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トーマス・アデス|Adès conducts Adès (World Premiere Recordings)

Adès conducts Adès (World Premiere Recordings)

Kirill Gerstein, Boston Symphony Orchestra, Thomas Adès

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This recording, conducted by the composer and recorded live with the Boston Symphony Orchestra, will satisfy both longtime Thomas Adès fans and newcomers. Both works included are world premieres, and they show Adès both writing as well as he ever has and breaking new ground. Totentanz (2013) is Adès in his classic vein, brassy, tense, and a bit grim. It's a cantata for two soloists and orchestra, in German, with a text taken from a 15th century artwork in Lübeck, Germany's Marienkirche. The work shows Death in conversation with a parade of types, from the Pope and Kaiser through Cardinal, King, Monk, Knight, Doctor, Salesman, Sexton, Craftsman, Farmer, Girl, and finally Baby. Death is sung by a baritone, and the other parts by mezzo-soprano Christianne Stotjin, who modulates her voice according to the various characters. The finale with the small child is extremely affecting. Even better, however, may be the Concerto for piano and orchestra (2018), in the traditional three-movement concerto form, yet not neoclassic music in the least. In some respects, Adès moves toward a public-friendly style, with hints of Gershwin, Ravel, and Stravinsky, but it's still pure Adès, with the rhythm constantly destabilizing itself and careering around corners at impossible speed. The piano part is highly virtuosic: Adès, a fine pianist himself, set challenges for his friend Kirill Gerstein which are admirably surmounted. The work is a great deal of fun and seems as likely as anything else written lately to enter the repertory permanently. Adès conducting, bringing into relief his unorthodox instrument combinations, is another major attraction. Bravo!

© TiVo

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Adès conducts Adès (World Premiere Recordings)

トーマス・アデス

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ピアノと管弦楽のための協奏曲 (トーマス・アデス)

1
第1楽章 (Live)
キリル・ゲルシュタイン
00:07:34

Kirill Gerstein, Piano - Boston Symphony Orchestra - Thomas Ades, Composer, Conductor - Joel Watts, Asst. Recording Engineer - Nick Squire, Producer, Editor, Recording Engineer - Brian Losch, Assistant Editor - Tim Martyn, Mastering Engineer

℗ 2020 Boston Symphony Orchestra, Inc.

2
第2楽章 (Live)
キリル・ゲルシュタイン
00:07:00

Kirill Gerstein, Piano - Boston Symphony Orchestra - Thomas Ades, Composer, Conductor - Joel Watts, Asst. Recording Engineer - Nick Squire, Producer, Editor, Recording Engineer - Brian Losch, Assistant Editor - Tim Martyn, Mastering Engineer

℗ 2020 Boston Symphony Orchestra, Inc.

3
第3楽章 (Live)
キリル・ゲルシュタイン
00:06:50

Kirill Gerstein, Piano - Boston Symphony Orchestra - Thomas Ades, Composer, Conductor - Joel Watts, Asst. Recording Engineer - Nick Squire, Producer, Editor, Recording Engineer - Brian Losch, Assistant Editor - Tim Martyn, Mastering Engineer

℗ 2020 Boston Symphony Orchestra, Inc.

Totentanz (トーマス・アデス)

4
(Live at Symphony Hall, Boston / 2016) – I. Der Prediger
マーク・ストーン
00:01:16

Mark Stone, Baritone - Boston Symphony Orchestra - Thomas Ades, Composer, Conductor - Joel Watts, Asst. Recording Engineer - Nick Squire, Producer, Editor, Recording Engineer - Brian Losch, Assistant Editor - Tim Martyn, Mastering Engineer

℗ 2020 Boston Symphony Orchestra, Inc.

5
II. Der Tod
マーク・ストーン
00:01:56

Mark Stone, Baritone - Boston Symphony Orchestra - Thomas Ades, Composer, Conductor - Anonymous, Author - Joel Watts, Asst. Recording Engineer - Nick Squire, Producer, Editor, Recording Engineer - Brian Losch, Assistant Editor - Tim Martyn, Mastering Engineer

℗ 2020 Boston Symphony Orchestra, Inc.

