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アタウルフォ・アルヘンタ|Ataúlfo Argenta: Complete Decca Recordings 1953-1957

Ataúlfo Argenta: Complete Decca Recordings 1953-1957

Ataúlfo Argenta

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対応言語:英語

Spanish conductor Ataúlfo Argenta cheated death many times in his short life; during the Spanish Civil War, he talked his way out of execution by a firing squad, contracted typhoid in prison, and survived that in addition to its recurrence later in his life. Argenta's accidental death at 44, sitting in his car warming up in an unventilated garage waiting for the heat to come on in his studio, seems like a grim joke on the part of fate. Ernest Ansermet must have thought so, too; Argenta was suave, handsome, and authoritative on the podium, and Ansermet had been grooming him as his successor in l'Orchestre de la Suisse Romande. Such was not to be; however, fate has not entirely robbed posterity of Argenta's extraordinary talents as evidenced by the five-disc set Ataúlfo Argenta: Complete Decca Recordings 1953-1957.
The best known of these recordings are, ironically, not ones where Argenta himself is the star of the show -- they are his Tchaikovsky Violin Concerto with Alfredo Campoli and his recordings of the two canonical Liszt piano concerti with the London Philharmonic and soloist Julius Katchen. The latter was already distributed extensively on behalf of Katchen, in the context of Argenta it is useful to note how these two artists seem to connect almost psychically with Liszt's music; wherever Katchen is, there, too, is Argenta. Argenta's Berlioz Symphonie Fantastique is instructive; whereas in a recording of this work made about the same time, Dimitri Mitropoulos and the New York Philharmonic demonstrate an impressive architectonic design for the whole, by comparison Argenta's interpretation is characterized by its youthful verve, brilliance, impetuousness, and drive; it is an untamed, relentlessly exciting Symphonie Fantastique. Argenta's recordings of Spanish literature, including the dreaded España of Chabrier, but also the Danzas Fantasticas of Turina, were considered pioneering in their day, and account for Argenta's posthumous renown in his home country.
Argenta died just short of Decca's adoption of stereo recording technology, and he seldom led first-class orchestras in recordings -- the London Symphony was the only such group he conducted, the rest of his Decca work made with the aforementioned Suisse Romande and the Paris Conservatoire orchestras. The Suisse Romande lumbers ungainly into the opening Liszt's Les Préludes, with Argenta laboring to whip things into shape. However, once they are into the main tune, the Suisse Romande gets into gear and over the course of the remainder of the performance one can hear detail in Les Préludes seldom heard before. This is the standard scenario for some of performances here -- weak opening, better exposition, and raucous, electrifying ending -- although the Paris Conservatoire recording of Liszt's unfamiliar (at the time) A Faust Symphony goes quite well throughout. Perhaps this is what Ansermet saw in Argenta -- a leader who could get the Suisse Romande up off the floor, even when the piece had already started.
It appears the further one goes back to the 1953 end of this set, the more brittle and congested Decca's vaunted "full frequency range recording" is, but toward the later part of the '50s the sound is so good it almost could be stereo -- the Berlioz, although mono, somehow retains an element of three-dimensionality to it. Although it was more like a 100-yard dash than a marathon, Argenta made a good run as a conductor. Heretofore, Decca has done so little with its monophonically made recordings and it is heartening to hear this tribute to Argenta, whose extraordinary career is certainly valuable and worth documenting in a modestly priced package such as this one.

© TiVo

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Ataúlfo Argenta: Complete Decca Recordings 1953-1957

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España - Rhapsody for Orchestra (E.シャブリエ)

1
Chabrier: España - Rhapsody for Orchestra
00:06:26

London Symphony Orchestra, Orchestra, MainArtist - Emmanuel Chabrier, Composer - James Walker, Producer - Ataulfo Argenta, Conductor, MainArtist - Erik Smith, Producer - Kenneth Wilkinson, Balance Engineer, StudioPersonnel - Gordon Parry, Engineer, StudioPersonnel

℗ 1958 Decca Music Group Limited

スペイン奇想曲 作品34 (ニコライ・リムスキー=コルサコフ)

