Lingua disponibile: ingleseBridging the era between late-'50s rock and the British Invasion, Dion DiMucci (born July 18, 1939) was one of the top white rock singers of his time, blending the best elements of doo wop, teen idol, and R&B styles. Some revisionists have tried to cast him as a sort of early blue-eyed soul figure, although he was probably more aligned with pop/rock, at first as the lead singer of the Belmonts, and then as a solo star. Drug problems slowed him down in the mid-'60s, yet he made some surprisingly interesting progressions into blues-rock and folk-rock as the decade wore on, culminating in a successful comeback in the late '60s, although he was unable to sustain its commercial and artistic momentum for long. When Dion began recording in the late '50s, it was as the lead singer of a group of friends who sang on Bronx street corners. Billing themselves Dion & the Belmonts (Dion had released a previous single with the Timberlanes), their first few records were prime Italian-American doo wop; "I Wonder Why" was their biggest hit in this style. Dion's biggest single with the Belmonts was "A Teenager in Love," which pointed the way for the slightly self-pitying, pained odes to adolescence and early adulthood that would characterize much of his solo work. Dion went solo in 1960 (the Belmonts did some more doo wop recordings on their own), moving from doo wop to more R&B/pop-oriented tunes with great success. He handled himself with a suave, cocky ease on hits like "The Wanderer," "Runaround Sue," "Lovers Who Wander," "Ruby Baby," and "Donna the Prima Donna," which cast him as either the jilted, misunderstood youngster or the macho lover, capable of handling anything that came his way (especially on "The Wanderer"). In 1963, Dion moved from Laurie to the larger Columbia label, an association that started promisingly with a couple of big hits right off the bat, "Ruby Baby" and "Donna the Prima Donna." By the mid-'60s, his heroin habit (which he'd developed as a teenager) was getting the best of him, and he did little recording and performing for about five years. When he did make it into the studio, he was moving in some surprisingly bluesy directions; although much of it was overlooked or unissued at the time, it can be heard on the Bronx Blues reissue CD. In 1968, he kicked heroin and re-emerged as a gentle folk-rocker with a number four hit single, "Abraham, Martin and John." Dion would focus upon mature, contemporary material on his late-'60s and early-'70s albums, which were released to positive critical feedback, if only moderate sales. The folk phase didn't last long; in 1972 he reunited with the Belmonts and in the mid-'70s cut a disappointing record with Phil Spector as producer. He recorded and performed fairly often in the years that followed (sometimes singing Christian music), to indifferent commercial results. But his critical rep has risen steadily since the early '60s, with many noted contemporary musicians showering him with praise and citing his influence, such as Dave Edmunds (who produced one of his periodic comeback albums) and Lou Reed (who guested on that record). Dion continued to be active as the 21st century opened, releasing Déjà Nu in 2000, Under the Influence in 2005, and Bronx in Blue in 2006. His first major-label album since 1989's Yo Frankie, Son of Skip James was released by Verve in 2007, while 2008's Heroes: Giants of Early Guitar Rock saw him tackling 15 songs from the classic rock & roll era. Influenced by a conversation with rock critic Dave Marsh about his long and still relevant career, and a dare from his wife Susan to prove it, Dion cut Tank Full of Blues, producing and playing the guitars himself on the recording and writing or co-writing all but one track on the set. Issued on Blue Horizon, it is the final recording in the trilogy that began with Bronx in Blue. Dion signed to Instant Records in 2015 and immediately set to recording a new studio album. Entitled New York Is My Home, its first single and title track -- a duet with Paul Simon -- was pre-released in November digitally and as a striking video. The album was issued in the winter of 2016. Then the singer/songwriter and Norton Records surprised everyone. In 1965, DiMucci was signed to Columbia, and had cut 15 new songs -- all produced by Tom Wilson, who was recording Bob Dylan in the same studios at roughly the same time -- for an album that the label, for whatever reason, decided not to release. Dion left the label over the decision. Some tracks were issued on singles, others later on various compilations. But for over 50 years, the tapes sat. That's where Norton's Miriam Linna and Billy Miller came in. They received the rights to release the entire record as it was originally intended, completely remastered from the original tapes. Featuring ten originals, one by Mort Shuman (who had co-written "Teenager in Love" with Doc Pomus for Dion & the Belmonts), and three by Dylan (who had been enamored with Dion since the '50s). Though Miller passed before it was issued, Kickin' Child: The Lost Columbia Album 1965 was released by the label in May.
© Richie Unterberger /TiVo
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Blues - Uscito il 05 giugno 2020 | KTBA Records
Bruce Springsteen ha riassunto perfettamente il caso Dion DiMucci: si tratta dell’anello di congiunzione tra Frank Sinatra e il rock’n’roll. Dagli anni ‘50 e ‘60 con i Belmonts – le Rolls Royce del doo-wop – alla sua carriera da solista, per il cantante del Bronx il legame con New York è sempre stato indissolubile, come ci ha ricordato nel suo album del 2016 intitolato New York Is My Home. La Grande Mela quindi, ma anche il blues, un genere che ha spesso trattato in modo molto personale. Ed è quello che sta al cuore di Blues With Friends, un titolo che ben interpreta il significato dell’album. Friends? e che “friends”! Come già sottolineato, il Boss e sua moglie Patti Scialfa, ma anche Jeff Beck, Paul Simon, Billy Gibbons, Brian Setzer, Van Morrison, Joe Louis Walker, Joe Bonamassa, John Hammond, Sonny Landreth, Rory Block, Stevie Van Zandt… È difficile fare una lista più impressionante. È la prova del fascino dell’aura di Dion, ancora intatta dopo 80 anni... “Volevo un album di canzoni forti, memorabili, con storie degne di essere raccontate. Il blues è stato il cuore della mia musica fin dai primi anni ‘60. The Wanderer era un blues in 12 battute e già facevo cover di Willie Dixon e Jimmy Reed quando ho iniziato alla Columbia, con grande disappunto dei miei boss.” Nonostante l’eclettismo del cast di invitati, Dion rimane fedele a sé stesso per tutto l’album, pubblicato da Keeping The Blues Alive Records, l’etichetta di Bonamassa, e sono piuttosto i suoi collaboratori che si inchinano alla sua visione. Gli anni hanno leggermente bruciato la sua voce magica, che ora si sposa ancora meglio all’idioma del blues, un genere da maneggiare con le dovute precauzioni, come sapientemente scrive Bob Dylan nelle note di copertina del disco. Un blues sempre connesso alla vita di tutti i giorni, come in Song for Sam Cooke (Here in America), un potente duetto con Paul Simon, sulla segregazione nel sud degli Stati Uniti nei primi anni ‘60, che suona ancora attualissimo proprio mentre l’America brucia, al momento dell’uscita di questo elegante Blues With Friends. © Marc Zisman/Qobuz
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