Streaming illimitato
Ascolta subito questo album in alta qualità sulle nostre app
Inizia il mio periodo di prova e riproduci l'albumGoditi questo album sulle app Qobuz con il tuo abbonamento
AbbonatiGoditi questo album sulle app Qobuz con il tuo abbonamento
Download digitale
Acquista e scarica questo album in più formati, secondo le tue esigenze.
Seven dramatic arias. We would expect nothing less from Cecilia Bartoli, who loves to play the harpy, at least on stage and on record! In this album, recorded in Basel with the Kammerorchester Basel conducted by Muhai Tang, the Italian diva, so adored by the masses, performs arias composed by Mozart, Haydn, Mysliveček and Beethoven for the great sopranos of their own times.
It was not uncommon in those days for arias to be tailored to the style, vocal abilities and range of the cantatrici and singers. Thus Bartoli brings back to life for us the memory of Josepha Duschek, Nancy Storace and the castrato Pietro Benedetti. "Unreleased" proclaims the title of the album, but only those unheard among Cecilia Bartoli's previous recordings, for the arias here performed are, for some, well known, such as Beethoven's Ah! Perfido, Haydn's great Scena di Berenice and Mozart's arias Ah, lo previdi, L’ameró, saró costante and Bella mia fiamma, addio.
With the latter, beware of confusion with the aria Ch’io mi scordi di te, K. 490 performed here by Cecilia Bartoli, which is a substitute aria for a partial revival of Idomeneo and not the famous concert aria of the same name (K. 505) for which Mozart wrote a large solo clavier part for himself. The aria sung here by Cecilia Bartoli includes an important solo violin part that Mozart had intended for Count Hatzfeld, played here for our great pleasure by Maxim Vengerov, from whom we hear twice more within this programme. We should emphasise also the pure beauty of an aria from La Clemenza di Tito by Joseph Mysliveček, a contemporary and friend of Mozart who cries out to be rediscovered. © François Hudry/Qobuz
Al momento stai ascoltando degli estratti.
Ascolta oltre 100 milioni di brani con un abbonamento streaming illimitato.
Ascolta questa playlist e più di 100 milioni di brani con i nostri abbonamenti di streaming illimitato
A partire da 12,49€/mese
Ah Perfido!, Op. 65 (Ludwig van Beethoven)
Kammerorchester Basel, Orchestra, MainArtist - Ludwig van Beethoven, Composer - Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Muhai Tang, Conductor, MainArtist - Pietro Metastasio, Author - Arend Prohmann, Producer, Editor, Recording Producer, StudioPersonnel - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2021 Universal Music Operations Limited
Kammerorchester Basel, Orchestra, MainArtist - Ludwig van Beethoven, Composer - Anonymous, Author - Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Muhai Tang, Conductor, MainArtist - Arend Prohmann, Producer, Editor, Recording Producer, StudioPersonnel - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2021 Universal Music Operations Limited
Kammerorchester Basel, Orchestra, MainArtist - Ludwig van Beethoven, Composer - Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Muhai Tang, Conductor, MainArtist - Pietro Metastasio, Author - Arend Prohmann, Producer, Editor, Recording Producer, StudioPersonnel - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2021 Universal Music Operations Limited
Kammerorchester Basel, Orchestra, MainArtist - Wolfgang Amadeus Mozart, Composer - Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Maxim Vengerov, Violin, MainArtist, AssociatedPerformer - Muhai Tang, Conductor, MainArtist - Arend Prohmann, Producer, Editor, Recording Producer, StudioPersonnel - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2021 Universal Music Operations Limited
La clemenza di Tito / Act 2 (Josef Mysliveček)
Kammerorchester Basel, Orchestra, MainArtist - Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Muhai Tang, Conductor, MainArtist - Pietro Metastasio, Author - Arend Prohmann, Producer, Editor, Recording Producer, StudioPersonnel - Josef Myslivecek, Composer - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2021 Universal Music Operations Limited
Kammerorchester Basel, Orchestra, MainArtist - Wolfgang Amadeus Mozart, Composer - Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Muhai Tang, Conductor, MainArtist - Arend Prohmann, Producer, Editor, Recording Producer, StudioPersonnel - Vittorio Amadeo Cigna-Santi, Author - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2021 Universal Music Operations Limited
Kammerorchester Basel, Orchestra, MainArtist - Wolfgang Amadeus Mozart, Composer - Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Muhai Tang, Conductor, MainArtist - Arend Prohmann, Producer, Editor, Recording Producer, StudioPersonnel - Vittorio Amadeo Cigna-Santi, Author - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2021 Universal Music Operations Limited