2
第1曲: アルボラーダ
00:01:11

London Symphony Orchestra, Orchestra, MainArtist - James Walker, Producer - Nikolai Rimsky-Korsakov, Composer - Ataulfo Argenta, Conductor, MainArtist - Erik Smith, Producer - Kenneth Wilkinson, Balance Engineer, StudioPersonnel - Gordon Parry, Engineer, StudioPersonnel

℗ 1958 Decca Music Group Limited

3
第2曲: 変奏曲
00:04:17

London Symphony Orchestra, Orchestra, MainArtist - James Walker, Producer - Nikolai Rimsky-Korsakov, Composer - Ataulfo Argenta, Conductor, MainArtist - Erik Smith, Producer - Kenneth Wilkinson, Balance Engineer, StudioPersonnel - Gordon Parry, Engineer, StudioPersonnel

℗ 1958 Decca Music Group Limited

4
第3曲: アルボラーダ
00:01:13

London Symphony Orchestra, Orchestra, MainArtist - James Walker, Producer - Nikolai Rimsky-Korsakov, Composer - Ataulfo Argenta, Conductor, MainArtist - Erik Smith, Producer - Kenneth Wilkinson, Balance Engineer, StudioPersonnel - Gordon Parry, Engineer, StudioPersonnel

℗ 1958 Decca Music Group Limited

5
第4曲: 情景とジプシーの歌
00:04:43

London Symphony Orchestra, Orchestra, MainArtist - James Walker, Producer - Nikolai Rimsky-Korsakov, Composer - Ataulfo Argenta, Conductor, MainArtist - Erik Smith, Producer - Kenneth Wilkinson, Balance Engineer, StudioPersonnel - Gordon Parry, Engineer, StudioPersonnel

℗ 1958 Decca Music Group Limited

6
第5曲: ファンタンゴ・アストゥリアーノ
00:03:10

London Symphony Orchestra, Orchestra, MainArtist - James Walker, Producer - Nikolai Rimsky-Korsakov, Composer - Ataulfo Argenta, Conductor, MainArtist - Erik Smith, Producer - Kenneth Wilkinson, Balance Engineer, StudioPersonnel - Gordon Parry, Engineer, StudioPersonnel

℗ 1958 Decca Music Group Limited

Danzas españolas, Op. 37 (Enrique Granados)

7
アンダルーサ(スペイン舞曲 第5番 ホ短調 作品37)
00:04:08

Enrique Granados, Composer - London Symphony Orchestra, Orchestra, MainArtist - James Walker, Producer - Ataulfo Argenta, Conductor, MainArtist - Erik Smith, Producer - Kenneth Wilkinson, Balance Engineer, StudioPersonnel - Gordon Parry, Engineer, StudioPersonnel

℗ 1958 Decca Music Group Limited

スペイン舞曲 第1巻 作品12 (モーリツ・モシュコフスキ)

8
第1番 ハ長調
00:01:43

London Symphony Orchestra, Orchestra, MainArtist - James Walker, Producer - Moritz Moszkowski, Composer - Ataulfo Argenta, Conductor, MainArtist - Erik Smith, Producer - Kenneth Wilkinson, Balance Engineer, StudioPersonnel - Gordon Parry, Engineer, StudioPersonnel

℗ 1958 Decca Music Group Limited

9
第2番 ト短調
00:04:05

London Symphony Orchestra, Orchestra, MainArtist - James Walker, Producer - Moritz Moszkowski, Composer - Ataulfo Argenta, Conductor, MainArtist - Erik Smith, Producer - Kenneth Wilkinson, Balance Engineer, StudioPersonnel - Gordon Parry, Engineer, StudioPersonnel

℗ 1958 Decca Music Group Limited

10
第3番 イ長調
00:02:44

London Symphony Orchestra, Orchestra, MainArtist - James Walker, Producer - Moritz Moszkowski, Composer - Ataulfo Argenta, Conductor, MainArtist - Erik Smith, Producer - Kenneth Wilkinson, Balance Engineer, StudioPersonnel - Gordon Parry, Engineer, StudioPersonnel

℗ 1958 Decca Music Group Limited

スペイン舞曲 第1巻 (モーリツ・モシュコフスキ)

11
第4番 変ロ長調
00:02:31

London Symphony Orchestra, Orchestra, MainArtist - James Walker, Producer - Moritz Moszkowski, Composer - Ataulfo Argenta, Conductor, MainArtist - Erik Smith, Producer - Kenneth Wilkinson, Balance Engineer, StudioPersonnel - Gordon Parry, Engineer, StudioPersonnel

