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Classica - Uscito il 08 agosto 2011 | Decca Music Group Ltd.

Rising star Aleksandra Kurzak is a Polish coloratura soprano who tackles a diverse repertoire of arias on her 2011 Decca debut. Beginning with Rossini, Kurzak's "Una voce poco fa" demonstrates her power, solid technique, and unique dark vocal color. Her sound is clean, and she is clearly a wonderful musician, as she gives careful attention to each phrase and score marking: she is not simply a singer with a good, big sound. Some might question her frequent use of ornaments, but they do not seem to be out of place with Rossini. Also demonstrating her vocal flexibility is "Regnava il silenzio" by Donizetti. She lilts and sways through the aria with excellent vocal control and yet a sense of delicacy, with a strong high C and D. Yet long, lyrical lines are also seemingly effortless to Kurzak, for her "O mio babbino caro" is graceful and moving. One of the undoubted highlights is her Traviata in Verdi's "È strano... Sempre libera," which fits her like a glove: hers is a perfect Verdi voice full of rich passion. The same goes for Verdi's "Caro nome," which is warm and straight from the heart, each R rolled perfectly, and a birdlike trill at the end. Singing with Kurzak in these arias is tenor Francesco Demuro, whose bright, deeply expressive voice absolutely sobs with perfect Italian emotion in Donizetti's "Una parola, o Adina Chiedi all'aura." One must absolutely commend the Orquestra de la Comunitat Valenciana with conductor Omer Meir Wellber, who match Kurzak's passion and excellent musicianship. One can only question her choice of Susanna in Mozart's "Giunse alfin … Deh vieni," for though she sings it with warmth, emotion, and much nuance, it is rather slow and heavy-sounding. Her voice seems too big and dark for it; perhaps this decision is taken to play it safe, as it were, and not to rush bigger, more demanding roles. The album concludes with "Do grobu trwac…" by Moniuszko from Straszny Dwór (The Haunted Manor) in Kurzak's native Polish. This aria from a famous Polish opera is done justice. She covers the range of emotions, bringing a clear sense of patriotism to the music with its march-like section. There is a lovely violin solo that is uncredited but certainly noteworthy. Kurzak is certainly one of the stronger artists around now, and here's to wishing her a long, productive career. © TiVo
A partire da:
CD13,99 €

Classica - Uscito il 08 agosto 2011 | Decca Music Group Ltd.

Libretto
Rising star Aleksandra Kurzak is a Polish coloratura soprano who tackles a diverse repertoire of arias on her 2011 Decca debut. Beginning with Rossini, Kurzak's "Una voce poco fa" demonstrates her power, solid technique, and unique dark vocal color. Her sound is clean, and she is clearly a wonderful musician, as she gives careful attention to each phrase and score marking: she is not simply a singer with a good, big sound. Some might question her frequent use of ornaments, but they do not seem to be out of place with Rossini. Also demonstrating her vocal flexibility is "Regnava il silenzio" by Donizetti. She lilts and sways through the aria with excellent vocal control and yet a sense of delicacy, with a strong high C and D. Yet long, lyrical lines are also seemingly effortless to Kurzak, for her "O mio babbino caro" is graceful and moving. One of the undoubted highlights is her Traviata in Verdi's "È strano... Sempre libera," which fits her like a glove: hers is a perfect Verdi voice full of rich passion. The same goes for Verdi's "Caro nome," which is warm and straight from the heart, each R rolled perfectly, and a birdlike trill at the end. Singing with Kurzak in these arias is tenor Francesco Demuro, whose bright, deeply expressive voice absolutely sobs with perfect Italian emotion in Donizetti's "Una parola, o Adina Chiedi all'aura." One must absolutely commend the Orquestra de la Comunitat Valenciana with conductor Omer Meir Wellber, who match Kurzak's passion and excellent musicianship. One can only question her choice of Susanna in Mozart's "Giunse alfin … Deh vieni," for though she sings it with warmth, emotion, and much nuance, it is rather slow and heavy-sounding. Her voice seems too big and dark for it; perhaps this decision is taken to play it safe, as it were, and not to rush bigger, more demanding roles. The album concludes with "Do grobu trwac…" by Moniuszko from Straszny Dwór (The Haunted Manor) in Kurzak's native Polish. This aria from a famous Polish opera is done justice. She covers the range of emotions, bringing a clear sense of patriotism to the music with its march-like section. There is a lovely violin solo that is uncredited but certainly noteworthy. Kurzak is certainly one of the stronger artists around now, and here's to wishing her a long, productive career. © TiVo
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CD13,99 €

