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George Fitzgerald|All That Must Be

All That Must Be

George Fitzgerald

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対応言語:英語

A new era is starting for George FitzGerald. One of many British producers to relocate in Berlin in the last ten years to study techno music, he has ended his stay in Germany to move back to London and raise his newborn. An album that aims to illustrate the confusion in FitzGerald’s mind: “I wanted to mirror the uncanniness you feel when a massive event happens in your life. Everything looks and sounds the same, but it’s somehow different.” From an outsider’s point of view, it’s quite easy to see what has changed with FitzGerald. In 2010, he released his first EP The Let Down with Hotflush, the label run by Scuba, at the time a leading figure in post-dubstep. Six years later, his album Fading Love revealed the Englishman’s pop-house side. And All That Must Be confirms the new face of a producer – by his own admission − weary of club music.


FitzGerald is switching playground, but this is in no means to slow down his career, as this album seems to have been masterfully crafted for mainstream audiences. The radio-friendly Burns is already a huge hit with its arpeggiator and catchy gimmick made of cut and paste vocals (“ha ha ha/ha ho ha”) that seem to be everywhere nowadays. Furthermore, Frieda sounds like something the Kalkbrenner brothers and Flume could have composed together in a studio, while Roll Back is an electronic ballad sung by English artist Lil Silva, which is bound to haunt the YouTube channels of “The Sound You Need” and “Majestic Casual” any time now. The kind of album that could be entrusted to the ears of any electronic music neophyte and make them want to reach deeper into the genre. © Smaël Bouaici/Qobuz




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All That Must Be

George Fitzgerald

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現在、試聴中です。

無制限ストリーミングプランで1億曲以上の楽曲を聴くことができます。

無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。

¥1,280/ 月から

1
Two Moons Under
00:05:01

George Fitzgerald, Composer, Lyricist, Producer, MainArtist - Blue May, Mixer - Duncan Tootill, Producer - Domino US, MusicPublisher

2018 Domino Recording Co Ltd 2018 Domino Recording Co Ltd

2
Frieda
00:05:30

George Fitzgerald, Composer, Lyricist, Producer, MainArtist - Blue May, Mixer - Duncan Tootill, Producer - Domino US, MusicPublisher

2018 Domino Recording Co Ltd 2018 Domino Recording Co Ltd

3
Burns
00:04:13

George Fitzgerald, Composer, Lyricist, Producer, MainArtist - Blue May, Mixer - Little Cub, Composer - Duncan Tootill, Producer - Domino US, MusicPublisher

2018 Domino Recording Co Ltd 2017 Domino Recording Co Ltd

4
Roll Back
00:03:28

George Fitzgerald, Composer, Lyricist, Producer, MainArtist - Lil Silva, MainArtist - Blue May, Mixer - TJ Carter, Composer, Lyricist, Producer - Duncan Tootill, Producer - Domino US, MusicPublisher

2018 Domino Recording Co Ltd 2018 Domino Recording Co Ltd

5
Siren Calls
00:04:00

George Fitzgerald, Composer, Lyricist, Producer, MainArtist - Blue May, Mixer - Duncan Tootill, Producer - Domino US, MusicPublisher

2018 Domino Recording Co Ltd 2018 Domino Recording Co Ltd

6
Nobody But You
00:04:51

Copyright Control, MusicPublisher - George Fitzgerald, Composer, Lyricist, Producer, MainArtist - Blue May, Mixer - Hudson Scott, Composer, Lyricist, FeaturedArtist - Duncan Tootill, Composer, Lyricist, Producer - Domino US, MusicPublisher

2018 Domino Recording Co Ltd 2018 Domino Recording Co Ltd

7
Outgrown
00:06:05

Bonobo, MainArtist - Simon Green, Composer, Lyricist, Producer - George Fitzgerald, Composer, Lyricist, Producer, MainArtist - Kobalt Music Publishing LTD, MusicPublisher - Blue May, Mixer - Duncan Tootill, Producer - Domino US, MusicPublisher

2018 Domino Recording Co Ltd 2018 Domino Recording Co Ltd

8
Half-Light (Night Version)
00:03:13

Tracey Thorn, MainArtist - Copyright Control, MusicPublisher - George Fitzgerald, Composer, Lyricist, Producer, MainArtist - Blue May, Mixer - Oli Bayston, Composer, Lyricist - Duncan Tootill, Producer - Domino US, MusicPublisher

2018 Domino Recording Co Ltd 2018 Domino Recording Co Ltd

9
The Echo Forgets
00:04:52

Copyright Control, MusicPublisher - Lou Rhodes, Composer, Lyricist - George Fitzgerald, Composer, Lyricist, Producer, MainArtist - Blue May, Mixer - Duncan Tootill, Composer, Lyricist, Producer - Domino US, MusicPublisher

2018 Domino Recording Co Ltd 2018 Domino Recording Co Ltd

10
Passing Trains
00:03:13

George Fitzgerald, Composer, Lyricist, Producer, MainArtist - Blue May, Mixer - Duncan Tootill, Producer - Domino US, MusicPublisher

2018 Domino Recording Co Ltd 2018 Domino Recording Co Ltd

アルバム·レビュー

A new era is starting for George FitzGerald. One of many British producers to relocate in Berlin in the last ten years to study techno music, he has ended his stay in Germany to move back to London and raise his newborn. An album that aims to illustrate the confusion in FitzGerald’s mind: “I wanted to mirror the uncanniness you feel when a massive event happens in your life. Everything looks and sounds the same, but it’s somehow different.” From an outsider’s point of view, it’s quite easy to see what has changed with FitzGerald. In 2010, he released his first EP The Let Down with Hotflush, the label run by Scuba, at the time a leading figure in post-dubstep. Six years later, his album Fading Love revealed the Englishman’s pop-house side. And All That Must Be confirms the new face of a producer – by his own admission − weary of club music.


FitzGerald is switching playground, but this is in no means to slow down his career, as this album seems to have been masterfully crafted for mainstream audiences. The radio-friendly Burns is already a huge hit with its arpeggiator and catchy gimmick made of cut and paste vocals (“ha ha ha/ha ho ha”) that seem to be everywhere nowadays. Furthermore, Frieda sounds like something the Kalkbrenner brothers and Flume could have composed together in a studio, while Roll Back is an electronic ballad sung by English artist Lil Silva, which is bound to haunt the YouTube channels of “The Sound You Need” and “Majestic Casual” any time now. The kind of album that could be entrusted to the ears of any electronic music neophyte and make them want to reach deeper into the genre. © Smaël Bouaici/Qobuz




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