℗ 1958 Decca Music Group Limited

12
第5番 ニ長調
00:02:56

London Symphony Orchestra, Orchestra, MainArtist - James Walker, Producer - Moritz Moszkowski, Composer - Ataulfo Argenta, Conductor, MainArtist - Erik Smith, Producer - Kenneth Wilkinson, Balance Engineer, StudioPersonnel - Gordon Parry, Engineer, StudioPersonnel

℗ 1958 Decca Music Group Limited

管弦楽のための映像 (クロード・ドビュッシー)

13
第1曲: ジーグ
スイス・ロマンド管弦楽団
00:06:51

Claude Debussy, Composer - James Walker, Producer - Orchestre de la Suisse Romande, Orchestra, MainArtist - Ataulfo Argenta, Conductor, MainArtist - Erik Smith, Producer - Gordon Parry, Balance Engineer, StudioPersonnel

℗ 1957 Decca Music Group Limited

14
第2曲: イベリア
スイス・ロマンド管弦楽団
00:17:55

Claude Debussy, Composer - James Walker, Producer - Orchestre de la Suisse Romande, Orchestra, MainArtist - Ataulfo Argenta, Conductor, MainArtist - Erik Smith, Producer - Gordon Parry, Balance Engineer, StudioPersonnel

℗ 1957 Decca Music Group Limited

15
第3曲: 春のロンド
スイス・ロマンド管弦楽団
00:07:40

Claude Debussy, Composer - James Walker, Producer - Orchestre de la Suisse Romande, Orchestra, MainArtist - Ataulfo Argenta, Conductor, MainArtist - Erik Smith, Producer - Gordon Parry, Balance Engineer, StudioPersonnel

℗ 1957 Decca Music Group Limited

Disc 2

Piano Concerto No. 1 in E flat, S.124 (フランツ・リスト)

1
1. Allegro maestoso - Tempo giusto
ジュリアス・カッチェン
00:05:20

Franz Liszt, Composer - James Walker, Producer, Recording Producer - London Philharmonic Orchestra, Orchestra, MainArtist - Ataulfo Argenta, Conductor, MainArtist - Julius Katchen, Piano, MainArtist, AssociatedPerformer - Erik Smith, Producer, Recording Producer - Kenneth Wilkinson, Recording Engineer, StudioPersonnel - Gordon Parry, Recording Engineer, StudioPersonnel

℗ 1957 Decca Music Group Limited

2
2a. Quasi adagio
ジュリアス・カッチェン
00:05:09

Franz Liszt, Composer - James Walker, Producer, Recording Producer - London Philharmonic Orchestra, Orchestra, MainArtist - Ataulfo Argenta, Conductor, MainArtist - Julius Katchen, Piano, MainArtist, AssociatedPerformer - Erik Smith, Producer, Recording Producer - Kenneth Wilkinson, Recording Engineer, StudioPersonnel - Gordon Parry, Recording Engineer, StudioPersonnel

℗ 1957 Decca Music Group Limited

3
3. Allegretto vivace
ジュリアス・カッチェン
00:04:11

Franz Liszt, Composer - James Walker, Producer, Recording Producer - London Philharmonic Orchestra, Orchestra, MainArtist - Ataulfo Argenta, Conductor, MainArtist - Julius Katchen, Piano, MainArtist, AssociatedPerformer - Erik Smith, Producer, Recording Producer - Kenneth Wilkinson, Recording Engineer, StudioPersonnel - Gordon Parry, Recording Engineer, StudioPersonnel

℗ 1957 Decca Music Group Limited

ピアノ協奏曲 第1番 変ホ長調 (フランツ・リスト)

4
第1楽章: ALLEGRO MAESTOSO
ジュリアス・カッチェン
00:03:55

Franz Liszt, Composer - James Walker, Producer, Recording Producer - London Philharmonic Orchestra, Orchestra, MainArtist - Ataulfo Argenta, Conductor, MainArtist - Julius Katchen, Piano, MainArtist, AssociatedPerformer - Erik Smith, Producer, Recording Producer - Kenneth Wilkinson, Recording Engineer, StudioPersonnel - Gordon Parry, Recording Engineer, StudioPersonnel

