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Bring Me The Horizon|There is a Hell Believe Me I've Seen It. There is a Heaven Let's Keep it a Secret

There is a Hell Believe Me I've Seen It. There is a Heaven Let's Keep it a Secret

Bring Me The Horizon

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As a band, Bring Me the Horizon have been on a consistently upward trajectory, adding new elements to their metal core offerings in an effort to stand out from the rest of the pack in an interesting way. On their third album, There Is a Hell Belive Me I’ve Seen It. There Is a Heaven Let’s Keep It a Secret, the Sheffield band’s hard work pays off. Where other bands seem to have their production inflicted upon them, shoehorning in dance-pop synths and ubiquitous bass bombs, Bring Me the Horizon seamlessly integrate studio tricks into their music. Rather than feeling like items on a list of genre clichés, the glitched out vocals on “Crucify Me” and “Blacklist” actually add an interesting element of controlled chaos to the songs. These may not seems like a huge leap, but it’s little touches like these that push There Is a Hell above the competition. The album doesn’t live and die on studio trickery alone, though. Bring Me the Horizon bring a ton of intensity to the table with their songwriting, merging grimy hardcore punk with technical metal. The twist is that they don’t bloat the songs out with breakdown after breakdown, but instead break them up with quieter, plaintively atmospheric passages. This helps to combat the “breakdown fatigue” that plagues so many albums, allowing the heaviest parts of the songs to have the proper impact. There Is a Hell finds Bring Me the Horizon at the top of their game, and its lack of over-indulgent production makes it an album that’ll not only please fans of the band, but may surprise fans of bands like Converge who are interested in seeing what the kids are up to these days.

© Gregory Heaney /TiVo

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There is a Hell Believe Me I've Seen It. There is a Heaven Let's Keep it a Secret

Bring Me The Horizon

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1
Crucify Me (feat. Lights) Explicit
00:06:20

LIGHTS, FeaturedArtist - Bring Me The Horizon, Composer, MainArtist - Lee Malia, Lead Guitar - Oliver Sykes, Keyboards, Lead Vocals - Fredrik Nordström, Producer, MixingEngineer - Jona Weinhofen, Backing Vocals, Rhythm Guitar - Peter In De Betou, MasteringEngineer - Matt Kean, Bass Guitar - Andy Hayball, AssistantEngineer - Henrik Udd, Producer, MixingEngineer - Matt Nicholls, Drums - KC Blitz, Production, Additional Vocals - Anna Engberg, Additional Vocals - Elin Engberg, Additional Vocals - The Fredman Choristers, Additional Vocals

© 2010 Visible Noise, Ltd., Under Exclusive License To Epitaph (The Americas, Australia & New Zealand) | BMG Rights Management (UK) Ltd., (Rest of World ex Japan) ℗ 2010 BMG Rights Management (UK) Ltd.

2
Anthem Explicit
00:04:50

Bring Me The Horizon, MainArtist

© 2010 Visible Noise, Ltd., Under Exclusive License To Epitaph (The Americas, Australia & New Zealand) | BMG Rights Management (UK) Ltd., (Rest of World ex Japan) ℗ 2010 BMG Rights Management (UK) Ltd.

3
It Never Ends Explicit
00:04:34

Bring Me The Horizon, Composer, MainArtist - Lee Malia, Lead Guitar - Oliver Sykes, Keyboards, Lead Vocals - Fredrik Nordström, Producer, MixingEngineer - Jona Weinhofen, Backing Vocals, Rhythm Guitar - Peter In De Betou, MasteringEngineer - Matt Kean, Bass Guitar - Andy Hayball, AssistantEngineer - Henrik Udd, Producer, MixingEngineer - Matt Nicholls, Drums - KC Blitz, Production, Additional Vocals - The Fredman Choristers, Additional Vocals

© 2010 Visible Noise, Ltd., Under Exclusive License To Epitaph (The Americas, Australia & New Zealand) | BMG Rights Management (UK) Ltd., (Rest of World ex Japan) ℗ 2010 BMG Rights Management (UK) Ltd.

4
Fuck (feat. Josh Franceschi) Explicit
00:04:55

Bring Me The Horizon, MainArtist - Josh Franceschi, FeaturedArtist

© 2010 Visible Noise, Ltd., Under Exclusive License To Epitaph (The Americas, Australia & New Zealand) | BMG Rights Management (UK) Ltd., (Rest of World ex Japan) ℗ 2010 BMG Rights Management (UK) Ltd.

