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Jazz - Uscito il 01 febbraio 1964 | Blue Note Records

Hi-Res Libretto Riconoscimenti La discoteca ideale Qobuz
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Free jazz et jazz d'avanguardia - Uscito il 25 gennaio 2019 | Resonance Records

Riconoscimenti Pitchfork: Best New Reissue
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Jazz - Uscito il 01 gennaio 1960 | Prestige

Riconoscimenti Jazzwise Five-star review
The late multi-reed player/composer Eric Dolphy, one of the most pivotal figures in jazz, was a fiercely lyrical, imaginative musician at the forefront of the changes the music underwent in the 1960s. Dolphy, unlike some of his contemporaries, never totally abandoned the bebop approach of soloing over chord changes, but instead took his solos to fresh, expressive heights. Outward Bound, a quintet session from 1960, shows Dolphy in a somewhat transitional phase, his music closer to the hard bop of the late '50s than the free jazz of the '60s. "245" is a late-night blues on which Dolphy, on alto, testifies his feeling and loyalty to the form. The standard "Glad to Be Unhappy" is given a lovely, lively reading on flute, with the band providing appropriately spare, sympathetic accompaniment. "Miss Ann" features Dolphy swinging the bass clarinet with joyous abandon, as well as some crackling Freddie Hubbard trumpet. A highlight of this session is the imaginative, tasteful drumming of Roy Haynes, who has played with everyone from Charlie Parker to Pat Metheny. © TiVo
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Jazz - Uscito il 10 ottobre 1988 | Enja Horst Weber

Riconoscimenti The Qobuz Standard
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Jazz - Uscito il 06 agosto 2009 | Fresh Sound Records

Riconoscimenti Choc du Monde de la Musique
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Free jazz et jazz d'avanguardia - Uscito il 28 giugno 2017 | Enlightenment

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Jazz - Uscito il 01 gennaio 0 | Prestige

Hi-Res Libretto
After having left the ensemble of Charles Mingus and upon working with John Coltrane, Eric Dolphy formed a short-lived but potent quintet with trumpeter Booker Little, who would pass away three months after this recording. Despite all of the obstacles and subsequent tragedy, this quintet became legendary over the years -- justifiably so -- and developed into a role model for all progressive jazz combos to come. The combined power of Dolphy and Little -- exploring overt but in retrospect not excessive dissonance and atonality -- made them a target for critics but admired among the burgeoning progressive post-bop scene. With the always stunning shadings of pianist Mal Waldron, the classical-cum-daring bass playing of Richard Davis, and the colorful drumming of alchemistic Ed Blackwell, there was no stopping this group. Live at the legendary Five Spot Café in New York City, this band set the Apple, and the entire jazz world on their collective ears. "Fire Waltz" demonstrates perfectly how the bonfire burns from inside the soul of these five brilliant provocateurs, as Dolphy's sour alto and Little's dour trumpet signify their new thing. Dolphy's solo is positively furious, while Blackwell nimbly switches up sounds within the steady 3/4 beat. "Bee Vamp" does not buzz so much as it roars in hard bop trim. A heavy tandem line breaks and separates in the horn parts like booster rockets. Blackwell is even more amazing, and Dolphy's ribald bass clarinet set standards that still influences players of the instrument. Where "The Prophet" is a puckery blues, it is also open armed with minor phrasings and stretched harmonics. This is where Waldron and Davis shine in their terra cotta facades of roughly hewn accompaniments to Dolphy and Little's bold flavored statements. A shorter alternate take of "Bee Vamp" is newly available, shorter by two-and-a-half minutes and with a clipped introductory melody. Most hail this first volume, and a second companion album from the same sessions, as music that changed the jazz world as much as Ornette Coleman and John Coltrane's innovative excursions of the same era. All forward thinking and challenged listeners need to own these epic club dates. © Michael G. Nastos /TiVo
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Jazz - Uscito il 16 agosto 1960 | Prestige

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Jazz - Uscito il 01 gennaio 1989 | Prestige

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Jazz - Uscito il 30 settembre 2020 | tricki masters mind

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Jazz - Uscito il 01 gennaio 1999 | Blue Note Records

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Jazz - Uscito il 01 gennaio 1999 | Blue Note Records

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Pop - Uscito il 01 gennaio 1991 | Prestige

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Jazz - Uscito il 01 gennaio 1964 | Universal International Music B.V.

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Jazz - Uscito il 01 luglio 1961 | Prestige

Hi-Res Libretto
This is the second of three sets that document the Eric Dolphy/Booker Little quintet's playing at the Five Spot (the third volume is titled Memorial Album). It features a group made up of pianist Mal Waldron, bassist Richard Davis, and drummer Ed Blackwell really stretching out during long versions of Little's "Aggression" and the standard "Like Someone in Love." Dolphy's playing -- whether on alto, bass clarinet, or flute -- always defied categorization, while Little (who passed away less than three months later) was the first new voice on the trumpet to emerge after Clifford Brown's death in 1956. An excellent set that records what may have been Dolphy's finest group ever, as well as one of that era's best working bands. © Scott Yanow /TiVo
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Jazz - Uscito il 01 agosto 2008 | West Wind

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Jazz - Uscito il 05 maggio 2014 | Fresh Sound Records

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Jazz - Uscito il 30 settembre 2020 | Blue Moon

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Jazz - Uscito il 27 gennaio 2016 | BCD - 3RDP

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Jazz - Uscito il 15 marzo 2005 | Enja Horst Weber