Lingua disponibile: ingleseSpinning wry, observant stories of life among the well-heeled but poorly behaved, Baxter Dury, the son of pub rock/new wave icon Ian Dury, is a songwriter and vocalist with a strong and distinctive style. After a tempestuous early life, he began his musical career by performing at a memorial service for his dad, then produced a series of albums beginning with 2002's Len Parrot's Memorial Lift that balanced his deadpan vocals and debauched storytelling with subtle chamber pop arrangements and a nervy modern new wave approach. By the time of 2017's Prince of Tears, some disco began to slip into his sound as he cemented his place as one of the wittiest, most biting songwriters of his era. Baxter Dury was born on December 17, 1971 in Wingrave, Buckinghamshire, England. Dury gained his first brush with fame when he was five years old, when he posed with his father for the cover of Ian's breakthrough album, 1977's New Boots and Panties!! By that time, Baxter had already become used to life on the road, traveling alongside his father with his pub rock group Kilburn & the High Roads, and later Ian Dury & the Blockheads. Growing up, Baxter moved back and forth between living with his dad, where he had near total freedom, and his mother, Elizabeth "Betty" Rathmell, who provided a loving but more structured environment. In his teens, Baxter shared his father's rebellious nature, and by the time he was 15, he'd dropped out of school. For a couple years, Ian left him in the care of a friend and roadie known as "The Sulphate Strangler" for his sideline in dealing amphetamines. Baxter briefly developed a speed habit of his own, then led a nomadic life through his twenties where he worked as an assistant on a British reality show, studied filmmaking in New York City, and served as an English teacher in Spain. While in his twenties, Baxter began dabbling in music, writing songs with Ben Gallagher, whose father, Mickey, played keyboards with Ian Dury & the Blockheads and the Clash. Baxter didn't make his debut as a live performer until 2000, the same year his father succumbed to colorectal cancer at the age of 57. At a memorial concert for Ian, Baxter sang the song "My Old Man," which sparked interest in Baxter as an artist. He struck a deal with Rough Trade Records, releasing an EP, Oscar Brown, in 2001, with his debut album, Len Parrot's Memorial Lift, appearing in 2002. The album didn't fare well commercially, but the follow-up, 2005's Floor Show, charted in France, where Baxter was developing a strong following. Dury signed with the EMI-distributed Regal label in time for the release of 2011's Happy Soup, which included several songs based on his experiences with former girlfriends, a decision he came to regret, describing their reaction in an interview as "a total s---show." Dury displayed a more mature and literate lyrical style on 2014's It's a Pleasure, his first release for the PIAS-affiliated Le Label, while he also found his audience growing in Spain and Latin America. The songs on 2017's Prince of Tears were informed by Dury's childhood, a tough romantic breakup, and the impact of Brexit on the British consciousness. The next year he teamed with French house legend Etienne de Crécy and Skinny Girl Diet vocalist Delilah Holliday to release a short album of electro-tinged debauched balladry titled B.E.D.
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Musica alternativa e indie - Uscito il 27 ottobre 2017 | [PIAS] Le Label
A tre anni da It’s A Pleasure, il suo quarto album, Baxter Dury non perde punti con questo Prince Of Tears. Dopo aver gestito piuttosto bene la faccenda della discendenza, il quarantenne britannico continua per la sua strada imboccando i sentieri inattesi di una pop music multisfaccettata, a volte maliziosa, eventualmente disco ma sempre e comunque gaudente data la sua conclamata abilità nel trovare il ritornello che fa centro. Il suo defunto padre, l’illustre Ian Dury, urlava ammirevolmente sex and drugs and rock’n’roll. Lui, Dury Jr. sembra tenersene alla larga, preferendo i ruoli di dandy strambi e imprevedibili. Realizzato da Ash Workman (Metronomy, Christine & the Queens) e mixato da Craig Silvey (Arcade Fire), questo Principe delle lacrime è lo scrigno perfetto per il suo eloquio/canto. Un quinto album sbalorditivo e fuori da qualunque schema. © CM/Qobuz
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