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Come può la musica tradurre l’idea di un elemento naturale come l’acqua? Un certo Claude Debussy si era già interesso alla questione, ma Alexandre Desplat ha scelto un’estetica diversa da quella del suo predecessore – anche se, come già in Debussy, i timbri sono al cuore dell’idea di Desplat. Per questa favola di Guillermo Del Toro che narra la storia d’amore tra una ragazza muta, Elisa (Sally Hawkins), e un uomo anfibio (Doug Jones), Desplat ha inserito non meno di dodici flauti nella mitica London Symphony Orchestra – flauti contralto, flauti bassi, flauti traversi. La partitura comporta pochissimi ottoni, e sono soprattutto gli archi e i fiati a suggerire l’incresparsi e lo scorrere dell’acqua. A ciò si aggiunge la delicatezza di strumenti quali il piano, l’arpa e il vibrafono, che rafforzano tale idea. A partire da questo canovaccio orchestrale poco comune, Alexandre Desplat innesta temi e atmosfere diverse. Così, i titoli di testa sono interpretati da un assolo di flauto (eseguito dal compositore in persona), che rappresenta la «voce» della giovane protagonista. Quanto al bandoneón (che invece simboleggia l’anfibio), esso sottolinea l’aspetto onirico delle immagini con il suo suono dolce e sensuale. Questi due strumenti evolvono insieme con grazia, proprio come i due protagonisti del film, eroi atipici che sognano di essere le star di un musical hollywoodiano. Perché, al di là del suo copione non convenzionale, La forma dell’acqua è innanzitutto un omaggio al cinema, e principalmente al cinema classico americano. Per tutta la colonna sonora, infatti, persiste tenace quel sentimento di nostalgia, come suggerisce d’altronde la scelta di mettere in risalto certe percussioni sud-americane (bongo, conga…), evocatrici di tanti film degli anni ’50 e ’60 (ricordiamo L’infernale Quinlan, diretto da Orson Welles e musicato da Henry Mancini). Per i titoli di coda, invece, in pendant con il soggetto del film, Alexandre Desplat gioca la carta del crossover rivolgendosi alla soprano Renée Fleming per interpretare un arrangiamento inedito di un classico del jazz anni ’40, You’ll Never Know. Sottolineiamo infine che con La forma dell’acqua Alexandre Desplat ha vinto il suo secondo Oscar, tre anni dopo The Grand Budapest Hotel di Wes Anderson. ©Nicolas Magenham/Qobuz
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The London Symphony Orchestra - Alexandre Desplat, Conductor & Composer - Carmine Lauri, Orchestra Leader - Dominique Lemonnier, Producer, Second Conductor - Peter Cobbin, Mixer, Recording Engineer - Kirsty Whalley, Mixer - Romain Allender, Programming - Xavier Forcioli, Executive Producer - Solrey Music (BMI) administered by Songs of Universal, Inc., Music Publisher
℗ 2017 Twentieth Century Fox Film Corporation
Dave Arch, Piano - Frédéric Gaillardet, Piano - Jeffrey Boudreaux, Drums - Myriam Lafargue, Accordion - Paul Clarvis, Percussion - Riccardo Del Fra, Double Bass - The London Symphony Orchestra - Alexandre Desplat, Conductor, Whistle, Recording Arranger - Harry Warren, Composer - Mack Gordon, Author - Renée Fleming, Vocals - Jonathan Allen, Mixer, Recording Engineer - Peer Music (Uk) Ltd, MusicPublisher - Dominique Lemonnier, Producer - Ludovick Tartavel, Asst. Recording Engineer - Romain Allender, Programming - Xavier Forcioli, Executive Producer
℗ 2017 Decca Music Group Limited
The London Symphony Orchestra (Carmine Lauri, Orchestra Leader) - Alexandre Desplat, Composer & Conductor - Dominique Lemonnier, Producer, Second Conductor - Peter Cobbin, Mixer, Recording Engineer - Kirsty Whalley, Mixer - Romain Allender, Programming - Xavier Forcioli, Executive Producer - Solrey Music (BMI) administered by Songs of Universal, Inc., Music Publisher
℗ 2017 Twentieth Century Fox Film Corporation
The London Symphony Orchestra (Carmine Lauri, Orchestra Leader) - Alexandre Desplat, Composer & Conductor - Dominique Lemonnier, Producer, Second Conductor - Peter Cobbin, Mixer, Recording Engineer - Kirsty Whalley, Mixer - Romain Allender, Programming - Xavier Forcioli, Executive Producer - Solrey Music (BMI) administered by Songs of Universal, Inc., Music Publisher