Musica d'ambiente/New Age - Uscito il 01 gennaio 2012 | Universal Music Polska Sp. z o.o.

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Classica - Uscito il 17 giugno 2013 | Decca Music Group Ltd.

Hi-Res Libretto Riconoscimenti Gramophone Editor's Choice - 4 étoiles Classica - HD Audio
The bel canto operas of Gioachino Rossini abound with sparkling coloratura arias, and soprano Aleksandra Kurzak has selected nine examples that highlight this virtuosic style of singing. This CD, Kurzak's second album for Decca, opens with the eponymous aria "Bel raggio lusinghier," from Rossini's Semiramide, and continues with vivacious selections from Guillaume Tell, Tancredi, Matilde di Shabran, Le siège de Corinthe, Il barbiere di Siviglia, Sigismondo, Il turco in Italia, and Elisabetta, regina d'Inghilterra. Kurzak is a leading coloratura soprano, and her ease with runs, leaps, trills, turns, and other melodic embellishments makes this a tour de force of vocal display. Yet these arias are not merely about flashy techniques: the emotions that lead to such florid outbursts of scales and ornaments range from the comic to the dramatic, depending on the characters' variable moods and Rossini's effective scene painting. Kurzak's lively and highly listenable interpretations are sympathetically supported by the Sinfonia Varsova, conducted by Pier Giorgio Morandi. Their credible presence gives each track the big feeling of an operatic scene, and Kurzak's brilliance demonstrates both her charisma and consummate mastery of this art form. Anyone who seeks an appealing introduction to Rossini's music should consider Kurzak an excellent guide. © TiVo
A partire da:
CD13,99 €

Classica - Uscito il 17 giugno 2013 | Decca Music Group Ltd.

Libretto
The bel canto operas of Gioachino Rossini abound with sparkling coloratura arias, and soprano Aleksandra Kurzak has selected nine examples that highlight this virtuosic style of singing. This CD, Kurzak's second album for Decca, opens with the eponymous aria "Bel raggio lusinghier," from Rossini's Semiramide, and continues with vivacious selections from Guillaume Tell, Tancredi, Matilde di Shabran, Le siège de Corinthe, Il barbiere di Siviglia, Sigismondo, Il turco in Italia, and Elisabetta, regina d'Inghilterra. Kurzak is a leading coloratura soprano, and her ease with runs, leaps, trills, turns, and other melodic embellishments makes this a tour de force of vocal display. Yet these arias are not merely about flashy techniques: the emotions that lead to such florid outbursts of scales and ornaments range from the comic to the dramatic, depending on the characters' variable moods and Rossini's effective scene painting. Kurzak's lively and highly listenable interpretations are sympathetically supported by the Sinfonia Varsova, conducted by Pier Giorgio Morandi. Their credible presence gives each track the big feeling of an operatic scene, and Kurzak's brilliance demonstrates both her charisma and consummate mastery of this art form. Anyone who seeks an appealing introduction to Rossini's music should consider Kurzak an excellent guide. © TiVo
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Classica - Uscito il 29 maggio 2020 | Sony Classical

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Opera - Uscito il 24 settembre 2021 | Aparté

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Opera - Uscito il 08 ottobre 2021 | Aparté

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Opera - Uscito il 22 ottobre 2021 | Aparté

Hi-Res Libretto

L'interprete

Aleksandra Kurzak nella rivista
  • Puccini amoroso
    Puccini amoroso Duetti d'amore cantati dal soprano Aleksandra Kurzak e dal tenore Roberto Alagna...