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ジャン=イヴ・ティボーデ|Aria: Opera Without Words

Aria: Opera Without Words

Jean-Yves Thibaudet

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対応言語:英語

Jean-Yves Thibaudet's 2007 release Aria: Opera without Words is exactly what it says it is: a recital of popular arias arranged for piano. Following in the tradition of Thibaudet's earlier discs of Bill Evans and Duke Ellington arranged for piano, Aria is long on virtuosity and short on sensitivity. As before -- and as in his "straight" classical recordings of Ravel and Debussy -- Thibaudet's virtuosity is breathtaking. Beyond impeccable passagework and immaculate double octaves, Thibaudet's control of the instrument is complete: every phrase, every chord, every note is played exactly as it ought to be played with precisely the right amount of attack, pressure, and release. And as before -- but not as in his "straight" classical recordings -- Thibaudet's sensitivity is negligible. Beyond a lot of rubato and plenty of exaggerated dynamics, Thibaudet's interpretations are full of swaying and swooning and to-ing and fro-ing that altogether amount to not much more than hyperactive sentimentality. Part of the reason for this, of course, is built into the repertoire -- these are opera arias on the program, after all, with not one, not two, but three arrangements of Puccini included -- and part of the reason is written into the arrangements -- although Giovanni Sgambati's arrangement of the "Mélodie" from Orphée et Eurydice is fairly restrained, Yvar Mikhashoff's arrangements, especially his "Casta diva" from Norma, are fairly uninhibited. But most of it is Thibaudet's inclination toward pianistic histrionics, for pulling back from intimacy and rushing headlong into climaxes, that makes his playing resemble a higher-toned Liberace or a less comedic Chico Marx. While certainly enjoyable as exercises in virtuosity taken one or two or even three at a time, listening straight through to a whole disc of what are essentially encores is aurally and aesthetically unadvisable. Decca's digital sound makes Thibaudet's piano sound big and close, but too clattery at climaxes.

© TiVo

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Aria: Opera Without Words

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Samson et Dalila - Arr. Thibaudet/Kerber (サン=サーンス)

1
歌劇《サムソンとダリラ》の2つの主題による幻想曲
00:06:54

David Mottley, Producer, Recording Producer - CAMILLE SAINT-SAENS, Composer - Randy Kerber, Arranger, Work Arranger - Jean-Yves Thibaudet, Arranger, Piano, Work Arranger, MainArtist, AssociatedPerformer - FERDINAND LEMAIRE, Author - Philip Siney, Balance Engineer, StudioPersonnel

℗ 2007 Decca Music Group Limited

Der Rosenkavalier, Op. 59 - Arr. Grainger (Richard Strauss)

2
歌劇《ばらの騎士》より最後の愛の二重唱の逍遥
00:07:26

David Mottley, Producer, Recording Producer - Richard Strauss, Composer - Jean-Yves Thibaudet, Piano, MainArtist, AssociatedPerformer - Percy Grainger, Arranger, Work Arranger - Hugo von Hofmannstahl, Author - Philip Siney, Balance Engineer, StudioPersonnel

℗ 2007 Decca Music Group Limited

Gianni Schicchi - Arr. Mikhashoff (Giacomo Puccini)

3
私のおとうさん(歌劇《ジャンニ・スキッキ》よりラウレッタのアリア)
00:02:52

David Mottley, Producer, Recording Producer - Giacomo Puccini, Composer - Giovacchino Forzano, Author - Jean-Yves Thibaudet, Piano, MainArtist, AssociatedPerformer - Yvar Mikhashoff, Arranger, Work Arranger - Dante Alighieri, Author, Original Text Author - Philip Siney, Balance Engineer, StudioPersonnel

℗ 2007 Decca Music Group Limited

歌劇《死の都》 (エーリヒ・ヴォルフガンク・コルンゴルト)

4
私に残された幸せは[マリエッタの歌](ティボーデ、ケーバー編)
00:06:06

David Mottley, Producer, Recording Producer - Randy Kerber, Arranger, Work Arranger - Erich Wolfgang Korngold, ComposerLyricist - Jean-Yves Thibaudet, Arranger, Piano, Work Arranger, MainArtist, AssociatedPerformer - Julius Korngold, Author - Philip Siney, Balance Engineer, StudioPersonnel

℗ 2007 Decca Music Group Limited

Die Fledermaus - Arr. Grunfeld (ヨハン・シュトラウス2世)

5
ウィーンの夜会-ヨハン・シュトラウスのワルツによるコンサート・パラフレーズ
00:05:40

David Mottley, Producer, Recording Producer - Johann Strauss II, Composer - Richard Genée, Author - Henri Meilhac, Author, Original Text Author - Jean-Yves Thibaudet, Piano, MainArtist, AssociatedPerformer - Ludovic Halevy, Author, Original Text Author - Carl Haffner, Author - Alfred Grünfeld, Arranger, Work Arranger - Philip Siney, Balance Engineer, StudioPersonnel