℗ 2017 Twentieth Century Fox Film Corporation
The London Symphony Orchestra (Carmine Lauri, Orchestra Leader) - Alexandre Desplat, Composer & Conductor - Dominique Lemonnier, Producer, Second Conductor - Peter Cobbin, Mixer, Recording Engineer - Kirsty Whalley, Mixer - Romain Allender, Programming - Xavier Forcioli, Executive Producer - Solrey Music (BMI) administered by Songs of Universal, Inc., Music Publisher
℗ 2017 Twentieth Century Fox Film Corporation
The London Symphony Orchestra (Carmine Lauri, Orchestra Leader) - Alexandre Desplat, Composer & Conductor - Dominique Lemonnier, Producer, Second Conductor - Peter Cobbin, Mixer, Recording Engineer - Kirsty Whalley, Mixer - Romain Allender, Programming - Xavier Forcioli, Executive Producer - Solrey Music (BMI) administered by Songs of Universal, Inc., Music Publisher
℗ 2017 Twentieth Century Fox Film Corporation
The London Symphony Orchestra (Carmine Lauri, Orchestra Leader) - Alexandre Desplat, Composer & Conductor - Dominique Lemonnier, Producer, Second Conductor - Peter Cobbin, Mixer, Recording Engineer - Kirsty Whalley, Mixer - Romain Allender, Programming - Xavier Forcioli, Executive Producer - Solrey Music (BMI) administered by Songs of Universal, Inc., Music Publisher
℗ 2017 Twentieth Century Fox Film Corporation
The London Symphony Orchestra (Carmine Lauri, Orchestra Leader) - Alexandre Desplat, Composer & Conductor - Dominique Lemonnier, Producer, Second Conductor - Peter Cobbin, Mixer, Recording Engineer - Kirsty Whalley, Mixer - Romain Allender, Programming - Xavier Forcioli, Executive Producer - Solrey Music (BMI) administered by Songs of Universal, Inc., Music Publisher
℗ 2017 Twentieth Century Fox Film Corporation
The London Symphony Orchestra (Carmine Lauri, Orchestra Leader) - Alexandre Desplat, Composer & Conductor - Dominique Lemonnier, Producer, Second Conductor - Peter Cobbin, Mixer, Recording Engineer - Kirsty Whalley, Mixer - Romain Allender, Programming - Xavier Forcioli, Executive Producer - Solrey Music (BMI) administered by Songs of Universal, Inc., Music Publisher
℗ 2017 Twentieth Century Fox Film Corporation
The London Symphony Orchestra (Carmine Lauri, Orchestra Leader) - Alexandre Desplat, Composer & Conductor - Dominique Lemonnier, Producer, Second Conductor - Peter Cobbin, Mixer, Recording Engineer - Kirsty Whalley, Mixer - Romain Allender, Programming - Xavier Forcioli, Executive Producer - Solrey Music (BMI) administered by Songs of Universal, Inc., Music Publisher
℗ 2017 Twentieth Century Fox Film Corporation
Peter Cobbin, Mixer, Recording Engineer, StudioPersonnel - London Symphony Orchestra, Orchestra - Kirsty Whalley, Mixer, StudioPersonnel - Alexandre Desplat, Composer, Conductor, MainArtist - Carmine Lauri, Orchestra Leader, AssociatedPerformer - Dominique Lemonnier, Conductor, Producer, Second Conductor - Romain Allender, Programming, AssociatedPerformer - Xavier Forcioli, Producer, Executive Producer
℗ 2017 Twentieth Century Fox Film Corporation
Peter Cobbin, Mixer, Recording Engineer, StudioPersonnel - London Symphony Orchestra, Orchestra - Kirsty Whalley, Mixer, StudioPersonnel - Alexandre Desplat, Composer, Conductor, MainArtist - Carmine Lauri, Orchestra Leader, AssociatedPerformer - Dominique Lemonnier, Conductor, Producer, Second Conductor - Romain Allender, Programming, AssociatedPerformer - Xavier Forcioli, Producer, Executive Producer
℗ 2017 Twentieth Century Fox Film Corporation
Peter Cobbin, Mixer, Recording Engineer, StudioPersonnel - London Symphony Orchestra, Orchestra - Kirsty Whalley, Mixer, StudioPersonnel - Alexandre Desplat, Composer, Conductor, MainArtist - Carmine Lauri, Orchestra Leader, AssociatedPerformer - Dominique Lemonnier, Conductor, Producer, Second Conductor - Romain Allender, Programming, AssociatedPerformer - Xavier Forcioli, Producer, Executive Producer
