Categorie:
Carrello 0

Il tuo carrello è vuoto

Sean Paul|The Trinity [New Super Premium Digital Bundle]

The Trinity [New Super Premium Digital Bundle]

Sean Paul

Video Clip

Disponibile in
16-Bit/44.1 kHz Stereo

Streaming illimitato

Ascolta subito questo album in alta qualità sulle nostre app

Inizia il mio periodo di prova e riproduci l'album

Goditi questo album sulle app Qobuz con il tuo abbonamento

Abbonati

Goditi questo album sulle app Qobuz con il tuo abbonamento

Download digitale

Acquista e scarica questo album in più formati, secondo le tue esigenze.

Sean Paul took the pop world by storm in 2003 with the release of the dancehall pop smash Dutty Rock, placing songs at the top of the charts, videos in heavy rotation, and his face all over the place. He took his time releasing the follow-up, 2005's Trinity, and rather than going even further pop, Paul heads toward a harder, more aggressive sound. The songs sound tailored for dancefloors with little concern for pop airplay and little concern for melody or hooks. This approach works for a song or two, but sooner rather than later the record begins to wear on the listener. Don't bother waiting for a song that isn't hyper-sexualized, tough, and semi-raw or a song that has some of the lightness and space of "Bubble," "Gimme the Light," or "I'm Still in Love with You," because you won't find it. Some of this may come from the shift in producers from big names with poppier backgrounds like Sly & Robbie, the Neptunes, and Steely & Clevie to lesser-knowns like Delano Thomas, Michael Jarrett, Craig Parks, and Donovan "Vendetta" Bennett who don't have much originality in their work. Each song relies on standard synth sounds and straightforward beats and there are precious few surprises on the record, sound-wise. Even Steven "Lenky" Marsden, the undisputed star producer on Dutty Rock, fails to do much with his songs on Trinity. Of course, blaming the producers for a lack of hooks and excitement is like blaming only the coach when a team goes in the tank; you have to lay a large portion at Paul's feet since he co-wrote all the songs, delivers the vocals, and has his name on the marquee. His vocals are strong enough but overall lack the freshness and vigor of those on Dutty Rock. It's almost as if he really isn't all that involved in the songs himself. In fact, sometimes he sounds like the endless come-ons to incredibly hot girls (all successful), tales of wild nights in the club, and name-dropping (his own) wear him out as much as it does the listener. It doesn't help the opening run of songs ("Head in the Zone," "We Be Burnin'," "Send It On," and "Ever Blazin'") have all the subtlety (and titles) of a hyperactive yet plodding workout mix, or that only a handful of the songs have even a glimmer of the spark that burned so brightly on Dutty Rock. Those few songs, like the bouncy "Head to Toe," the bouncier "Straight Up," the slick Nina Sky feature "Connection," and "Yardie Bone" (which has smooth vocals from Wayne Marshall, a much needed light production from Bennett, and is probably the best song on the album), aren't enough to lift the album out of its somber funk, and when the disc finally ends, there isn't much motivation to want to hear any of it again. Maybe it's too much to ask for Trinity to be as good and surprising and full of life as Dutty Rock; maybe it's unfair to ask Paul to catch lightning in a bottle twice. Probably so, but it's still disappointing for Trinity to be as empty and unenjoyable as it is. Maybe even slightly heartbreaking for anyone who really felt that Dutty Rock would be the first in a long series of great pop records Sean Paul would release.

© Tim Sendra /TiVo

Maggiori informazioni

The Trinity [New Super Premium Digital Bundle]

Sean Paul

launch qobuz app Ho già scaricato Qobuz per Windows/MacOS Apri

download qobuz app Non ho ancora scaricato Qobuz per Windows/MacOS Scarica l'app Qobuz

Al momento stai ascoltando degli estratti.

Ascolta oltre 100 milioni di brani con un abbonamento streaming illimitato.