5
Don't Go (feat. Lights) Explicit
00:04:58

LIGHTS, FeaturedArtist - Bring Me The Horizon, Composer, MainArtist - Lee Malia, Lead Guitar - Oliver Sykes, Keyboards, Lead Vocals - Fredrik Nordström, Producer, MixingEngineer - Jona Weinhofen, Backing Vocals, Rhythm Guitar - Peter In De Betou, MasteringEngineer - Matt Kean, Bass Guitar - Andy Hayball, AssistantEngineer - Henrik Udd, Producer, MixingEngineer - Matt Nicholls, Drums - KC Blitz, Production, Additional Vocals

© 2010 Visible Noise, Ltd., Under Exclusive License To Epitaph (The Americas, Australia & New Zealand) | BMG Rights Management (UK) Ltd., (Rest of World ex Japan) ℗ 2010 BMG Rights Management (UK) Ltd.

6
Home Sweet Hole Explicit
00:04:38

Bring Me The Horizon, MainArtist

© 2010 Visible Noise, Ltd., Under Exclusive License To Epitaph (The Americas, Australia & New Zealand) | BMG Rights Management (UK) Ltd., (Rest of World ex Japan) ℗ 2010 BMG Rights Management (UK) Ltd.

7
Alligator Blood Explicit
00:04:32

Bring Me The Horizon, MainArtist

© 2010 Visible Noise, Ltd., Under Exclusive License To Epitaph (The Americas, Australia & New Zealand) | BMG Rights Management (UK) Ltd., (Rest of World ex Japan) ℗ 2010 BMG Rights Management (UK) Ltd.

8
Visions Explicit
00:04:09

Bring Me The Horizon, MainArtist

© 2010 Visible Noise, Ltd., Under Exclusive License To Epitaph (The Americas, Australia & New Zealand) | BMG Rights Management (UK) Ltd., (Rest of World ex Japan) ℗ 2010 BMG Rights Management (UK) Ltd.

9
Blacklist Explicit
00:04:00

Bring Me The Horizon, MainArtist

© 2010 Visible Noise, Ltd., Under Exclusive License To Epitaph (The Americas, Australia & New Zealand) | BMG Rights Management (UK) Ltd., (Rest of World ex Japan) ℗ 2010 BMG Rights Management (UK) Ltd.

10
Memorial Explicit
00:03:10

Bring Me The Horizon, MainArtist

© 2010 Visible Noise, Ltd., Under Exclusive License To Epitaph (The Americas, Australia & New Zealand) | BMG Rights Management (UK) Ltd., (Rest of World ex Japan) ℗ 2010 BMG Rights Management (UK) Ltd.

11
Blessed With A Curse Explicit
00:05:08

Bring Me The Horizon, Composer, MainArtist - Lee Malia, Lead Guitar - Oliver Sykes, Keyboards, Lead Vocals - Fredrik Nordström, Producer, MixingEngineer - Jona Weinhofen, Backing Vocals, Rhythm Guitar - Peter In De Betou, MasteringEngineer - Matt Kean, Bass Guitar - Andy Hayball, AssistantEngineer - Henrik Udd, Producer, MixingEngineer - Matt Nicholls, Drums - KC Blitz, Production, Additional Vocals

© 2010 Visible Noise, Ltd., Under Exclusive License To Epitaph (The Americas, Australia & New Zealand) | BMG Rights Management (UK) Ltd., (Rest of World ex Japan) ℗ 2010 BMG Rights Management (UK) Ltd.

12
The Fox and the Wolf (feat. Josh Scogin) Explicit
00:01:43

Bring Me The Horizon, MainArtist - Josh Scogin, FeaturedArtist

© 2010 Visible Noise, Ltd., Under Exclusive License To Epitaph (The Americas, Australia & New Zealand) | BMG Rights Management (UK) Ltd., (Rest of World ex Japan) ℗ 2010 BMG Rights Management (UK) Ltd.

Approfondimenti

As a band, Bring Me the Horizon have been on a consistently upward trajectory, adding new elements to their metal core offerings in an effort to stand out from the rest of the pack in an interesting way. On their third album, There Is a Hell Belive Me I’ve Seen It. There Is a Heaven Let’s Keep It a Secret, the Sheffield band’s hard work pays off. Where other bands seem to have their production inflicted upon them, shoehorning in dance-pop synths and ubiquitous bass bombs, Bring Me the Horizon seamlessly integrate studio tricks into their music. Rather than feeling like items on a list of genre clichés, the glitched out vocals on “Crucify Me” and “Blacklist” actually add an interesting element of controlled chaos to the songs. These may not seems like a huge leap, but it’s little touches like these that push There Is a Hell above the competition. The album doesn’t live and die on studio trickery alone, though. Bring Me the Horizon bring a ton of intensity to the table with their songwriting, merging grimy hardcore punk with technical metal. The twist is that they don’t bloat the songs out with breakdown after breakdown, but instead break them up with quieter, plaintively atmospheric passages. This helps to combat the “breakdown fatigue” that plagues so many albums, allowing the heaviest parts of the songs to have the proper impact. There Is a Hell finds Bring Me the Horizon at the top of their game, and its lack of over-indulgent production makes it an album that’ll not only please fans of the band, but may surprise fans of bands like Converge who are interested in seeing what the kids are up to these days.

© Gregory Heaney /TiVo

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