℗ 2017 Twentieth Century Fox Film Corporation
Peter Cobbin, Mixer, Recording Engineer, StudioPersonnel - London Symphony Orchestra, Orchestra - Kirsty Whalley, Mixer, StudioPersonnel - Alexandre Desplat, Composer, Conductor, MainArtist - Carmine Lauri, Orchestra Leader, AssociatedPerformer - Dominique Lemonnier, Conductor, Producer, Second Conductor - Romain Allender, Programming, AssociatedPerformer - Xavier Forcioli, Producer, Executive Producer
℗ 2017 Twentieth Century Fox Film Corporation
Peter Cobbin, Mixer, Recording Engineer, StudioPersonnel - London Symphony Orchestra, Orchestra - Kirsty Whalley, Mixer, StudioPersonnel - Alexandre Desplat, Composer, Conductor, MainArtist - Carmine Lauri, Orchestra Leader, AssociatedPerformer - Dominique Lemonnier, Conductor, Producer, Second Conductor - Romain Allender, Programming, AssociatedPerformer - Xavier Forcioli, Producer, Executive Producer
℗ 2017 Twentieth Century Fox Film Corporation
Peter Cobbin, Mixer, Recording Engineer, StudioPersonnel - London Symphony Orchestra, Orchestra - Kirsty Whalley, Mixer, StudioPersonnel - Alexandre Desplat, Composer, Conductor, MainArtist - Carmine Lauri, Orchestra Leader, AssociatedPerformer - Dominique Lemonnier, Conductor, Producer, Second Conductor - Romain Allender, Programming, AssociatedPerformer - Xavier Forcioli, Producer, Executive Producer
℗ 2017 Twentieth Century Fox Film Corporation
Peter Cobbin, Mixer, Recording Engineer, StudioPersonnel - London Symphony Orchestra, Orchestra - Kirsty Whalley, Mixer, StudioPersonnel - Alexandre Desplat, Composer, Conductor, MainArtist - Carmine Lauri, Orchestra Leader, AssociatedPerformer - Dominique Lemonnier, Conductor, Producer, Second Conductor - Romain Allender, Programming, AssociatedPerformer - Xavier Forcioli, Producer, Executive Producer
℗ 2017 Twentieth Century Fox Film Corporation
Peter Cobbin, Mixer, Recording Engineer, StudioPersonnel - London Symphony Orchestra, Orchestra - Kirsty Whalley, Mixer, StudioPersonnel - Alexandre Desplat, Composer, Conductor, MainArtist - Carmine Lauri, Orchestra Leader, AssociatedPerformer - Dominique Lemonnier, Conductor, Producer, Second Conductor - Romain Allender, Programming, AssociatedPerformer - Xavier Forcioli, Producer, Executive Producer
℗ 2017 Twentieth Century Fox Film Corporation
Peter Cobbin, Mixer, Recording Engineer, StudioPersonnel - London Symphony Orchestra, Orchestra - Kirsty Whalley, Mixer, StudioPersonnel - Alexandre Desplat, Conductor, MainArtist, ComposerLyricist - Carmine Lauri, Orchestra Leader, AssociatedPerformer - Dominique Lemonnier, Conductor, Producer, Second Conductor - Romain Allender, Programming, AssociatedPerformer - Xavier Forcioli, Producer, Executive Producer
℗ 2017 Twentieth Century Fox Film Corporation
Peter Cobbin, Mixer, Recording Engineer, StudioPersonnel - London Symphony Orchestra, Orchestra - Kirsty Whalley, Mixer, StudioPersonnel - Alexandre Desplat, Composer, Conductor, MainArtist - Carmine Lauri, Orchestra Leader, AssociatedPerformer - Dominique Lemonnier, Conductor, Producer, Second Conductor - Romain Allender, Programming, AssociatedPerformer - Xavier Forcioli, Producer, Executive Producer
℗ 2017 Twentieth Century Fox Film Corporation
Dean Parks, Guitar, AssociatedPerformer - David Piltch, Upright Bass, AssociatedPerformer - Bernie Grundman, Mastering Engineer, StudioPersonnel - Jay Bellerose, Drums, AssociatedPerformer - Madeleine Peyroux, Guitar, Vocals, MainArtist, AssociatedPerformer - Serge Gainsbourg, ComposerLyricist - LARRY KLEIN, Producer, Recording Producer - Carla Kihlstedt, Violin, AssociatedPerformer - Larry Goldings, Celesta, AssociatedPerformer - Helik Hadar, Recording Engineer, Mix Engineer, StudioPersonnel - Alex Pavlides, Asst. Recording Engineer, StudioPersonnel - Sam Yahel, Organ, Piano, AssociatedPerformer - Cindi Peters, Production Coordinator, StudioPersonnel - Graeme Jennings, Violin, AssociatedPerformer - Charith Premawardhana, Viola, AssociatedPerformer - Sam Bass, Cello, AssociatedPerformer
℗ 2006 Rounder Records Corp.