℗ 2007 Decca Music Group Limited

Tosca - Arr. Y.Mikhashoff (Giacomo Puccini)

6
歌に生き、恋に生き(歌劇《トスカ》より)
00:03:24

David Mottley, Producer, Recording Producer - Giacomo Puccini, Composer - Luigi Illica, Author - Giuseppe Giacosa, Author - Jean-Yves Thibaudet, Piano, MainArtist, AssociatedPerformer - Yvar Mikhashoff, Arranger, Work Arranger - Victorien Sardou, Author, Original Text Author - Philip Siney, Balance Engineer, StudioPersonnel

℗ 2007 Decca Music Group Limited

Norma - Arr. Y. Mikhashoff (ヴィンチェンツォ・ベッリーニ)

7
清らかな女神よ(歌劇《ノルマ》より)
00:06:58

David Mottley, Producer, Recording Producer - Vincenzo Bellini, Composer - Felice Romani, Author - Jean-Yves Thibaudet, Piano, MainArtist, AssociatedPerformer - Yvar Mikhashoff, Arranger, Work Arranger - Philip Siney, Balance Engineer, StudioPersonnel

℗ 2007 Decca Music Group Limited

Orfeo ed Euridice (Orphée et Eurydice) - Arranged Sgambati (クリストフ・ヴィリバルト・グルック)

8
メロディ(歌劇《オルフェオとエウリディーチェ》の精霊の踊りより)
00:03:24

David Mottley, Producer, Recording Producer - Christoph Willibald Gluck, Composer - Jean-Yves Thibaudet, Piano, MainArtist, AssociatedPerformer - Giovanni Sgambati, Arranger, Work Arranger - Ranieri de' Calzabigi, Author - Philip Siney, Balance Engineer, StudioPersonnel

℗ 2007 Decca Music Group Limited

Madama Butterfly (Giacomo Puccini)

9
蝶々夫人の肖像-オペラティック・ソナタ-4つの部分からなるプッチーニの主題によ幻想曲
00:12:17

David Mottley, Producer, Recording Producer - Giacomo Puccini, Composer - Luigi Illica, Author - Giuseppe Giacosa, Author - Jean-Yves Thibaudet, Piano, MainArtist, AssociatedPerformer - Yvar Mikhashoff, Arranger, Work Arranger - Philip Siney, Balance Engineer, StudioPersonnel

℗ 2007 Decca Music Group Limited

Die Walküre - Arr. Louis Brassin (Richard Wagner)

10
ヴァルキューレの騎行(楽劇《ヴァルキューレ》より)
00:05:04

David Mottley, Producer, Recording Producer - Richard Wagner, ComposerLyricist - Jean-Yves Thibaudet, Piano, MainArtist, AssociatedPerformer - Louis Brassin, Arranger, Work Arranger - Philip Siney, Balance Engineer, StudioPersonnel

℗ 2007 Decca Music Group Limited

アルバム·レビュー

Jean-Yves Thibaudet's 2007 release Aria: Opera without Words is exactly what it says it is: a recital of popular arias arranged for piano. Following in the tradition of Thibaudet's earlier discs of Bill Evans and Duke Ellington arranged for piano, Aria is long on virtuosity and short on sensitivity. As before -- and as in his "straight" classical recordings of Ravel and Debussy -- Thibaudet's virtuosity is breathtaking. Beyond impeccable passagework and immaculate double octaves, Thibaudet's control of the instrument is complete: every phrase, every chord, every note is played exactly as it ought to be played with precisely the right amount of attack, pressure, and release. And as before -- but not as in his "straight" classical recordings -- Thibaudet's sensitivity is negligible. Beyond a lot of rubato and plenty of exaggerated dynamics, Thibaudet's interpretations are full of swaying and swooning and to-ing and fro-ing that altogether amount to not much more than hyperactive sentimentality. Part of the reason for this, of course, is built into the repertoire -- these are opera arias on the program, after all, with not one, not two, but three arrangements of Puccini included -- and part of the reason is written into the arrangements -- although Giovanni Sgambati's arrangement of the "Mélodie" from Orphée et Eurydice is fairly restrained, Yvar Mikhashoff's arrangements, especially his "Casta diva" from Norma, are fairly uninhibited. But most of it is Thibaudet's inclination toward pianistic histrionics, for pulling back from intimacy and rushing headlong into climaxes, that makes his playing resemble a higher-toned Liberace or a less comedic Chico Marx. While certainly enjoyable as exercises in virtuosity taken one or two or even three at a time, listening straight through to a whole disc of what are essentially encores is aurally and aesthetically unadvisable. Decca's digital sound makes Thibaudet's piano sound big and close, but too clattery at climaxes.

© TiVo

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