Ascolta questa playlist e più di 100 milioni di brani con i nostri abbonamenti di streaming illimitato

A partire da 12,49€/mese

1
Fire Links Intro
00:00:49

Sean Paul, Lead Vocals, MainArtist - Tom Coyne, MasteringEngineer - Fire Links, DJ

© 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 2005 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

2
Head in the Zone (Album Version)
00:03:54

Michael Jarrett, Producer, Writer, Audio Recording Engineer, MixingEngineer - Delano Thomas, Writer - Sean Paul, Lead Vocals, Writer, MainArtist - Tom Coyne, MasteringEngineer - Cezar, Writer - Andre Saunders, Producer - Craig Marsh, Writer - DJ Delano, Producer

© 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 2005 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

3
We Be Burnin' (Recognize It - Amended Album Version)
00:03:35

Michael Jarrett, Writer, Audio Recording Engineer, MixingEngineer - Sean Paul, Lead Vocals, Writer, MainArtist - Tom Coyne, MasteringEngineer - Serani, Writer - Cezar, Writer - Andre Saunders, Producer - Steve Marsden, Writer - DJ Delano, Producer, Writer

© 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 2005 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

4
Send It On (Album Version)
00:03:38

Sean Paul, Lead Vocals, Writer, MainArtist - Tom Coyne, MasteringEngineer - Zumjay, Audio Recording Engineer - David Cole, Writer - Jeremy Harding, Additional Production, Additional Programmer, MixingEngineer - Gregory Gordon, Audio Recording Engineer - Jigzagula, Writer - Steve Marsden, Producer, Writer

© 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 2005 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

5
Ever Blazin' (Album Version)
00:03:10

Sean Paul, Lead Vocals, Writer, MainArtist - Tom Coyne, MasteringEngineer - Zumjay, Writer, Audio Recording Engineer - Jeremy Harding, MixingEngineer - Gregory Gordon, Audio Recording Engineer - Jigzagula, Writer - Steve Marsden, Producer, Writer

© 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 2005 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

6
Eye Deh a Mi Knee (Album Version)
00:02:57

Nigel Staff, Writer - Sean Paul, Lead Vocals, Writer, MainArtist - Tom Coyne, MasteringEngineer - Don Corleon, Producer, Writer, Audio Recording Engineer, MixingEngineer

© 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 2005 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

7
Give It Up to Me (Radio Edit) (Radio Version)
00:04:14

Nigel Staff, Writer - Sean Paul, Lead Vocals, Writer, MainArtist - Tom Coyne, MasteringEngineer - Don Corleon, Producer, Writer - Rich Travali, MixingEngineer - Jigzagula, Writer

© 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

8
Yardie Bone (feat. Wayne Marshall)
00:03:12

Nigel Staff, Writer - Sean Paul, Lead Vocals, Writer, MainArtist - Wayne Marshall, Writer, FeaturedArtist - Tom Coyne, MasteringEngineer - Don Corleon, Producer, Writer - Farenheit, Writer

© 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 2005 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

9
Never Gonna Be the Same (Album Version)
00:03:37

Nigel Staff, Writer - Sean Paul, Lead Vocals, Writer, MainArtist - Tom Coyne, MasteringEngineer - Don Corleon, Producer, Writer, Audio Recording Engineer, MixingEngineer

© 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 2005 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

10
I'll Take You There (Album Version)
00:03:55

Sean Paul, Lead Vocals, Writer, MainArtist - Tom Coyne, MasteringEngineer - Jeremy Harding, Additional Production, MixingEngineer - Craig Parkes, Writer - Craig Parks, Producer

© 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 2005 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

11
Temperature (Album Version)
00:03:38

Jimmy Douglass, MixingEngineer - Sean Paul, Lead Vocals, Writer, MainArtist - Tom Coyne, MasteringEngineer - Jeremy Harding, Audio Recording Engineer - Adrian Marshall, Writer - Rohan Fuller, Producer, Writer

© 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 2005 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

12
Breakout (Album Version)
00:02:59

Sean Paul, Lead Vocals, Writer, MainArtist - Tom Coyne, MasteringEngineer - Jeremy Harding, Additional Keyboards, MixingEngineer - Patrick Samuels, Writer - Jigzagula, Writer - Daniel Lewis, Writer - Omari Stines, Producer, Writer - Ed Goldfarb, Synthesizer - Roach Stines, Producer

