Hyper
The progressive sound of Hyper has traversed the electronic landscape via a mix of nu-skool breaks, punk-infused electro, and EBM- and industrial-imbued post-dubstep. Releases such as 2006's debut full-length We Control through to 2021's Control EP and beyond have cemented Hyper's place as the go-to DJ for adrenaline-drenched broken beat electronica.
Born and raised in Lincoln, England, Guy Hatfield (aka Hyper) left his hometown to pursue a career in the music industry, working behind the scenes for Sony and creating his own promotions company, Waxworks, while also becoming a key player in the early-2000s nu-skool breaks scene. Alongside the likes of Adam Freeland, Tayo, and Dylan Rhymes, Hyper fused elements of progressive house, electro, and big beat on his early releases such as 2000's "Trigger" and 2003's "We've Been Waiting." The breaks scene splintered between the tear-out bassline sound pursued by the Freestylers and Sons of Mecha and the more progressive sound followed by Hyper that crossed into the tech-house and progressive trance scenes dominated BT, Hybrid, and Way Out West. Although Hyper had released a handful of singles, he had become a sought-after DJ, playing internationally and providing mixes for Bedrock and Distinctive Breaks.
Around 2004, on a flight back to the U.K. from Australia, Hatfield met up with former Prodigy dancer Leeroy Thornhill, who had left the group to pursue his own music career. While listening to some of Thornhill's own productions, the two decided to collaborate, fusing the punk-edged sound of the Prodigy with the progressive breaks of Hyper. Two years later, Hyper and Thornhill released their first album, 2006's We Control, bringing on board ex-Prodigy guitarist Jim Davies, Kieron Pepper, and fellow breaks artist John Ross (Stir Fry). Following successful live dates as a band, they returned for their sophomore release, 2008's Suicide Tuesday. Their brand of electro-punk fit perfectly within the video game world, with tracks often appearing on high-profile game releases as well as Hollywood blockbusters and TV shows.
Hatfield continued with the sound for 2011's The Panic, while bringing in elements of dubstep and drum'n'bass for his fourth album, 2014's Lies. Over the next couple of years, a handful of releases appeared that saw Hyper's sound starting to incorporate elements of EBM, industrial, and rousing cinematic soundscapes. At the beginning of 2021, he issued the bombastic "Impact Weapon," his first release since signing to Deadmau5's label Mau5trap. A few months later, Hyper brought together all the elements of his earlier work on the EP Control.
© Rich Wilson /TiVo
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Symphony of Lies
Hip-Hop/Rap - Pubblicato da Kilowatt Recordings il 12 mag 2014
16-Bit CD Quality 44.1 kHz - Stereo -
Post Punk
The Crystal Method, Hyper, Iggy Pop
Elettronica - Pubblicato da Ultra Records, LLC il 18 feb 2022
24-Bit 48.0 kHz - Stereo -
Post Punk (Rewired by Hyper)
The Crystal Method, Hyper, Iggy Pop
Elettronica - Pubblicato da Ultra Records, LLC il 24 giu 2022
16-Bit CD Quality 44.1 kHz - Stereo -
Enter the Hyper Scape (Hyper Scape: Original Game Soundtrack)
Video Giochi - Pubblicato da Ubisoft Music il 11 ago 2020
24-Bit 48.0 kHz - Stereo -
Break and Enter
Elettronica - Pubblicato da Blue Stahli il 18 ago 2023
16-Bit CD Quality 44.1 kHz - Stereo -
We Control (Hyper)
Elettronica - Pubblicato da Kilowatt Recordings il 6 giu 2006
16-Bit CD Quality 44.1 kHz - Stereo -
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Control Response (Hyper Scape: Original Game Soundtrack)
Video Giochi - Pubblicato da Ubisoft Music il 11 ago 2020
24-Bit 48.0 kHz - Stereo -
Ride On a Meteorite
Elettronica - Pubblicato da Sunnyside Up Records il 8 giu 2002
16-Bit CD Quality 44.1 kHz - Stereo -
Let Battle Commence
Alex Johnson, Adam Xycore, Hyper
Elettronica - Pubblicato da Score Addiction - BMG Production Music il 6 nov 2023
24-Bit 44.1 kHz - Stereo -
Fragmented Memories (Hyper Scape: Original Game Soundtrack)
Video Giochi - Pubblicato da Ubisoft Music il 11 ago 2020
24-Bit 48.0 kHz - Stereo -
We Kill Giants
Hip-Hop/Rap - Pubblicato da Destroy All Planets il 8 giu 2015
16-Bit CD Quality 44.1 kHz - Stereo -
A Darker Secret (Hyperscape Game Trailer Song)
Video Giochi - Pubblicato da Ubisoft Music il 12 lug 2020
24-Bit 48.0 kHz - Stereo -
Serious Beds 2
Hyper, Marc Mooney, Tyrion Black
Colonne sonore - Pubblicato da Ded Good DED Series il 26 set 2016
24-Bit 48.0 kHz - Stereo -
Smells Like Teen Spirit (Hyper's Seattle Deconstruction)
Elettronica - Pubblicato da Position Music il 25 mar 2022
16-Bit CD Quality 44.1 kHz - Stereo -
The Happy Bottom Riding Club
Rock - Pubblicato da Guitarwiz Music Bmi il 1 gen 1996
16-Bit CD Quality 44.1 kHz - Stereo -
I Want Everything
Dance - Pubblicato da Earache Records il 18 ott 2023
16-Bit CD Quality 44.1 kHz - Stereo -
Never Stop The Rave (Original Mix)
Generi vari - Pubblicato da Contagious Records il 3 ott 2016
16-Bit CD Quality 44.1 kHz - Stereo -
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DJ Hyper - Scored Beats: The Next Cut
Colonne sonore - Pubblicato da Music House (International) Ltd il 28 lug 2011
16-Bit CD Quality 44.1 kHz - Stereo -
Exit the Hyper Scape (Hyper Scape: Original Game Soundtrack)
Video Giochi - Pubblicato da Ubisoft Music il 11 ago 2020
24-Bit 48.0 kHz - Stereo