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Spinal Tap|Back From the Dead

Back From the Dead

Spinal Tap

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In 2009, when Back from the Dead was released, it was impossible for any listener to not be in on Spinal Tap's joke, so it's fitting that this is their first release to play as pure comedy, an album that doesn't even attempt to pass itself off as a rock record. The concept is this: a reunited Tap -- hence the name Back from the Dead -- celebrates the 25th Anniversary of This Is Spinal Tap by launching an unplugged (and "unwigged," meaning Christopher Guest, Michael McKean, and Harry Shearer do not don the hairdos of Nigel Tufnel, David St. Hubbins, and Derek Smalls) tour, releasing the movie on BluRay and revisiting their old songs in the studio, adding five new songs, and recording "Jazz Oddyssey" for the first time, splitting it into thirds and scattering it throughout the album. "Sex Farm" is given a funky revamp, and "(Listen to The) Flower People" now sounds like Ziggy Marley, but those are the exceptions to the rule: the rest are straightforward remakes of the original recordings, right down to how "Gimme Some Money" has a Liverpool swing and how "Big Bottom" is driven by a farting synth bass riff. The only difference is, the production is clean and pristine, the band is precise and punchy, laying bare the joke, for better or worse. Some listeners may find this approach riotous, since the humor is pushed right toward the front, while many may miss how their original recordings blurred the lines between real rock and fantasy. This hurts Back from the Dead most on the remakes, all of which pale next to the originals, but the surprising things about the album is that all the new songs are top-notch, eclipsing the often forced Break Like the Wind, and striking the right balance between parody and real rock & roll. They're the reason to hear Back from the Dead, which otherwise is just a tad too satisfied with its own humor for its own good.
© Stephen Thomas Erlewine /TiVo

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Back From the Dead

Spinal Tap

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1
Tonight I'm Gonna Rock You Tonight
00:02:41

Rob Reiner (ASCAP), Composer, Writer - Harry Shearer (ASCAP), Composer, Writer - Michael McKean (ASCAP), Composer, Writer - Christopher Guest (ASCAP), Composer, Writer - Spinal Tap, MainArtist

2
Back From The Dead
00:04:05

Harry Shearer (ASCAP), Composer, Writer - Michael McKean (ASCAP), Composer, Writer - Christopher Guest (ASCAP), Composer, Writer - CJ Vanston (BMI), Composer, Writer - Spinal Tap, MainArtist

3
(Funky) Sex Farm
00:04:30

Rob Reiner (ASCAP), Composer, Writer - Harry Shearer (ASCAP), Composer, Writer - Michael McKean (ASCAP), Composer, Writer - Christopher Guest (ASCAP), Composer, Writer - Spinal Tap, MainArtist

4
Rock 'n' Roll Creation
00:05:04

Rob Reiner (ASCAP), Composer, Writer - Harry Shearer (ASCAP), Composer, Writer - Michael McKean (ASCAP), Composer, Writer - Christopher Guest (ASCAP), Composer, Writer - Spinal Tap, MainArtist

5
Jazz Oddyssey I
00:02:19

Harry Shearer (ASCAP), Composer, Writer - Michael McKean (ASCAP), Composer, Writer - Christopher Guest (ASCAP), Composer, Writer - CJ Vanston (BMI), Composer, Writer - Gregg Bissonette (ASCAP), Composer, Writer - Spinal Tap, MainArtist

6
Gimme Some Money
00:02:32

Rob Reiner (ASCAP), Composer, Writer - Harry Shearer (ASCAP), Composer, Writer - Michael McKean (ASCAP), Composer, Writer - Christopher Guest (ASCAP), Composer, Writer - Spinal Tap, MainArtist

7
Rock 'n' Roll Nightmare
00:03:19

Harry Shearer (ASCAP), Composer, Writer - Michael McKean (ASCAP), Composer, Writer - Christopher Guest (ASCAP), Composer, Writer - Spinal Tap, MainArtist

8
Heavy Duty (Feat. Keith Emerson)
00:04:55

Keith Emerson, FeaturedArtist - Rob Reiner (ASCAP), Composer, Writer - Harry Shearer (ASCAP), Composer, Writer - Michael McKean (ASCAP), Composer, Writer - Christopher Guest (ASCAP), Composer, Writer - Spinal Tap, MainArtist

9
America
00:03:39

Rob Reiner (ASCAP), Composer, Writer - Harry Shearer (ASCAP), Composer, Writer - Michael McKean (ASCAP), Composer, Writer - Christopher Guest (ASCAP), Composer, Writer - Spinal Tap, MainArtist

