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対応言語：英語
The young Turkish guitarist Celil Refik Kaya made a good decision in trying to stand out from the crowd of new players of his instrument by turning to the music of Paraguayan composer Agustín Barrios. Barrios is not exactly neglected, but he has only a few large virtuoso pieces that tend to get played. He makes a stronger impression, however, in large groups of short pieces that produce a kaleidoscopic effect when heard in sequence. Barrios drew on a great variety of musical sources, not only Paraguayan, but from elsewhere in South America, especially Argentina, and Europe, and he seemed to have a virtuoso device that enlivened every humble folk model he used. His music is thus technically difficult but never flashy and always rooted in musical requirements. This fourth volume of Barrios' music has brought Kaya commercial success, and it's easy to see why: it doesn't contain large works like Barrios' La Catedral, the Bachian essay that John Williams used to program, but it has a striking variety of other types, including the marvelously concise Bach homage Estudio in B minor. Consider and sample the final Milonga (Estilo Criollo). You might get a dozen different answers asking South American musicians for a definition of either of those words, but in Barrios' hands what you hear is a piece that elegantly evokes cowboy music without any bit of showiness, and Kaya's controlled reading is a little gem. Elsewhere, there are flamenco-like sounds from Spain's Andalucía, transformed in Barrios' hands, various Paraguayan genres, etudes that always have some point of interest, and much more. Appealing from start to finish; the only disappointment is the hollow church sound, which detracts from the intimacy.
© TiVo
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Las abejas (アウグスティン・バリオス)
Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist
(C) 2018 Naxos (P) 2018 Naxos
Preludio in C Minor (アウグスティン・バリオス)
Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist
(C) 2018 Naxos (P) 2018 Naxos
Serenata morisca (アウグスティン・バリオス)
Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist
(C) 2018 Naxos (P) 2018 Naxos
Danza (アウグスティン・バリオス)
Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist
(C) 2018 Naxos (P) 2018 Naxos
Danza paraguaya (Excerpts) (アウグスティン・バリオス)
Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist
(C) 2018 Naxos (P) 2018 Naxos
Dinora (アウグスティン・バリオス)
Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist
(C) 2018 Naxos (P) 2018 Naxos
Estudio de concierto No. 1 in A Major (アウグスティン・バリオス)
Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist
(C) 2018 Naxos (P) 2018 Naxos
Mazurka apasionada (アウグスティン・バリオス)
Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist
(C) 2018 Naxos (P) 2018 Naxos
Aires criollos (Transcr. C. Erwich for Solo Guitar) (アウグスティン・バリオス)
Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist - Chris Erwich, Arranger
(C) 2018 Naxos (P) 2018 Naxos
Bicho feo "Tango humorístico" [Arr. T. Morris for Solo Guitar] (アウグスティン・バリオス)
Agustin Barrios Mangore, Composer - Tony Morris, Arranger - Celil Refik Kaya, Artist, MainArtist
(C) 2018 Naxos (P) 2018 Naxos
Altair (アウグスティン・バリオス)
Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist
(C) 2018 Naxos (P) 2018 Naxos
Estudio in B Minor "Homenaje a Bach" (アウグスティン・バリオス)
Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist
(C) 2018 Naxos (P) 2018 Naxos
Divagaciones criollas (Transcr. C. Erwich for Solo Guitar) (アウグスティン・バリオス)
Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist - Chris Erwich, Arranger
(C) 2018 Naxos (P) 2018 Naxos
Estudio No. 6 in E Minor (アウグスティン・バリオス)
Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist
(C) 2018 Naxos (P) 2018 Naxos
Preludio in E Major (アウグスティン・バリオス)
Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist
(C) 2018 Naxos (P) 2018 Naxos
Una limosnita por amor de Dios (アウグスティン・バリオス)
Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist
(C) 2018 Naxos (P) 2018 Naxos
Estudio para ambas manos (アウグスティン・バリオス)
Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist
(C) 2018 Naxos (P) 2018 Naxos
Armonías de América (アウグスティン・バリオス)
Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist
(C) 2018 Naxos (P) 2018 Naxos
Aires andaluces (Transcr. C. Erwich for Solo Guitar) (アウグスティン・バリオス)
Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist - Chris Erwich, Arranger
(C) 2018 Naxos (P) 2018 Naxos
Canción de cuna (アウグスティン・バリオス)
Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist
(C) 2018 Naxos (P) 2018 Naxos
Danza paraguaya (Excerpts) (アウグスティン・バリオス)
Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist
(C) 2018 Naxos (P) 2018 Naxos
Estilo argentino "Chinita" (アウグスティン・バリオス)
Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist
(C) 2018 Naxos (P) 2018 Naxos
La bananita (Transcr. C. Erwich for Solo Guitar) (アウグスティン・バリオス)
Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist - Chris Erwich, Arranger
(C) 2018 Naxos (P) 2018 Naxos
Sargento Cabral (アウグスティン・バリオス)
Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist
(C) 2018 Naxos (P) 2018 Naxos
Preludio in A Minor (アウグスティン・バリオス)
Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist
(C) 2018 Naxos (P) 2018 Naxos
Milonga (Estilo criollo) [Transcr. C. Erwich for Solo Guitar] (アウグスティン・バリオス)
Agustin Barrios Mangore, Composer - Celil Refik Kaya, Artist, MainArtist - Chris Erwich, Arranger
(C) 2018 Naxos (P) 2018 Naxos
アルバム·レビュー
The young Turkish guitarist Celil Refik Kaya made a good decision in trying to stand out from the crowd of new players of his instrument by turning to the music of Paraguayan composer Agustín Barrios. Barrios is not exactly neglected, but he has only a few large virtuoso pieces that tend to get played. He makes a stronger impression, however, in large groups of short pieces that produce a kaleidoscopic effect when heard in sequence. Barrios drew on a great variety of musical sources, not only Paraguayan, but from elsewhere in South America, especially Argentina, and Europe, and he seemed to have a virtuoso device that enlivened every humble folk model he used. His music is thus technically difficult but never flashy and always rooted in musical requirements. This fourth volume of Barrios' music has brought Kaya commercial success, and it's easy to see why: it doesn't contain large works like Barrios' La Catedral, the Bachian essay that John Williams used to program, but it has a striking variety of other types, including the marvelously concise Bach homage Estudio in B minor. Consider and sample the final Milonga (Estilo Criollo). You might get a dozen different answers asking South American musicians for a definition of either of those words, but in Barrios' hands what you hear is a piece that elegantly evokes cowboy music without any bit of showiness, and Kaya's controlled reading is a little gem. Elsewhere, there are flamenco-like sounds from Spain's Andalucía, transformed in Barrios' hands, various Paraguayan genres, etudes that always have some point of interest, and much more. Appealing from start to finish; the only disappointment is the hollow church sound, which detracts from the intimacy.
© TiVo
アルバムについて
- 組み枚数 : 1ディスク - 収録数 : 26曲
- 合計収録時間 : 01:17:26
- 1 デジタルブックレット
- メインアーティスト : Celil Refik Kaya
- 作曲家 : アウグスティン・バリオス
- レーベル : Naxos
- ジャンル： クラシック
(C) 2018 Naxos (P) 2018 Naxos
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