nat Peck, and pianist Bernard Peiffer along for the ride. Only one is a Moody original, but in spite of the strong performances, the lousy work of the session's engineer produced consistently overmodulated recordings. The musicians deserved better.

© Ken Dryden /TiVo

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