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Franco Fagioli|Veni, Vidi, Vinci

Veni, Vidi, Vinci

Franco Fagioli, Il Pomo d'Oro, Zefira Valova

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Too often confused by journalists or distracted music lovers with the Italian Renaissance genius, Leonardo Vinci was an eighteenth-century Neapolitan Baroque composer whose reputation stems mainly from his thirty-seven operas composed for the great castrates of his time and performed at the Royal Chapel of Naples where he was the successor to Alessandro Scarlatti. After his album devoted to a selection of arias by Handel, Argentine countertenor Franco Fagioli chose a dozen arias from Leonardo Vinci’s operas, more than half of which are world premieres. These include voluptuous and virtuosic arias from Il trionfo di Camilla, Gismondo, re di Polonia, L’Ernelinda, Alessandro nell’Indie and Medo.
.
Vinci’s operas were often tailor-made for the “stars” of an era that worshipped singers, just as it was done much later for film actors. The arias in Il trionfo di Camilla were originally composed for the prima donna Faustina Bordoni and those in Medo for the illustrious castrato Farinelli.
The magnificent pastoral aria “Quell’usignolo ch’è innamorato de Gismondo” evokes a nightingale song with two compulsory recorders. This music is full of life and dramatic expression, reborn here with participation of il pomo d'oro ensemble, headed with virtuosity by its concertmaster, the Bulgarian violinist Zefira Valova. © François Hudry/Qobuz

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Veni, Vidi, Vinci

Franco Fagioli

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Il trionfo di Camilla / Act 3 (Leonardo Vinci)

1
"Sembro quell'usignuolo"
00:04:28

Leonardo Vinci, Composer - Franco Fagioli, Counter-Tenor, MainArtist, AssociatedPerformer - Il Pomo d'Oro, Ensemble, MainArtist - Zefira Valova, Concertmaster, MainArtist, AssociatedPerformer - Carlo Frugoni, Author - Jean-Daniel Noir, Producer, Mastering Engineer, Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

2
"Più non so finger sdegni"
00:05:59

Leonardo Vinci, Composer - Franco Fagioli, Counter-Tenor, MainArtist, AssociatedPerformer - Il Pomo d'Oro, Ensemble, MainArtist - Zefira Valova, Concertmaster, MainArtist, AssociatedPerformer - Carlo Frugoni, Author - Jean-Daniel Noir, Producer, Mastering Engineer, Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

L‘Ernelinda / Act 2 (Leonardo Vinci)

3
"Ove corri?"
00:01:23

Francesco Silvani, Author - Leonardo Vinci, Composer - Franco Fagioli, Counter-Tenor, MainArtist, AssociatedPerformer - Il Pomo d'Oro, Ensemble, MainArtist - Zefira Valova, Concertmaster, MainArtist, AssociatedPerformer - Jean-Daniel Noir, Producer, Mastering Engineer, Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

4
"Sorge talora fosca l'aurora"
00:06:15

Francesco Silvani, Author - Leonardo Vinci, Composer - Franco Fagioli, Counter-Tenor, MainArtist, AssociatedPerformer - Il Pomo d'Oro, Ensemble, MainArtist - Zefira Valova, Concertmaster, MainArtist, AssociatedPerformer - Jean-Daniel Noir, Producer, Mastering Engineer, Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

Siroe, re di Persia / Act 3 (Leonardo Vinci)

5
"Gelido in ogni vena"
00:09:09

Pietro Metastasio, Author - Leonardo Vinci, Composer - Franco Fagioli, Counter-Tenor, MainArtist, AssociatedPerformer - Il Pomo d'Oro, Ensemble, MainArtist - Zefira Valova, Concertmaster, MainArtist, AssociatedPerformer - Jean-Daniel Noir, Producer, Mastering Engineer, Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

Gismondo, re di Polonia / Act 1 (Leonardo Vinci)

6
"Quell'usignolo che innamorato"
00:05:52

Leonardo Vinci, Composer - Franco Fagioli, Counter-Tenor, MainArtist, AssociatedPerformer - Il Pomo d'Oro, Ensemble, MainArtist - Zefira Valova, Concertmaster, MainArtist, AssociatedPerformer - Jean-Daniel Noir, Producer, Mastering Engineer, Recording Engineer, StudioPersonnel - Francesco Briani, Author

℗ 2020 Deutsche Grammophon GmbH, Berlin

La Rosmira fedele "Partenope" / Act 3 (Leonardo Vinci)

7
"Barbara, mi schernisci"
00:04:18

Leonardo Vinci, Composer - Silvio Stampiglia, Author - Franco Fagioli, Counter-Tenor, MainArtist, AssociatedPerformer - Il Pomo d'Oro, Ensemble, MainArtist - Zefira Valova, Concertmaster, MainArtist, AssociatedPerformer - Jean-Daniel Noir, Producer, Mastering Engineer, Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