Kammerorchester Basel, Orchestra, MainArtist - Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Author - Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Muhai Tang, Conductor, MainArtist - Arend Prohmann, Producer, Editor, Recording Producer, StudioPersonnel - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2021 Universal Music Operations Limited
Kammerorchester Basel, Orchestra, MainArtist - Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Author - Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Muhai Tang, Conductor, MainArtist - Arend Prohmann, Producer, Editor, Recording Producer, StudioPersonnel - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2021 Universal Music Operations Limited
Il re pastore, K. 208 / Act 2 (Wolfgang Amadeus Mozart)
Kammerorchester Basel, Orchestra, MainArtist - Wolfgang Amadeus Mozart, Composer - Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Maxim Vengerov, Violin, MainArtist, AssociatedPerformer - Muhai Tang, Conductor, MainArtist - Pietro Metastasio, Author - Arend Prohmann, Producer, Editor, Recording Producer, StudioPersonnel - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2021 Universal Music Operations Limited
Kammerorchester Basel, Orchestra, MainArtist - Joseph Haydn, Composer - Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Muhai Tang, Conductor, MainArtist - Pietro Metastasio, Author - Arend Prohmann, Producer, Editor, Recording Producer, StudioPersonnel - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2021 Universal Music Operations Limited
Kammerorchester Basel, Orchestra, MainArtist - Joseph Haydn, Composer - Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Muhai Tang, Conductor, MainArtist - Pietro Metastasio, Author - Arend Prohmann, Producer, Editor, Recording Producer, StudioPersonnel - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2021 Universal Music Operations Limited
Kammerorchester Basel, Orchestra, MainArtist - Joseph Haydn, Composer - Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Muhai Tang, Conductor, MainArtist - Pietro Metastasio, Author - Arend Prohmann, Producer, Editor, Recording Producer, StudioPersonnel - Philip Siney, Recording Engineer, StudioPersonnel
℗ 2021 Universal Music Operations Limited
Approfondimenti
Seven dramatic arias. We would expect nothing less from Cecilia Bartoli, who loves to play the harpy, at least on stage and on record! In this album, recorded in Basel with the Kammerorchester Basel conducted by Muhai Tang, the Italian diva, so adored by the masses, performs arias composed by Mozart, Haydn, Mysliveček and Beethoven for the great sopranos of their own times.
It was not uncommon in those days for arias to be tailored to the style, vocal abilities and range of the cantatrici and singers. Thus Bartoli brings back to life for us the memory of Josepha Duschek, Nancy Storace and the castrato Pietro Benedetti. "Unreleased" proclaims the title of the album, but only those unheard among Cecilia Bartoli's previous recordings, for the arias here performed are, for some, well known, such as Beethoven's Ah! Perfido, Haydn's great Scena di Berenice and Mozart's arias Ah, lo previdi, L’ameró, saró costante and Bella mia fiamma, addio.
With the latter, beware of confusion with the aria Ch’io mi scordi di te, K. 490 performed here by Cecilia Bartoli, which is a substitute aria for a partial revival of Idomeneo and not the famous concert aria of the same name (K. 505) for which Mozart wrote a large solo clavier part for himself. The aria sung here by Cecilia Bartoli includes an important solo violin part that Mozart had intended for Count Hatzfeld, played here for our great pleasure by Maxim Vengerov, from whom we hear twice more within this programme. We should emphasise also the pure beauty of an aria from La Clemenza di Tito by Joseph Mysliveček, a contemporary and friend of Mozart who cries out to be rediscovered. © François Hudry/Qobuz
A proposito dell'album
- 1 disco(i) - 13 traccia(e)
- Durata totale: 01:01:37
- 1 Libretto digitale
- Artisti principali: Cecilia Bartoli Kammerorchester Basel Muhai Tang
- Compositore: Various Composers
- Etichetta: Decca Music Group Ltd.
- Genere: Classica
© 2021 Universal Music Operations Limited ℗ 2021 Universal Music Operations Limited
Migliorare le informazioni sugli album
Perché acquistare su Qobuz
-
Ascolta la tua musica in streaming o download
Acquista un album o una singola traccia. Oppure ascolta il nostro intero catalogo con i nostri abbonamenti streaming illimitati di alta qualità.
-
Zero DRM
I file scaricati ti appartengono, senza limiti d’uso. Puoi scaricarli tutte le volte che vuoi.
-
Scegli il formato più adatto a te
Scarica i tuoi acquisti in un'ampia varietà di formati (FLAC, ALAC, WAV, AIF ...) a seconda delle tue esigenze.
-
Ascolta i tuoi acquisti sulle nostre app
Scarica le app Qobuz per smartphone, tablet e computer e ascolta i tuoi acquisti dappertutto.
Playlist