© 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 2005 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

13
Head to Toe (Album Version)
00:04:21

Sean Paul, Lead Vocals, Writer, MainArtist - Tom Coyne, MasteringEngineer - Don Corleon, Producer, Writer - Andre Gray, Writer - Teetimus, Writer

© 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 2005 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

14
Connection (feat. Nina Sky Album Version)
00:03:31

Natalie Albino, Writer - Nicole Albino, Writer - Sean Paul, Lead Vocals, Writer, MainArtist - Tom Coyne, MasteringEngineer - Jeremy Harding, MixingEngineer - Elijah Wells, Producer, Writer - Lionel Bermingham, Producer, Writer - Nina Sky, FeaturedArtist - Craig Parkes, Writer - Marlon Cooke, Producer, Writer, Audio Recording Engineer - Mark Phevenin, Audio Recording Engineer

© 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 2005 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

15
Straight Up (Album Version)
00:03:06

Dwayne Chin-Quee, Producer, Arranger, Writer - Sean Paul, Lead Vocals, Writer, MainArtist - Tom Coyne, MasteringEngineer - Jeremy Harding, Audio Recording Engineer - Sean Wedderburn, MixingEngineer

© 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 2005 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

16
All on Me (feat. Tami Chin) (Album Version)
00:04:18

Sean Paul, Lead Vocals, Writer, MainArtist - Tom Coyne, MasteringEngineer - Tami Chin, Writer, FeaturedArtist - Jeremy Harding, MixingEngineer - Don Corleon, Additional Programmer, MixingEngineer - Jigzagula, Producer, Writer

© 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 2005 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

17
Change the Game (feat. Looga Man & Kid Kurup) (Album Version)
00:03:54

Michael Jarrett, MixingEngineer - Sean Paul, Lead Vocals, Writer, MainArtist - Tom Coyne, MasteringEngineer - Christopher Birch, Additional Programmer - Looga Man, Writer, FeaturedArtist - Jigzagula, Producer, Writer - Kerry Crawford, Writer - Kid Kurup, Writer, FeaturedArtist

© 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 2005 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

18
The Trinity (Album Version)
00:03:35

Michael Jarrett, Producer, Writer, Audio Recording Engineer, MixingEngineer - Sean Paul, Lead Vocals, Writer, MainArtist - Tom Coyne, MasteringEngineer - Teetimus, Writer - DJ Delano, Scratching

© 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 2005 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

19
Cry, Baby, Cry (feat. Santana & Joss Stone)
00:03:50

Jimmy Harry, Writer - Chester Thompson, Organ - Charlie Bisharat, Viola, Violin - John Hanes, Pro-Tools Engineer - Serban Ghenea, MixingEngineer - Tim Roberts, Pro-Tools Engineer, AssistantEngineer - Sean Paul, Lead Vocals, Writer, MainArtist - Kara Dioguardi, Writer - Tom Coyne, MasteringEngineer - Joe Wohlmuth, Engineer - Ramon Stagnaro, Guitar - Joss Stone, FeaturedArtist - Carlos Santana, FeaturedArtist, Featured Guitar - Lester Mendez, Producer, Arranger, Keyboards, Writer - Jim Gaines, Engineer - Chris Shaw, Engineer - Karl Perazzo, Percussion, Congas, Timbales Drums - Josh Weaver, Pro-Tools Engineer - Sang Shin, AssistantEngineer - Dave Luke, Pro-Tools Engineer - Kara DiGuardi, Backing Vocals

© 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

20
Break It Off (feat. Rihanna)
00:03:34

Sean Paul, Lead Vocals, Writer, MainArtist - Rihanna, Writer, FeaturedArtist - Tom Coyne, MasteringEngineer - Lester Mendez, Producer, Arranger - Jeremy Harding, Audio Recording Engineer - Don Corleon, Producer, Writer, All Instruments, Audio Recording Engineer, MixingEngineer - Kirk FORD, Writer

© 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 2005 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