℗ 1957 Decca Music Group Limited

5
第2楽章: QUASI ADAGIO -
ジュリアス・カッチェン
00:06:57

Franz Liszt, Composer - James Walker, Producer, Recording Producer - London Philharmonic Orchestra, Orchestra, MainArtist - Ataulfo Argenta, Conductor, MainArtist - Julius Katchen, Piano, MainArtist, AssociatedPerformer - Erik Smith, Producer, Recording Producer - Kenneth Wilkinson, Recording Engineer, StudioPersonnel - Gordon Parry, Recording Engineer, StudioPersonnel

℗ 1957 Decca Music Group Limited

6
2. Allegro moderato
ジュリアス・カッチェン
00:05:01

Franz Liszt, Composer - James Walker, Producer, Recording Producer - London Philharmonic Orchestra, Orchestra, MainArtist - Ataulfo Argenta, Conductor, MainArtist - Julius Katchen, Piano, MainArtist, AssociatedPerformer - Erik Smith, Producer, Recording Producer - Kenneth Wilkinson, Recording Engineer, StudioPersonnel - Gordon Parry, Recording Engineer, StudioPersonnel

℗ 1957 Decca Music Group Limited

7
第3楽章: ALLEGRO MARZIALE ANIMATO
ジュリアス・カッチェン
00:06:02

Franz Liszt, Composer - James Walker, Producer, Recording Producer - London Philharmonic Orchestra, Orchestra, MainArtist - Ataulfo Argenta, Conductor, MainArtist - Julius Katchen, Piano, MainArtist, AssociatedPerformer - Erik Smith, Producer, Recording Producer - Kenneth Wilkinson, Recording Engineer, StudioPersonnel - Gordon Parry, Recording Engineer, StudioPersonnel

℗ 1957 Decca Music Group Limited

ピアノ協奏曲 第2番 イ長調 (フランツ・リスト)

8
4. Allegro animato
ジュリアス・カッチェン
00:01:36

Franz Liszt, Composer - James Walker, Producer, Recording Producer - London Philharmonic Orchestra, Orchestra, MainArtist - Ataulfo Argenta, Conductor, MainArtist - Julius Katchen, Piano, MainArtist, AssociatedPerformer - Erik Smith, Producer, Recording Producer - Kenneth Wilkinson, Recording Engineer, StudioPersonnel - Gordon Parry, Recording Engineer, StudioPersonnel

℗ 1957 Decca Music Group Limited

Iberia - Orchestrated by Enrique Fernández Arbós (1863-1939) - Book 1 (Isaac Albeniz)

9
1. Evocatión
パリ音楽院管弦楽団
00:05:26

Orchestre De La Société Des Concerts Du Conservatoire, Orchestra, MainArtist - Isaac Albeniz, Composer - Ataulfo Argenta, Conductor, MainArtist - Enrique Fernández Arbós, Arranger, Orchestrator - John Culshaw, Producer

℗ 1954 Decca Music Group Limited

Iberia - Orchestrated by Enrique Fernández Arbós (1863-1939) - Book 3 (Isaac Albeniz)

10
2. El Corpus en Sevilla
パリ音楽院管弦楽団
00:08:14

Orchestre De La Société Des Concerts Du Conservatoire, Orchestra, MainArtist - Isaac Albeniz, Composer - Ataulfo Argenta, Conductor, MainArtist - Enrique Fernández Arbós, Arranger, Orchestrator - John Culshaw, Producer

℗ 1954 Decca Music Group Limited

Iberia - Orchestrated by Enrique Fernández Arbós (1863-1939) - Book 2 (Isaac Albeniz)

11
3. Triana
パリ音楽院管弦楽団
00:04:40

Orchestre De La Société Des Concerts Du Conservatoire, Orchestra, MainArtist - Isaac Albeniz, Composer - Ataulfo Argenta, Conductor, MainArtist - Enrique Fernández Arbós, Arranger, Orchestrator - John Culshaw, Producer

℗ 1954 Decca Music Group Limited

Iberia - Orchestrated by Enrique Fernández Arbós (1863-1939) - Book 1 (Isaac Albeniz)

12
4. El Puerto
パリ音楽院管弦楽団
00:04:35

Orchestre De La Société Des Concerts Du Conservatoire, Orchestra, MainArtist - Isaac Albeniz, Composer - Ataulfo Argenta, Conductor, MainArtist - Enrique Fernández Arbós, Arranger, Orchestrator - John Culshaw, Producer

