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Andreas Staier|À Portuguesa

À Portuguesa

Andreas Staier and Orquestra barroca Casa da Música

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対応言語:英語

For a long, long time, the Iberian Peninsula remained separate from the mainstream currents of European music, and most of the musicians and composers active in Spain and Portugal in the 18th century came from Italy or other countries. The new Spanish royal family – The House of Bourbon, established by Louis XIV of France who allowed his grandson Philip V to take to the throne – had adopted Versailles' splendour. However, they still had to reckon with the Grandees of Spain with their aristocratic tradition, privileges, morgue, precedence, freezing austerity and extreme religious faith… And so, once the succession war was over, the arts found that they had been left somewhat neglected. It was therefore down to Italy and England to lead the musical dance in Spain for a while. Scarlatti and Boccherini, of course, are the most representative names of this influence, so it is normal that this album, "Á Portuguesa" (extended to Spain, it is true), gives prominence to these two composers.

The masterpiece here is, and forever shall be, Boccherini’s extraordinary Musica notturna delle strade di Madrid. The work was initially conceived for a string quintet, though is redistributed here to a string orchestra with Andreas Staier’s harpsichord. Staier remains on the harpsichord for two concertos by José António Carlos de Seixas (1704-1742), a Portuguese composer who wrote an impressive corpus of some seven hundred toccatas, as well as some beautiful concertos. England offered up some Iberian works too, including William Corbett's amusing concerto Alla Portuguesa from his collection Le Bizzarie Universali, proof that the Iberian Peninsula was still considered to be some strange place at world’s end. Charles Avison transcribed Scarlatti's sonatas into concerto grossos, of which this is one of the most striking examples. Staier is accompanied by the excellent Baroque Orchestra of Porto. © SM/Qobuz

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À Portuguesa

Andreas Staier

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Concerto No. 7 "Alla Portugesa" in B-Flat Major, Op. 7 (William Corbett)

1
I. Allegro
Orquestra barroca Casa da Música
00:03:09

Andreas Staier, Soloist - William Corbett, Composer - Orquestra barocca Casa da Música

harmonia mundi harmonia mundi

2
II. Largo e pia[no]
Orquestra barroca Casa da Música
00:04:16

Andreas Staier, Soloist - William Corbett, Composer - Orquestra barocca Casa da Música

harmonia mundi harmonia mundi

3
Harpsichord Sonata in G Minor, K. 8: Allegro
Andreas Staier
00:02:33

DOMENICO SCARLATTI, Composer - Andreas Staier, Soloist, MainArtist

harmonia mundi harmonia mundi

4
Harpsichord Sonata in G Major, K. 13: Presto
Andreas Staier
00:04:09

DOMENICO SCARLATTI, Composer - Andreas Staier, Soloist, MainArtist

harmonia mundi harmonia mundi

5
Harpsichord Sonata in B Minor, K. 173: Allegro
Andreas Staier
00:04:44

DOMENICO SCARLATTI, Composer - Andreas Staier, Soloist, MainArtist

harmonia mundi harmonia mundi

6
III. Allegro
Orquestra barroca Casa da Música
00:02:03

Andreas Staier, Soloist - William Corbett, Composer - Orquestra barocca Casa da Música

harmonia mundi harmonia mundi

Harpsichord Concerto in G minor (Jose Antonio Carlos de Seixas)

7
I. Allegro
Orquestra barroca Casa da Música
00:05:25

Andreas Staier, Soloist - José António Carlos De Seixas, Composer - Orquestra barocca Casa da Música

harmonia mundi harmonia mundi

8
II. Adagio
Orquestra barroca Casa da Música
00:02:39

Andreas Staier, Soloist - José António Carlos De Seixas, Composer - Orquestra barocca Casa da Música

harmonia mundi harmonia mundi

9
III. Allegro assai
Orquestra barroca Casa da Música
00:06:15

Andreas Staier, Soloist - José António Carlos De Seixas, Composer - Orquestra barocca Casa da Música

harmonia mundi harmonia mundi

Harpsichord Concerto in A major (Jose Antonio Carlos de Seixas)

10
I. Allegro
Orquestra barroca Casa da Música
00:01:52

Andreas Staier, Soloist - José António Carlos De Seixas, Composer - Orquestra barocca Casa da Música

harmonia mundi harmonia mundi

11
II. Adagio
Orquestra barroca Casa da Música
00:01:07

Andreas Staier, Soloist - José António Carlos De Seixas, Composer - Orquestra barocca Casa da Música

harmonia mundi harmonia mundi

12
III. Giga. Allegro
Orquestra barroca Casa da Música
00:02:16

Andreas Staier, Soloist - José António Carlos De Seixas, Composer - Orquestra barocca Casa da Música

harmonia mundi harmonia mundi

Concerto grosso No. 5 in D Minor (Charles Avison)