6
III. Der Tod zum Papst – Der Papst
クリスティアーネ・シュトーテン
00:01:51

Christianne Stotijn, Mezzo-Soprano - Mark Stone, Baritone - Boston Symphony Orchestra - Thomas Ades, Composer, Conductor - Anonymous, Author - Joel Watts, Asst. Recording Engineer - Nick Squire, Producer, Editor, Recording Engineer - Brian Losch, Assistant Editor - Tim Martyn, Mastering Engineer

℗ 2020 Boston Symphony Orchestra, Inc.

7
IV. Der Tod zum Kaiser – Der Kaiser
クリスティアーネ・シュトーテン
00:02:15

Christianne Stotijn, Mezzo-Soprano - Mark Stone, Baritone - Boston Symphony Orchestra - Thomas Ades, Composer, Conductor - Anonymous, Author - Joel Watts, Asst. Recording Engineer - Nick Squire, Producer, Editor, Recording Engineer - Brian Losch, Assistant Editor - Tim Martyn, Mastering Engineer

℗ 2020 Boston Symphony Orchestra, Inc.

8
V. Der Tod zum Kardinal – Der Kardinal
クリスティアーネ・シュトーテン
00:02:41

Christianne Stotijn, Mezzo-Soprano - Mark Stone, Baritone - Boston Symphony Orchestra - Thomas Ades, Composer, Conductor - Anonymous, Author - Joel Watts, Asst. Recording Engineer - Nick Squire, Producer, Editor, Recording Engineer - Brian Losch, Assistant Editor - Tim Martyn, Mastering Engineer

℗ 2020 Boston Symphony Orchestra, Inc.

9
VI. Der Tod zum König – Der König
クリスティアーネ・シュトーテン
00:01:55

Christianne Stotijn, Mezzo-Soprano - Mark Stone, Baritone - Boston Symphony Orchestra - Thomas Ades, Composer, Conductor - Anonymous, Author - Joel Watts, Asst. Recording Engineer - Nick Squire, Producer, Editor, Recording Engineer - Brian Losch, Assistant Editor - Tim Martyn, Mastering Engineer

℗ 2020 Boston Symphony Orchestra, Inc.

10
VII. Der Tod zum Mönch – Der Mönch
クリスティアーネ・シュトーテン
00:01:41

Christianne Stotijn, Mezzo-Soprano - Mark Stone, Baritone - Boston Symphony Orchestra - Thomas Ades, Composer, Conductor - Anonymous, Author - Joel Watts, Asst. Recording Engineer - Nick Squire, Producer, Editor, Recording Engineer - Brian Losch, Assistant Editor - Tim Martyn, Mastering Engineer

℗ 2020 Boston Symphony Orchestra, Inc.

11
VIII. Der Tod zum Ritter – Der Ritter – Der Tod zum Bürgermeister – Der Bürgermeister
クリスティアーネ・シュトーテン
00:01:49

Christianne Stotijn, Mezzo-Soprano - Mark Stone, Baritone - Boston Symphony Orchestra - Thomas Ades, Composer, Conductor - Anonymous, Author - Joel Watts, Asst. Recording Engineer - Nick Squire, Producer, Editor, Recording Engineer - Brian Losch, Assistant Editor - Tim Martyn, Mastering Engineer

℗ 2020 Boston Symphony Orchestra, Inc.

12
IX. Der Tod zum Arzt – Der Arzt – Der Tod zum Wucherer – Der Wucherer
クリスティアーネ・シュトーテン
00:00:45

Christianne Stotijn, Mezzo-Soprano - Mark Stone, Baritone - Boston Symphony Orchestra - Thomas Ades, Composer, Conductor - Anonymous, Author - Joel Watts, Asst. Recording Engineer - Nick Squire, Producer, Editor, Recording Engineer - Brian Losch, Assistant Editor - Tim Martyn, Mastering Engineer

℗ 2020 Boston Symphony Orchestra, Inc.

13
X. Der Tod zum Kaufmann – Der Kaufmann
クリスティアーネ・シュトーテン
00:02:05

Christianne Stotijn, Mezzo-Soprano - Mark Stone, Baritone - Boston Symphony Orchestra - Thomas Ades, Composer, Conductor - Anonymous, Author - Joel Watts, Asst. Recording Engineer - Nick Squire, Producer, Editor, Recording Engineer - Brian Losch, Assistant Editor - Tim Martyn, Mastering Engineer

℗ 2020 Boston Symphony Orchestra, Inc.