10
Jazz Oddyssey II
00:01:59

Harry Shearer (ASCAP), Composer, Writer - Michael McKean (ASCAP), Composer, Writer - Christopher Guest (ASCAP), Composer, Writer - CJ Vanston (BMI), Composer, Writer - Gregg Bissonette (ASCAP), Composer, Writer - Spinal Tap, MainArtist

11
(Listen to the) Flower People (Reggae Stylee)
00:03:19

Rob Reiner (ASCAP), Composer, Writer - Harry Shearer (ASCAP), Composer, Writer - Michael McKean (ASCAP), Composer, Writer - Christopher Guest (ASCAP), Composer, Writer - Spinal Tap, MainArtist

12
Hell Hole
00:03:34

Rob Reiner (ASCAP), Composer, Writer - Harry Shearer (ASCAP), Composer, Writer - Michael McKean (ASCAP), Composer, Writer - Christopher Guest (ASCAP), Composer, Writer - Spinal Tap, MainArtist

13
Big Bottom
00:03:37

Rob Reiner (ASCAP), Composer, Writer - Harry Shearer (ASCAP), Composer, Writer - Michael McKean (ASCAP), Composer, Writer - Christopher Guest (ASCAP), Composer, Writer - Spinal Tap, MainArtist

14
Celtic Blues
00:01:23

Harry Shearer (ASCAP), Composer, Writer - Michael McKean (ASCAP), Composer, Writer - Christopher Guest (ASCAP), Composer, Writer - Spinal Tap, MainArtist

15
Jazz Oddyssey III
00:02:15

Harry Shearer (ASCAP), Composer, Writer - Michael McKean (ASCAP), Composer, Writer - Christopher Guest (ASCAP), Composer, Writer - CJ Vanston (BMI), Composer, Writer - Gregg Bissonette (ASCAP), Composer, Writer - Spinal Tap, MainArtist

16
Warmer Than Hell
00:03:50

Harry Shearer (ASCAP), Composer, Writer - Michael McKean (ASCAP), Composer, Writer - Christopher Guest (ASCAP), Composer, Writer - CJ Vanston (BMI), Composer, Writer - Spinal Tap, MainArtist

17
Stonehenge
00:04:30

Rob Reiner (ASCAP), Composer, Writer - Harry Shearer (ASCAP), Composer, Writer - Michael McKean (ASCAP), Composer, Writer - Christopher Guest (ASCAP), Composer, Writer - Spinal Tap, MainArtist

18
Short and Sweet (Feat. John Mayer, Steve Vai, Phil Collen)
00:06:35

Steve Vai, FeaturedArtist - Phil Collen, FeaturedArtist - John Mayer, FeaturedArtist - Harry Shearer (ASCAP), Composer, Writer - Michael McKean (ASCAP), Composer, Writer - Christopher Guest (ASCAP), Composer, Writer - Annette O'Tool (ASCAP), Composer, Writer - Spinal Tap, MainArtist

19
Cups and Cakes
00:01:41

Rob Reiner (ASCAP), Composer, Writer - Harry Shearer (ASCAP), Composer, Writer - Michael McKean (ASCAP), Composer, Writer - Christopher Guest (ASCAP), Composer, Writer - Spinal Tap, MainArtist

アルバム·レビュー

In 2009, when Back from the Dead was released, it was impossible for any listener to not be in on Spinal Tap's joke, so it's fitting that this is their first release to play as pure comedy, an album that doesn't even attempt to pass itself off as a rock record. The concept is this: a reunited Tap -- hence the name Back from the Dead -- celebrates the 25th Anniversary of This Is Spinal Tap by launching an unplugged (and "unwigged," meaning Christopher Guest, Michael McKean, and Harry Shearer do not don the hairdos of Nigel Tufnel, David St. Hubbins, and Derek Smalls) tour, releasing the movie on BluRay and revisiting their old songs in the studio, adding five new songs, and recording "Jazz Oddyssey" for the first time, splitting it into thirds and scattering it throughout the album. "Sex Farm" is given a funky revamp, and "(Listen to The) Flower People" now sounds like Ziggy Marley, but those are the exceptions to the rule: the rest are straightforward remakes of the original recordings, right down to how "Gimme Some Money" has a Liverpool swing and how "Big Bottom" is driven by a farting synth bass riff. The only difference is, the production is clean and pristine, the band is precise and punchy, laying bare the joke, for better or worse. Some listeners may find this approach riotous, since the humor is pushed right toward the front, while many may miss how their original recordings blurred the lines between real rock and fantasy. This hurts Back from the Dead most on the remakes, all of which pale next to the originals, but the surprising things about the album is that all the new songs are top-notch, eclipsing the often forced Break Like the Wind, and striking the right balance between parody and real rock & roll. They're the reason to hear Back from the Dead, which otherwise is just a tad too satisfied with its own humor for its own good.
© Stephen Thomas Erlewine /TiVo

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