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ザップ・ママ|A Ma Zone

A Ma Zone

Zap Mama

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Zap Mama's last album was the first one to incorporate instrumental sounds into the group's six-voice a cappella mix; it was also the first to include male voices. On A Ma Zone, group leader Marie Daulne has expanded the exploration of American R&B and hip-hop that she began with Seven. Breakbeats, jazzy upright bass, and turntable manipulation are now a part of the mix -- a mix that was already rich with European and West African influences. "Gissie" draws most deeply on Daulne's Central African Pygmy roots, with its call-and-response structure and her unearthly yodeling; "Rafiki," which opens the album, is a collaboration with Black Thought (of the Roots) that segues beautifully into "W'Happy Mama," on which Daulne shows off her own speed-rap flow (in French, of course). "'Allo 'Allo" and "Call Waiting" both hint at her ongoing obsession with the telephone, an instrument that she seems to find mildly repellent but can't seem to ignore. Everything on this album is both complex and immediately accessible, simultaneously deeply funky and sweetly gentle. Very highly recommended.

© Rick Anderson /TiVo

詳細はこちら

A Ma Zone

ザップ・ママ

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¥1,280/ 月から

1
Iko-Iko
Zap Mama
00:03:22

Copyright Control, MusicPublisher - Zap Mama, Composer, Lyricist, MainArtist

1999 Luaka Bop Records 1999 Luaka Bop Records

2
Rafiki (DNA Remix)
Zap Mama
00:03:43

Copyright Control, MusicPublisher - DnA, Remixer - Zap Mama, Composer, Lyricist, MainArtist

1999 Luaka Bop Records 1999 Luaka Bop Records

3
W'happy Mama
Zap Mama
00:05:16

Copyright Control, MusicPublisher - Zap Mama, Composer, Lyricist, MainArtist

1999 Luaka Bop Records 1999 Luaka Bop Records

4
Call Waiting
Zap Mama
00:03:55

Copyright Control, MusicPublisher - Zap Mama, Composer, Lyricist, MainArtist

1999 Luaka Bop Records 1999 Luaka Bop Records

5
Gissié
Zap Mama
00:03:43

Copyright Control, MusicPublisher - Zap Mama, Composer, Lyricist, MainArtist

1999 Luaka Bop Records 1999 Luaka Bop Records

6
Songe
Zap Mama
00:03:30

Copyright Control, MusicPublisher - Zap Mama, Composer, Lyricist, MainArtist

1999 Luaka Bop Records 1999 Luaka Bop Records

7
Kemake
Zap Mama
00:03:07

Copyright Control, MusicPublisher - Zap Mama, Composer, Lyricist, MainArtist

1999 Luaka Bop Records 1999 Luaka Bop Records

8
Comment ça va
Zap Mama
00:04:28

Copyright Control, MusicPublisher - Zap Mama, Composer, Lyricist, MainArtist

1999 Luaka Bop Records 1999 Luaka Bop Records

9
Ya Solo
Zap Mama
00:04:09

Copyright Control, MusicPublisher - Zap Mama, Composer, Lyricist, MainArtist

1999 Luaka Bop Records 1999 Luaka Bop Records

10
My Own Zero
Zap Mama
00:04:02

Copyright Control, MusicPublisher - Zap Mama, Composer, Lyricist, MainArtist

1999 Luaka Bop Records 1999 Luaka Bop Records

11
M'toto
Zap Mama
00:02:47

Copyright Control, MusicPublisher - Zap Mama, Composer, Lyricist, MainArtist

1999 Luaka Bop Records 1999 Luaka Bop Records

12
Gbo Mata (Station
Zap Mama
00:03:24

Copyright Control, MusicPublisher - Zap Mama, Composer, Lyricist, MainArtist

1999 Luaka Bop Records 1999 Luaka Bop Records

13
'Allo 'Allo (Original Mix)
Zap Mama
00:05:08

Copyright Control, MusicPublisher - Zap Mama, Composer, Lyricist, MainArtist

1999 Luaka Bop Records 1999 Luaka Bop Records

14
Rafiki (Original Mix)
Zap Mama
00:04:04

Copyright Control, MusicPublisher - Zap Mama, Composer, Lyricist, MainArtist

1999 Luaka Bop Records 1999 Luaka Bop Records

アルバム·レビュー

Zap Mama's last album was the first one to incorporate instrumental sounds into the group's six-voice a cappella mix; it was also the first to include male voices. On A Ma Zone, group leader Marie Daulne has expanded the exploration of American R&B and hip-hop that she began with Seven. Breakbeats, jazzy upright bass, and turntable manipulation are now a part of the mix -- a mix that was already rich with European and West African influences. "Gissie" draws most deeply on Daulne's Central African Pygmy roots, with its call-and-response structure and her unearthly yodeling; "Rafiki," which opens the album, is a collaboration with Black Thought (of the Roots) that segues beautifully into "W'Happy Mama," on which Daulne shows off her own speed-rap flow (in French, of course). "'Allo 'Allo" and "Call Waiting" both hint at her ongoing obsession with the telephone, an instrument that she seems to find mildly repellent but can't seem to ignore. Everything on this album is both complex and immediately accessible, simultaneously deeply funky and sweetly gentle. Very highly recommended.

© Rick Anderson /TiVo

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