Harry Warren, ComposerLyricist - Mack Gordon, ComposerLyricist - Carmen Miranda, MainArtist
℗ 1941 UMG Recordings, Inc.
Caterina Valente, Guitar, Vocals, MainArtist, AssociatedPerformer - Kurt Feltz, Producer - Silvio Francesco, Guitar, Vocals, MainArtist, AssociatedPerformer - Margarita Lecuona, ComposerLyricist
℗ 1956 Universal Music GmbH
Dave Arch, Piano, AssociatedPerformer - Jonathan Allen, Mixer, Recording Engineer, StudioPersonnel - Harry Warren, Composer - Mack Gordon, Author - London Symphony Orchestra, Orchestra - Frédéric Gaillardet, Piano, AssociatedPerformer - Renee Fleming, Vocals, MainArtist, AssociatedPerformer - Alexandre Desplat, Conductor, Whistle, Recording Arranger, AssociatedPerformer - Paul Clarvis, Percussion, AssociatedPerformer - Riccardo Del Fra, Double Bass, AssociatedPerformer - Dominique Lemonnier, Producer - Ludovick Tartavel, Asst. Recording Engineer, StudioPersonnel - Romain Allender, Programming, AssociatedPerformer - Xavier Forcioli, Producer, Executive Producer - Jeffrey Boudreaux, Drums, AssociatedPerformer - Myriam Lafargue, Accordion, AssociatedPerformer
℗ 2017 Decca Music Group Limited
Approfondimenti
Come può la musica tradurre l’idea di un elemento naturale come l’acqua? Un certo Claude Debussy si era già interesso alla questione, ma Alexandre Desplat ha scelto un’estetica diversa da quella del suo predecessore – anche se, come già in Debussy, i timbri sono al cuore dell’idea di Desplat. Per questa favola di Guillermo Del Toro che narra la storia d’amore tra una ragazza muta, Elisa (Sally Hawkins), e un uomo anfibio (Doug Jones), Desplat ha inserito non meno di dodici flauti nella mitica London Symphony Orchestra – flauti contralto, flauti bassi, flauti traversi. La partitura comporta pochissimi ottoni, e sono soprattutto gli archi e i fiati a suggerire l’incresparsi e lo scorrere dell’acqua. A ciò si aggiunge la delicatezza di strumenti quali il piano, l’arpa e il vibrafono, che rafforzano tale idea. A partire da questo canovaccio orchestrale poco comune, Alexandre Desplat innesta temi e atmosfere diverse. Così, i titoli di testa sono interpretati da un assolo di flauto (eseguito dal compositore in persona), che rappresenta la «voce» della giovane protagonista. Quanto al bandoneón (che invece simboleggia l’anfibio), esso sottolinea l’aspetto onirico delle immagini con il suo suono dolce e sensuale. Questi due strumenti evolvono insieme con grazia, proprio come i due protagonisti del film, eroi atipici che sognano di essere le star di un musical hollywoodiano. Perché, al di là del suo copione non convenzionale, La forma dell’acqua è innanzitutto un omaggio al cinema, e principalmente al cinema classico americano. Per tutta la colonna sonora, infatti, persiste tenace quel sentimento di nostalgia, come suggerisce d’altronde la scelta di mettere in risalto certe percussioni sud-americane (bongo, conga…), evocatrici di tanti film degli anni ’50 e ’60 (ricordiamo L’infernale Quinlan, diretto da Orson Welles e musicato da Henry Mancini). Per i titoli di coda, invece, in pendant con il soggetto del film, Alexandre Desplat gioca la carta del crossover rivolgendosi alla soprano Renée Fleming per interpretare un arrangiamento inedito di un classico del jazz anni ’40, You’ll Never Know. Sottolineiamo infine che con La forma dell’acqua Alexandre Desplat ha vinto il suo secondo Oscar, tre anni dopo The Grand Budapest Hotel di Wes Anderson. ©Nicolas Magenham/Qobuz
A proposito dell'album
- 1 disco(i) - 26 traccia(e)
- Durata totale: 01:16:23
- Artista principale: Alexandre Desplat
- Compositore: Alexandre Desplat
- Etichetta: Decca (UMO) (Classics)
- Genere: Colonne sonore Colonne sonore
© 2017 Twentieth Century Fox Film Corporation This Compilation ℗ 2017 Twentieth Century Fox Film Corporation
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