21
As Time Goes On (Non-Album Track)
00:04:52

Sean Paul, Lead Vocals, Writer, MainArtist - Tom Coyne, MasteringEngineer - Richard Patterson, MixingEngineer - Murray Elias, ExecutiveProducer - Jeremy Harding, ExecutiveProducer - Christopher Chin, ExecutiveProducer - Rupert Bent Jr., Producer, Writer

© 2006 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 2005 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

Approfondimenti

Sean Paul took the pop world by storm in 2003 with the release of the dancehall pop smash Dutty Rock, placing songs at the top of the charts, videos in heavy rotation, and his face all over the place. He took his time releasing the follow-up, 2005's Trinity, and rather than going even further pop, Paul heads toward a harder, more aggressive sound. The songs sound tailored for dancefloors with little concern for pop airplay and little concern for melody or hooks. This approach works for a song or two, but sooner rather than later the record begins to wear on the listener. Don't bother waiting for a song that isn't hyper-sexualized, tough, and semi-raw or a song that has some of the lightness and space of "Bubble," "Gimme the Light," or "I'm Still in Love with You," because you won't find it. Some of this may come from the shift in producers from big names with poppier backgrounds like Sly & Robbie, the Neptunes, and Steely & Clevie to lesser-knowns like Delano Thomas, Michael Jarrett, Craig Parks, and Donovan "Vendetta" Bennett who don't have much originality in their work. Each song relies on standard synth sounds and straightforward beats and there are precious few surprises on the record, sound-wise. Even Steven "Lenky" Marsden, the undisputed star producer on Dutty Rock, fails to do much with his songs on Trinity. Of course, blaming the producers for a lack of hooks and excitement is like blaming only the coach when a team goes in the tank; you have to lay a large portion at Paul's feet since he co-wrote all the songs, delivers the vocals, and has his name on the marquee. His vocals are strong enough but overall lack the freshness and vigor of those on Dutty Rock. It's almost as if he really isn't all that involved in the songs himself. In fact, sometimes he sounds like the endless come-ons to incredibly hot girls (all successful), tales of wild nights in the club, and name-dropping (his own) wear him out as much as it does the listener. It doesn't help the opening run of songs ("Head in the Zone," "We Be Burnin'," "Send It On," and "Ever Blazin'") have all the subtlety (and titles) of a hyperactive yet plodding workout mix, or that only a handful of the songs have even a glimmer of the spark that burned so brightly on Dutty Rock. Those few songs, like the bouncy "Head to Toe," the bouncier "Straight Up," the slick Nina Sky feature "Connection," and "Yardie Bone" (which has smooth vocals from Wayne Marshall, a much needed light production from Bennett, and is probably the best song on the album), aren't enough to lift the album out of its somber funk, and when the disc finally ends, there isn't much motivation to want to hear any of it again. Maybe it's too much to ask for Trinity to be as good and surprising and full of life as Dutty Rock; maybe it's unfair to ask Paul to catch lightning in a bottle twice. Probably so, but it's still disappointing for Trinity to be as empty and unenjoyable as it is. Maybe even slightly heartbreaking for anyone who really felt that Dutty Rock would be the first in a long series of great pop records Sean Paul would release.

© Tim Sendra /TiVo

A proposito dell'album

Migliorare le informazioni sugli album

Qobuz logo Perché acquistare su Qobuz

ORA IN OFFERTA...

Speak Now (Taylor's Version)

Taylor Swift

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits

1989 (Taylor's Version)

Taylor Swift

Altro su Qobuz
Di Sean Paul

Dutty Rock

Sean Paul

Dutty Rock Sean Paul

She Doesn't Mind

Sean Paul

She Doesn't Mind Sean Paul

Tender Tender

Sean Paul

Tender Tender Sean Paul

Dutty Classics Collection

Sean Paul

No Lie

Sean Paul

No Lie Sean Paul
Ti potrebbe piacere anche...

After Hours (Explicit)

The Weeknd

Nameless

Dominique Fils-Aimé

Nameless Dominique Fils-Aimé

Qobuz Sessions at SXSW

Yazmin Lacey

Qobuz Sessions at SXSW Yazmin Lacey

Starboy (Explicit Version)

The Weeknd

The Age of Pleasure

Janelle Monáe

The Age of Pleasure Janelle Monáe