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New York Polyphony|And the Sun Darkened: Music for Passiontide

And the Sun Darkened: Music for Passiontide

New York Polyphony

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The vocal quartet New York Polyphony has excelled with a fine vocal blend and programs of Renaissance and contemporary choral music that often touch on underrepresented repertory. So it is with this release of music from around 1500, which came on the scene just in time for the 2021 Easter season (it was recorded in 2018, not 2020 as stated online). Josquin is present, but only with a single piece, and the focus is on his much less often heard contemporaries and successor, Loyset Compère, Pierre de la Rue, and Adrian Willaert. There are also two very well-chosen modern pieces by Andrew Smith and the likewise underrated Cyrillus Kreek, the forerunner of the popular contemporary school from Estonia. The one-voice-per-part forces of New York Polyphony may be an obstacle for some, inasmuch as this is not how Josquin was meant to be performed; the group's singing has a madrigalesque quality, and that's not everyone's cup of tea, but this might be the album to check out for those who have been wanting to sample New York Polyphony's work. The music here is of an intimate, devotional dimension and may, especially in the instance of Compère's Officium de Cruce, have been sung by small, private groups. That work, in fact, is regarded by musicologists as a forerunner of the sacred madrigals that came along later in the 16th century, and the rendering here by New York Polyphony is quite powerful. Another attraction is BIS's sound, captured in Princeton Abbey in New Jersey; it's entirely distinct from that of the big English chapels where most recordings this repertory are made, and it's absorbingly inward. A very strong outing from New York Polyphony.

© TiVo

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And the Sun Darkened: Music for Passiontide

New York Polyphony

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¥1,280/ 月から

1
Crux triumphans
00:06:09

Loyset Compère, Composer - New York Polyphony, Ensemble, MainArtist - Jens Braun, Producer, SoundEngineer

2021 BIS 2021 (P) BIS

Magnus es tu Domine - Tu pauperum refugium (ジョスカン・デ・プレ)

2
II. Tu pauperum refugium
00:03:18

Josquin des Prez, Composer - New York Polyphony, Ensemble, MainArtist - Jens Braun, Producer, SoundEngineer

2021 BIS 2021 (P) BIS

3
Salme 55
00:12:40

Andrew Smith, Composer - New York Polyphony, Ensemble, MainArtist - Jens Braun, Producer, SoundEngineer

2021 BIS 2021 (P) BIS

Pater noster & Ave Maria (ヴィラールト)

4
I. Pater noster
00:04:38

Adrian Willaert, Composer - New York Polyphony, Ensemble, MainArtist - Jens Braun, Producer, SoundEngineer

2021 BIS 2021 (P) BIS

5
II. Ave Maria
00:03:42

Adrian Willaert, Composer - New York Polyphony, Ensemble, MainArtist - Jens Braun, Producer, SoundEngineer

2021 BIS 2021 (P) BIS

6
Taaveti laul 22
00:04:48

Cyrillus Kreek, Composer - New York Polyphony, Ensemble, MainArtist - Jens Braun, Producer, SoundEngineer

2021 BIS 2021 (P) BIS

Officium de Cruce (Loyset Compère)

7
Pt. 1, In nomine Jesu
00:02:11

Loyset Compère, Composer - New York Polyphony, Ensemble, MainArtist - Jens Braun, Producer, SoundEngineer

2021 BIS 2021 (P) BIS

8
Pt. 2, Adoramus te Christe
00:01:44

Loyset Compère, Composer - New York Polyphony, Ensemble, MainArtist - Jens Braun, Producer, SoundEngineer

2021 BIS 2021 (P) BIS

9
Pt. 3, Patris sapientia
00:01:50

Loyset Compère, Composer - New York Polyphony, Ensemble, MainArtist - Jens Braun, Producer, SoundEngineer

2021 BIS 2021 (P) BIS

10
Pt. 4, Hora prima
00:01:46

Loyset Compère, Composer - New York Polyphony, Ensemble, MainArtist - Jens Braun, Producer, SoundEngineer

2021 BIS 2021 (P) BIS

11
Pt. 5, Crucifige clamitant
00:02:16

Loyset Compère, Composer - New York Polyphony, Ensemble, MainArtist - Jens Braun, Producer, SoundEngineer

2021 BIS 2021 (P) BIS

12
Pt. 6, Hora sexta
00:02:11

Loyset Compère, Composer - New York Polyphony, Ensemble, MainArtist - Jens Braun, Producer, SoundEngineer

2021 BIS 2021 (P) BIS

13
Pt. 7, Hora nona
00:02:25

Loyset Compère, Composer - New York Polyphony, Ensemble, MainArtist - Jens Braun, Producer, SoundEngineer

2021 BIS 2021 (P) BIS

14
Pt. 8, De cruce deponitur
00:02:18

Loyset Compère, Composer - New York Polyphony, Ensemble, MainArtist - Jens Braun, Producer, SoundEngineer

2021 BIS 2021 (P) BIS

15
Pt. 9, Hora completorii
00:02:51

Loyset Compère, Composer - New York Polyphony, Ensemble, MainArtist - Jens Braun, Producer, SoundEngineer

2021 BIS 2021 (P) BIS

16
O salutaris hostia
00:03:22

Pierre de La Rue, Composer - St. Thomas Aquinas, Lyricist - New York Polyphony, Ensemble, MainArtist - Jens Braun, Producer, SoundEngineer

2021 BIS 2021 (P) BIS

アルバム·レビュー

The vocal quartet New York Polyphony has excelled with a fine vocal blend and programs of Renaissance and contemporary choral music that often touch on underrepresented repertory. So it is with this release of music from around 1500, which came on the scene just in time for the 2021 Easter season (it was recorded in 2018, not 2020 as stated online). Josquin is present, but only with a single piece, and the focus is on his much less often heard contemporaries and successor, Loyset Compère, Pierre de la Rue, and Adrian Willaert. There are also two very well-chosen modern pieces by Andrew Smith and the likewise underrated Cyrillus Kreek, the forerunner of the popular contemporary school from Estonia. The one-voice-per-part forces of New York Polyphony may be an obstacle for some, inasmuch as this is not how Josquin was meant to be performed; the group's singing has a madrigalesque quality, and that's not everyone's cup of tea, but this might be the album to check out for those who have been wanting to sample New York Polyphony's work. The music here is of an intimate, devotional dimension and may, especially in the instance of Compère's Officium de Cruce, have been sung by small, private groups. That work, in fact, is regarded by musicologists as a forerunner of the sacred madrigals that came along later in the 16th century, and the rendering here by New York Polyphony is quite powerful. Another attraction is BIS's sound, captured in Princeton Abbey in New Jersey; it's entirely distinct from that of the big English chapels where most recordings this repertory are made, and it's absorbingly inward. A very strong outing from New York Polyphony.

© TiVo

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