Lingua disponibile: ingleseAn eclectic indie rock act from New York, Dirty Projectors are a band of stylistic contradictions. Creating music that is at once challenging and accessible, Dirty Projectors' recordings are full of engaging melodies, thoughtful arrangements, and polished harmonies that are punctuated with angular stylistic shifts, wiry guitar work, and lyrics whose themes sometimes run counter to the sounds they accompany. The brainchild of vocalist, songwriter, and instrumentalist Dave Longstreth, Dirty Projectors first caught the attention of indie rock followers with 2004's Slaves' Graves and Ballads and 2005's The Getty Address, while 2007's Rise Above found them reworking songs from Black Flag's back catalog in truly unexpected ways. While Rise Above earned the group plenty of press, it was 2009's Bitte Orca that was their true critical and popular breakthrough, a commercial success that also found Longstreth and his collaborators writing and performing at the peak of their powers. Making their bow in 2002, Dirty Projectors grew from the solo work of Dave Longstreth, and the prolific vocalist, songwriter, and guitarist guided the project through four full-length albums in their first three years, including the ambitious concept album The Getty Address. Rise Above, a set of reimagined Black Flag covers released in 2007, earned Dirty Projectors plenty of press attention, and 2009's Bitte Orca, their Domino Records debut, was the group's breakthrough release, rising to number 65 on the Top 200 albums chart. After a collaboration with Björk, Longstreth parted ways with his frequent collaborator and romantic partner Amber Coffman, leading to a deeply personal 2017 album titled Dirty Projectors. The band returned to its more familiar brand of eccentric pop with R&B and electronic influences on 2018's Lamp Lit Prose. Dirty Projectors are the creation of Dave Longstreth, a former Yale student who left college to become one of the most prolific and unique indie singer/songwriters of the early 2000s. In early 2002, Longstreth released his first album, The Graceful Fallen Mango, under his own name on the This Heart Plays Records imprint. Largely recorded on four-track with the help of friends in like-minded projects such as Wolf Colonel and Dear Nora, the album introduced Longstreth's distinctive crooning voice and equally unique approach to arrangements and both lo-fi and hi-fi production. As he continued to record, Longstreth played shows with contemporaries like the Microphones, Bobby Birdman, and [[[[VVRSSNN]]]] (aka Yume Bitsu's Adam Forkner). Forkner helped record his next album, The Glad Fact, which was the first to bear the Dirty Projectors name and arrived on Western Vinyl in fall 2003. This was followed quickly by Morning Better Last!, an album culled from three triple albums he recorded in 2001 and 2002; it was an Internet-only release on States Rights. Slaves' Graves & Ballads, which Longstreth described as "a song-journey for me singing with a ten-piece chamber group called the Orchestral Society for the Preservation of the Orchestra," arrived in early 2004 as a split release on Western Vinyl and Happy Happy Birthday to Me Records. The 2005 album The Getty Address was a Don Henley-themed concept album that was followed a year later by the New Attitude EP. Rise Above from 2007 reinterpreted songs from Black Flag's classic hardcore punk album Damaged, and then Bitte Orca appeared in 2009 with some of the band's most accessible songs to date. In 2010 the group collaborated with Björk on Mount Wittenberg Orca, an EP that benefited the National Geographic Society Oceans Project; it was available only digitally for a year, then received a physical release on CD and vinyl in 2011. Their next proper full-length, Swing Lo Magellan, arrived in the summer of 2012. After breaking up with his romantic partner and frequent collaborator Amber Coffman, Longstreth found himself writing songs that dealt with personal issues in a way he had not approached in the past. The songs formed the core of Dirty Projectors' self-titled ninth album, released in February 2017. The band returned with the follow-up, Lamp Lit Prose, a year later. The record featured guest spots from HAIM, Fleet Foxes' Sam Pecknold, and former Vampire Weekend member Rostam, and its release was preceded by the lead single "Break-Thru." In December 2019, Dirty Projectors released Sing the Melody, a live-in-the-studio set that found the touring version of the band performing highlights from the Lamp Lit Prose tour. Along with six songs from the Dirty Projectors' catalog, the album featured "Knotty Pine," which Dave Longstreth wrote in collaboration with David Byrne, and "FourFiveSeconds," the Rihanna/Kanye West/Paul McCartney hit that Longstreth helped write and produce.
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Musica alternativa e indie - Uscito il 13 luglio 2018 | Domino Recording Co
Dal 2002, Dave Longstreth fa una carriera modello, collaborando con Björk, Kanye West, Rihanna e Solange, solo per citane alcuni. Il talento del leader dei Dirty Projectors salta alle orecchie con l’ottavo album del suo gruppo. Un anno dopo Dirty Projectors, Lamp Lit Prose inaugura un nuovo capitolo per i Dirty Projectors. Registrato all’Ivo Shandor di Los Angeles, questo è sicuramente il disco più orecchiabile, ludico e costruito del quintetto. Musicalmente, si percepisce un ottimismo nuovo in Longstreth. L’amore e la donna in generale sono tra i temi principali, soprattutto nel brano pop Break-Thru, che fa probabilmente riferimento al suo divorzio da Amber Coffman, ex cantante del gruppo. Lamp Lit Prose dà inoltre ampio spazio ai featuring, per un’opera più eclettica. Syd dei The Internet sull’elettro-pop Right Now e Amber Mark per una spruzzata di colori tropicali in I Feel Energy. I Dirty Projectors non vogliono tuttavia cancellare la loro immagine. Al contrario, vogliono arricchirla di sonorità molteplici e varie, mettendo in evidenza ritmi che un tempo non osavano esplorare troppo. Una sicurezza che si acquista col tempo, certo, ma anche grazie alla frequentazione di artisti consumati come Empress Of, Robin Pecknold dei Fleets Foxes, l’ex Vampire Weekend Rostam o ancora Dear Nora. Ci si muove tra influenze elettro, pop inglese kitch e spirito soul. Tastiere in abbondanza, assolo di sax un po’ jazz e tappeti di flauti che avvolgono voci soavi, (I Wanna) Feel It All dipinge un paesaggio anni ’60 atipico, proprio come questo album. © Anna Coluthe/Qobuz
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