Gismondo, re di Polonia / Act 1 (Leonardo Vinci)

8
"Nave altera"
00:04:07

Leonardo Vinci, Composer - Franco Fagioli, Counter-Tenor, MainArtist, AssociatedPerformer - Il Pomo d'Oro, Ensemble, MainArtist - Zefira Valova, Concertmaster, MainArtist, AssociatedPerformer - Jean-Daniel Noir, Producer, Mastering Engineer, Recording Engineer, StudioPersonnel - Francesco Briani, Author

℗ 2020 Deutsche Grammophon GmbH, Berlin

L‘Ernelinda / Act 1 (Leonardo Vinci)

9
"Nube di denso orrore"
00:06:06

Francesco Silvani, Author - Leonardo Vinci, Composer - Franco Fagioli, Counter-Tenor, MainArtist, AssociatedPerformer - Il Pomo d'Oro, Ensemble, MainArtist - Zefira Valova, Concertmaster, MainArtist, AssociatedPerformer - Jean-Daniel Noir, Producer, Mastering Engineer, Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

L‘Ernelinda / Act 3 (Leonardo Vinci)

10
"Sull'ali del suo amor"
00:04:10

Francesco Silvani, Author - Leonardo Vinci, Composer - Franco Fagioli, Counter-Tenor, MainArtist, AssociatedPerformer - Il Pomo d'Oro, Ensemble, MainArtist - Zefira Valova, Concertmaster, MainArtist, AssociatedPerformer - Jean-Daniel Noir, Producer, Mastering Engineer, Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

Alessandro nelle Indie / Act 1 (Leonardo Vinci)

11
"Vil trofeo d'un'alma imbelle"
00:04:18

Pietro Metastasio, Author - Leonardo Vinci, Composer - Franco Fagioli, Counter-Tenor, MainArtist, AssociatedPerformer - Il Pomo d'Oro, Ensemble, MainArtist - Zefira Valova, Concertmaster, MainArtist, AssociatedPerformer - Jean-Daniel Noir, Producer, Mastering Engineer, Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

Il Medo / Act 1 (Leonardo Vinci)

12
"Scherzo dell'onda instabile"
00:03:57

Leonardo Vinci, Composer - Franco Fagioli, Counter-Tenor, MainArtist, AssociatedPerformer - Il Pomo d'Oro, Ensemble, MainArtist - Zefira Valova, Concertmaster, MainArtist, AssociatedPerformer - Carlo Frugoni, Author - Jean-Daniel Noir, Producer, Mastering Engineer, Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

Il Medo / Act 2 (Leonardo Vinci)

13
Recitativo: "Oh da me troppo offesa, troppo amabil Medea"
00:01:10

Leonardo Vinci, Composer - Franco Fagioli, Counter-Tenor, MainArtist, AssociatedPerformer - Il Pomo d'Oro, Ensemble, MainArtist - Zefira Valova, Concertmaster, MainArtist, AssociatedPerformer - Carlo Frugoni, Author - Jean-Daniel Noir, Producer, Mastering Engineer, Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

14
"Sento due fiamme in petto"
00:09:52

Leonardo Vinci, Composer - Franco Fagioli, Counter-Tenor, MainArtist, AssociatedPerformer - Il Pomo d'Oro, Ensemble, MainArtist - Zefira Valova, Concertmaster, MainArtist, AssociatedPerformer - Carlo Frugoni, Author - Jean-Daniel Noir, Producer, Mastering Engineer, Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

Approfondimenti

Too often confused by journalists or distracted music lovers with the Italian Renaissance genius, Leonardo Vinci was an eighteenth-century Neapolitan Baroque composer whose reputation stems mainly from his thirty-seven operas composed for the great castrates of his time and performed at the Royal Chapel of Naples where he was the successor to Alessandro Scarlatti. After his album devoted to a selection of arias by Handel, Argentine countertenor Franco Fagioli chose a dozen arias from Leonardo Vinci’s operas, more than half of which are world premieres. These include voluptuous and virtuosic arias from Il trionfo di Camilla, Gismondo, re di Polonia, L’Ernelinda, Alessandro nell’Indie and Medo.
.
Vinci’s operas were often tailor-made for the “stars” of an era that worshipped singers, just as it was done much later for film actors. The arias in Il trionfo di Camilla were originally composed for the prima donna Faustina Bordoni and those in Medo for the illustrious castrato Farinelli.
The magnificent pastoral aria “Quell’usignolo ch’è innamorato de Gismondo” evokes a nightingale song with two compulsory recorders. This music is full of life and dramatic expression, reborn here with participation of il pomo d'oro ensemble, headed with virtuosity by its concertmaster, the Bulgarian violinist Zefira Valova. © François Hudry/Qobuz

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