℗ 1954 Decca Music Group Limited

Iberia - Orchestrated by Enrique Fernández Arbós (1863-1939) - Book 3 (Isaac Albeniz)

13
5. El Albaicín
パリ音楽院管弦楽団
00:07:17

Orchestre De La Société Des Concerts Du Conservatoire, Orchestra, MainArtist - Isaac Albeniz, Composer - Ataulfo Argenta, Conductor, MainArtist - Enrique Fernández Arbós, Arranger, Orchestrator - John Culshaw, Producer

℗ 1954 Decca Music Group Limited

Disc 3

幻想交響曲 作品14 (エクトル・ベルリオーズ)

1
第1楽章: 夢と情熱
パリ音楽院管弦楽団
00:12:43

Orchestre De La Société Des Concerts Du Conservatoire, Orchestra, MainArtist - Hector Berlioz, Composer - Ataulfo Argenta, Conductor, MainArtist - John Culshaw, Producer, Recording Producer - Kenneth Wilkinson, Recording Engineer, StudioPersonnel - Ken Cress, Recording Engineer, StudioPersonnel

℗ 1958 Decca Music Group Limited

2
第2楽章:舞踏会
パリ音楽院管弦楽団
00:06:21

Orchestre De La Société Des Concerts Du Conservatoire, Orchestra, MainArtist - Hector Berlioz, Composer - Ataulfo Argenta, Conductor, MainArtist - John Culshaw, Producer, Recording Producer - Kenneth Wilkinson, Recording Engineer, StudioPersonnel - Ken Cress, Recording Engineer, StudioPersonnel

℗ 1958 Decca Music Group Limited

3
第3楽章: 野の風景
パリ音楽院管弦楽団
00:15:30

Orchestre De La Société Des Concerts Du Conservatoire, Orchestra, MainArtist - Hector Berlioz, Composer - Ataulfo Argenta, Conductor, MainArtist - John Culshaw, Producer, Recording Producer - Kenneth Wilkinson, Recording Engineer, StudioPersonnel - Ken Cress, Recording Engineer, StudioPersonnel

℗ 1958 Decca Music Group Limited

4
第4楽章:断頭台への行進
パリ音楽院管弦楽団
00:06:25

Orchestre De La Société Des Concerts Du Conservatoire, Orchestra, MainArtist - Hector Berlioz, Composer - Ataulfo Argenta, Conductor, MainArtist - John Culshaw, Producer, Recording Producer - Kenneth Wilkinson, Recording Engineer, StudioPersonnel - Ken Cress, Recording Engineer, StudioPersonnel

℗ 1958 Decca Music Group Limited

5
第5楽章: ワルプルギスの夜の夢
パリ音楽院管弦楽団
00:09:37

Orchestre De La Société Des Concerts Du Conservatoire, Orchestra, MainArtist - Hector Berlioz, Composer - Ataulfo Argenta, Conductor, MainArtist - John Culshaw, Producer, Recording Producer - Kenneth Wilkinson, Recording Engineer, StudioPersonnel - Ken Cress, Recording Engineer, StudioPersonnel

℗ 1958 Decca Music Group Limited

Danzas Fantásticas (ホアキン・トゥリーナ)

6
1. Exaltación
パリ音楽院管弦楽団
00:05:16

Orchestre De La Société Des Concerts Du Conservatoire, Orchestra, MainArtist - Joaquín Turina, Composer - Ataulfo Argenta, Conductor, MainArtist - John Culshaw, Producer

℗ 1954 Decca Music Group Limited

7
2. Ensueño
パリ音楽院管弦楽団
00:06:02

Orchestre De La Société Des Concerts Du Conservatoire, Orchestra, MainArtist - Joaquín Turina, Composer - Ataulfo Argenta, Conductor, MainArtist - John Culshaw, Producer

℗ 1954 Decca Music Group Limited

8
3. Orgía
パリ音楽院管弦楽団
00:04:31

Orchestre De La Société Des Concerts Du Conservatoire, Orchestra, MainArtist - Joaquín Turina, Composer - Ataulfo Argenta, Conductor, MainArtist - John Culshaw, Producer