14
XI. Der Tod zum Küster – Der Küster – Der Tod zum Küster
クリスティアーネ・シュトーテン
00:04:01

Christianne Stotijn, Mezzo-Soprano - Mark Stone, Baritone - Boston Symphony Orchestra - Thomas Ades, Composer, Conductor - Anonymous, Author - Joel Watts, Asst. Recording Engineer - Nick Squire, Producer, Editor, Recording Engineer - Brian Losch, Assistant Editor - Tim Martyn, Mastering Engineer

℗ 2020 Boston Symphony Orchestra, Inc.

15
XII. Der Handwerker – Der Tod zum Handwerker
クリスティアーネ・シュトーテン
00:02:20

Christianne Stotijn, Mezzo-Soprano - Mark Stone, Baritone - Boston Symphony Orchestra - Thomas Ades, Composer, Conductor - Anonymous, Author - Joel Watts, Asst. Recording Engineer - Nick Squire, Producer, Editor, Recording Engineer - Brian Losch, Assistant Editor - Tim Martyn, Mastering Engineer

℗ 2020 Boston Symphony Orchestra, Inc.

16
XIII. Der Tod zum Bauer – Der Bauer
クリスティアーネ・シュトーテン
00:02:13

Christianne Stotijn, Mezzo-Soprano - Mark Stone, Baritone - Boston Symphony Orchestra - Thomas Ades, Composer, Conductor - Anonymous, Author - Joel Watts, Asst. Recording Engineer - Nick Squire, Producer, Editor, Recording Engineer - Brian Losch, Assistant Editor - Tim Martyn, Mastering Engineer

℗ 2020 Boston Symphony Orchestra, Inc.

17
XIV. Der Tod zum Mädchen – Das Mädchen
クリスティアーネ・シュトーテン
00:02:57

Christianne Stotijn, Mezzo-Soprano - Mark Stone, Baritone - Boston Symphony Orchestra - Thomas Ades, Composer, Conductor - Anonymous, Author - Joel Watts, Asst. Recording Engineer - Nick Squire, Producer, Editor, Recording Engineer - Brian Losch, Assistant Editor - Tim Martyn, Mastering Engineer

℗ 2020 Boston Symphony Orchestra, Inc.

18
XV. Der Tod zum Kind – Das Kind
クリスティアーネ・シュトーテン
00:04:43

Christianne Stotijn, Mezzo-Soprano - Mark Stone, Baritone - Boston Symphony Orchestra - Thomas Ades, Composer, Conductor - Anonymous, Author - Joel Watts, Asst. Recording Engineer - Nick Squire, Producer, Editor, Recording Engineer - Brian Losch, Assistant Editor - Tim Martyn, Mastering Engineer

℗ 2020 Boston Symphony Orchestra, Inc.

アルバム·レビュー

This recording, conducted by the composer and recorded live with the Boston Symphony Orchestra, will satisfy both longtime Thomas Adès fans and newcomers. Both works included are world premieres, and they show Adès both writing as well as he ever has and breaking new ground. Totentanz (2013) is Adès in his classic vein, brassy, tense, and a bit grim. It's a cantata for two soloists and orchestra, in German, with a text taken from a 15th century artwork in Lübeck, Germany's Marienkirche. The work shows Death in conversation with a parade of types, from the Pope and Kaiser through Cardinal, King, Monk, Knight, Doctor, Salesman, Sexton, Craftsman, Farmer, Girl, and finally Baby. Death is sung by a baritone, and the other parts by mezzo-soprano Christianne Stotjin, who modulates her voice according to the various characters. The finale with the small child is extremely affecting. Even better, however, may be the Concerto for piano and orchestra (2018), in the traditional three-movement concerto form, yet not neoclassic music in the least. In some respects, Adès moves toward a public-friendly style, with hints of Gershwin, Ravel, and Stravinsky, but it's still pure Adès, with the rhythm constantly destabilizing itself and careering around corners at impossible speed. The piano part is highly virtuosic: Adès, a fine pianist himself, set challenges for his friend Kirill Gerstein which are admirably surmounted. The work is a great deal of fun and seems as likely as anything else written lately to enter the repertory permanently. Adès conducting, bringing into relief his unorthodox instrument combinations, is another major attraction. Bravo!

© TiVo

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