13
I. Largo
Orquestra barroca Casa da Música
00:02:44

Andreas Staier, Soloist - Charles Avison, Composer - Orquestra barocca Casa da Música

harmonia mundi harmonia mundi

14
II. Allegro
Orquestra barroca Casa da Música
00:01:40

Andreas Staier, Soloist - Charles Avison, Composer - Orquestra barocca Casa da Música

harmonia mundi harmonia mundi

15
III. Andante moderato
Orquestra barroca Casa da Música
00:01:40

Andreas Staier, Soloist - Charles Avison, Composer - Orquestra barocca Casa da Música

harmonia mundi harmonia mundi

16
IV. Allegro
Orquestra barroca Casa da Música
00:02:02

Andreas Staier, Soloist - Charles Avison, Composer - Orquestra barocca Casa da Música

harmonia mundi harmonia mundi

Quintet No. 60 in C Major, G. 324 "La Musica Notturna delle strade di Madrid" (Luigi Boccherini)

17
I. Ave Maria. Imitando il tocco dell'Ave Maria della Parrochia (transcription for String Orchestra and Harpsichords by Andreas Staier)
Orquestra barroca Casa da Música
00:01:01

Luigi Boccherini, Composer - Orquestra barocca Casa da Música

harmonia mundi harmonia mundi

18
II. Minuetto (transcription for String Orchestra and Harpsichords by Andreas Staier)
Orquestra barroca Casa da Música
00:02:09

Luigi Boccherini, Composer - Andreas Staier, Soloist - Orquestra barocca Casa da Música

harmonia mundi harmonia mundi

19
III. Rosario. Largo assai (transcription for String Orchestra and Harpsichords by Andreas Staier)
Orquestra barroca Casa da Música
00:04:37

Luigi Boccherini, Composer - Andreas Staier, Soloist - Orquestra barocca Casa da Música

harmonia mundi harmonia mundi

20
IV. Los manolos. Passa Calle. Allegro (transcription for String Orchestra and Harpsichords by Andreas Staier)
Orquestra barroca Casa da Música
00:02:00

Luigi Boccherini, Composer - Andreas Staier, Soloist - Orquestra barocca Casa da Música

harmonia mundi harmonia mundi

21
V. Ritirata con variazioni. Tempo di Marcia (transcription for String Orchestra and Harpsichords by Andreas Staier)
Orquestra barroca Casa da Música
00:06:20

Luigi Boccherini, Composer - Andreas Staier, Soloist - Orquestra barocca Casa da Música

harmonia mundi harmonia mundi

アルバム·レビュー

For a long, long time, the Iberian Peninsula remained separate from the mainstream currents of European music, and most of the musicians and composers active in Spain and Portugal in the 18th century came from Italy or other countries. The new Spanish royal family – The House of Bourbon, established by Louis XIV of France who allowed his grandson Philip V to take to the throne – had adopted Versailles' splendour. However, they still had to reckon with the Grandees of Spain with their aristocratic tradition, privileges, morgue, precedence, freezing austerity and extreme religious faith… And so, once the succession war was over, the arts found that they had been left somewhat neglected. It was therefore down to Italy and England to lead the musical dance in Spain for a while. Scarlatti and Boccherini, of course, are the most representative names of this influence, so it is normal that this album, "Á Portuguesa" (extended to Spain, it is true), gives prominence to these two composers.

The masterpiece here is, and forever shall be, Boccherini’s extraordinary Musica notturna delle strade di Madrid. The work was initially conceived for a string quintet, though is redistributed here to a string orchestra with Andreas Staier’s harpsichord. Staier remains on the harpsichord for two concertos by José António Carlos de Seixas (1704-1742), a Portuguese composer who wrote an impressive corpus of some seven hundred toccatas, as well as some beautiful concertos. England offered up some Iberian works too, including William Corbett's amusing concerto Alla Portuguesa from his collection Le Bizzarie Universali, proof that the Iberian Peninsula was still considered to be some strange place at world’s end. Charles Avison transcribed Scarlatti's sonatas into concerto grossos, of which this is one of the most striking examples. Staier is accompanied by the excellent Baroque Orchestra of Porto. © SM/Qobuz

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