℗ 1954 Decca Music Group Limited

Disc 4

Les Préludes, symphonic poem No.3, S.97 (after Lamartine) (フランツ・リスト)

1
Liszt: Les Préludes, symphonic poem No. 3, S.97 (after Lamartine)
スイス・ロマンド管弦楽団
00:16:27

Franz Liszt, Composer - Victor Olof, Producer - James Walker, Producer - Orchestre de la Suisse Romande, Orchestra, MainArtist - Ataulfo Argenta, Conductor, MainArtist - Gil Went, Engineer, StudioPersonnel - Roy Wallace, Engineer, StudioPersonnel

℗ 1955 Decca Music Group Limited

A Faust Symphony, S.108 (フランツ・リスト)

2
1. Faust
パリ音楽院管弦楽団
00:27:19

Franz Liszt, Composer - Orchestre De La Société Des Concerts Du Conservatoire, Orchestra, MainArtist - James Walker, Producer - Ataulfo Argenta, Conductor, MainArtist - Kenneth Wilkinson, Balance Engineer, StudioPersonnel - Roy Wallace, Engineer, StudioPersonnel

℗ 1955 Decca Music Group Limited

3
2. Gretchen
パリ音楽院管弦楽団
00:17:22

Franz Liszt, Composer - Orchestre De La Société Des Concerts Du Conservatoire, Orchestra, MainArtist - James Walker, Producer - Ataulfo Argenta, Conductor, MainArtist - Kenneth Wilkinson, Balance Engineer, StudioPersonnel - Roy Wallace, Engineer, StudioPersonnel

℗ 1955 Decca Music Group Limited

4
3a. Mephistopheles
パリ音楽院管弦楽団
00:16:57

Franz Liszt, Composer - Orchestre De La Société Des Concerts Du Conservatoire, Orchestra, MainArtist - James Walker, Producer - Ataulfo Argenta, Conductor, MainArtist - Kenneth Wilkinson, Balance Engineer, StudioPersonnel - Roy Wallace, Engineer, StudioPersonnel

℗ 1955 Decca Music Group Limited

Disc 5

Violin Concerto In D, Op. 35, TH. 59 (ピョートル・イリイチ・チャイコフスキー)

1
1. Allegro moderato
アルフレード・カンポリ
00:17:58

London Symphony Orchestra, Orchestra, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Ataulfo Argenta, Conductor, MainArtist - Alfredo Campoli, Violin, MainArtist, AssociatedPerformer - Gordon Parry, Balance Engineer, StudioPersonnel - Cyril Windebank, Balance Engineer, StudioPersonnel - David M. Walker, Producer

℗ 1957 Decca Music Group Limited

2
2. Canzonetta (Andante)
アルフレード・カンポリ
00:06:04

London Symphony Orchestra, Orchestra, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Ataulfo Argenta, Conductor, MainArtist - Alfredo Campoli, Violin, MainArtist, AssociatedPerformer - Gordon Parry, Balance Engineer, StudioPersonnel - Cyril Windebank, Balance Engineer, StudioPersonnel - David M. Walker, Producer

℗ 1957 Decca Music Group Limited

3
3. Finale (Allegro vivacissimo)
アルフレード・カンポリ
00:09:37

London Symphony Orchestra, Orchestra, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Ataulfo Argenta, Conductor, MainArtist - Alfredo Campoli, Violin, MainArtist, AssociatedPerformer - Gordon Parry, Balance Engineer, StudioPersonnel - Cyril Windebank, Balance Engineer, StudioPersonnel - David M. Walker, Producer

℗ 1957 Decca Music Group Limited

Symphony No. 4 In F Minor, Op. 36, TH.27 (ピョートル・イリイチ・チャイコフスキー)

4
1. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo
スイス・ロマンド管弦楽団
00:17:11

Victor Olof, Producer - James Walker, Producer - Orchestre de la Suisse Romande, Orchestra, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Ataulfo Argenta, Conductor, MainArtist - Gil Went, Engineer, StudioPersonnel - Roy Wallace, Engineer, StudioPersonnel

℗ 1956 Decca Music Group Limited

5
2. Andantino in modo di canzone
スイス・ロマンド管弦楽団
00:08:41

Victor Olof, Producer - James Walker, Producer - Orchestre de la Suisse Romande, Orchestra, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Ataulfo Argenta, Conductor, MainArtist - Gil Went, Engineer, StudioPersonnel - Roy Wallace, Engineer, StudioPersonnel

℗ 1956 Decca Music Group Limited

6
3. Scherzo. Pizzicato ostinato - Allegro
スイス・ロマンド管弦楽団
00:05:24

Victor Olof, Producer - James Walker, Producer - Orchestre de la Suisse Romande, Orchestra, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Ataulfo Argenta, Conductor, MainArtist - Gil Went, Engineer, StudioPersonnel - Roy Wallace, Engineer, StudioPersonnel

℗ 1956 Decca Music Group Limited

7
4. Finale (Allegro con fuoco)
スイス・ロマンド管弦楽団
00:09:10

Victor Olof, Producer - James Walker, Producer - Orchestre de la Suisse Romande, Orchestra, MainArtist - Pyotr Ilyich Tchaikovsky, Composer - Ataulfo Argenta, Conductor, MainArtist - Gil Went, Engineer, StudioPersonnel - Roy Wallace, Engineer, StudioPersonnel

℗ 1956 Decca Music Group Limited

アルバム·レビュー

Spanish conductor Ataúlfo Argenta cheated death many times in his short life; during the Spanish Civil War, he talked his way out of execution by a firing squad, contracted typhoid in prison, and survived that in addition to its recurrence later in his life. Argenta's accidental death at 44, sitting in his car warming up in an unventilated garage waiting for the heat to come on in his studio, seems like a grim joke on the part of fate. Ernest Ansermet must have thought so, too; Argenta was suave, handsome, and authoritative on the podium, and Ansermet had been grooming him as his successor in l'Orchestre de la Suisse Romande. Such was not to be; however, fate has not entirely robbed posterity of Argenta's extraordinary talents as evidenced by the five-disc set Ataúlfo Argenta: Complete Decca Recordings 1953-1957.
The best known of these recordings are, ironically, not ones where Argenta himself is the star of the show -- they are his Tchaikovsky Violin Concerto with Alfredo Campoli and his recordings of the two canonical Liszt piano concerti with the London Philharmonic and soloist Julius Katchen. The latter was already distributed extensively on behalf of Katchen, in the context of Argenta it is useful to note how these two artists seem to connect almost psychically with Liszt's music; wherever Katchen is, there, too, is Argenta. Argenta's Berlioz Symphonie Fantastique is instructive; whereas in a recording of this work made about the same time, Dimitri Mitropoulos and the New York Philharmonic demonstrate an impressive architectonic design for the whole, by comparison Argenta's interpretation is characterized by its youthful verve, brilliance, impetuousness, and drive; it is an untamed, relentlessly exciting Symphonie Fantastique. Argenta's recordings of Spanish literature, including the dreaded España of Chabrier, but also the Danzas Fantasticas of Turina, were considered pioneering in their day, and account for Argenta's posthumous renown in his home country.
Argenta died just short of Decca's adoption of stereo recording technology, and he seldom led first-class orchestras in recordings -- the London Symphony was the only such group he conducted, the rest of his Decca work made with the aforementioned Suisse Romande and the Paris Conservatoire orchestras. The Suisse Romande lumbers ungainly into the opening Liszt's Les Préludes, with Argenta laboring to whip things into shape. However, once they are into the main tune, the Suisse Romande gets into gear and over the course of the remainder of the performance one can hear detail in Les Préludes seldom heard before. This is the standard scenario for some of performances here -- weak opening, better exposition, and raucous, electrifying ending -- although the Paris Conservatoire recording of Liszt's unfamiliar (at the time) A Faust Symphony goes quite well throughout. Perhaps this is what Ansermet saw in Argenta -- a leader who could get the Suisse Romande up off the floor, even when the piece had already started.
It appears the further one goes back to the 1953 end of this set, the more brittle and congested Decca's vaunted "full frequency range recording" is, but toward the later part of the '50s the sound is so good it almost could be stereo -- the Berlioz, although mono, somehow retains an element of three-dimensionality to it. Although it was more like a 100-yard dash than a marathon, Argenta made a good run as a conductor. Heretofore, Decca has done so little with its monophonically made recordings and it is heartening to hear this tribute to Argenta, whose extraordinary career is certainly valuable and worth documenting in a modestly priced package such as this one.

© TiVo

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