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The Doors - The Doors

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The Doors

The Doors

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A tremendous debut album, and indeed one of the best first-time outings in rock history, introducing the band's fusion of rock, blues, classical, jazz, and poetry with a knockout punch. The lean, spidery guitar and organ riffs interweave with a hypnotic menace, providing a seductive backdrop for Jim Morrison's captivating vocals and probing prose. "Light My Fire" was the cut that topped the charts and established the group as stars, but most of the rest of the album is just as impressive, including some of their best songs: the propulsive "Break on Through" (their first single), the beguiling mystery of "The Crystal Ship," the mysterious "End of the Night," "Take It as It Comes" (one of several tunes besides "Light My Fire" that also had hit potential), and the stomping rock of "Soul Kitchen" and "Twentieth Century Fox." The 11-minute Oedipal drama "The End" was the group at its most daring and, some would contend, overambitious. It was nonetheless a haunting cap to an album whose nonstop melodicism and dynamic tension would never be equaled by the group again, let alone bettered. ~ Richie Unterberger

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The Doors

The Doors

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1
Break on Through (To the Other Side) (LP Version) 00:02:27

Bruce Botnick, Engineer - Doug Sax, Mastering Engineer - JOHN DENSMORE, Drums, Writer - Jim Morrison, Lead Vocals, Writer - Ray Manzarek, Keyboards, Writer - The Doors, MainArtist - Robby Krieger, Guitar, Writer - Paul A. Rothchild, Producer

1967 Elektra Entertainment for United States and WEA International Inc. for the world outside of the United States. 1967 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States

2
Soul Kitchen (LP Version) 00:03:32

Bruce Botnick, Engineer - Doug Sax, Mastering Engineer - JOHN DENSMORE, Drums, Writer - Jim Morrison, Lead Vocals, Writer - Ray Manzarek, Keyboards, Writer - The Doors, MainArtist - Robby Krieger, Guitar, Writer - Paul A. Rothchild, Producer

1967 Elektra Entertainment for United States and WEA International Inc. for the world outside of the United States. 1967 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States

3
The Crystal Ship (LP Version) 00:02:32

Bruce Botnick, Engineer, Recorder - Jac Holzman, Engineer - Doug Sax, Engineer - JOHN DENSMORE, Drums, Writer - Jim Morrison, Vocals, Writer - Ray Manzarek, Keyboards, Writer - The Doors, MainArtist - Robby Krieger, Guitar, Writer - Paul A Rothchild, Producer - Paul A. Rothchild, Producer

1967 Elektra Entertainment for United States and WEA International Inc. for the world outside of the United States. 1967 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States

4
Twentieth Century Fox (LP Version) 00:02:31

Bruce Botnick, Engineer - Larry Knechtel, Bass Guitar - Doug Sax, Mastering Engineer - JOHN DENSMORE, Drums, Writer - Jim Morrison, Lead Vocals, Writer - Ray Manzarek, Keyboards, Writer - The Doors, MainArtist - Robby Krieger, Guitar, Writer - Paul A. Rothchild, Producer

1967 Elektra Entertainment for United States and WEA International Inc. for the world outside of the United States. 1967 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States

5
Alabama Song (Whisky Bar) 00:03:17

Bruce Botnick, Engineer, Recorder - Jac Holzman, Engineer - Doug Sax, Engineer - JOHN DENSMORE, Drums, Vocals - Jim Morrison, Vocals - Ray Manzarek, Keyboards, Vocals, Autoharp - The Doors, MainArtist - Bertolt Brecht, Writer - Robby Krieger, Guitar - Kurt Weil, Writer - Paul A Rothchild, Producer - Paul A. Rothchild, Producer, Vocals

1967 Elektra Entertainment for United States and WEA International Inc. for the world outside of the United States. 1967 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States

6
Light My Fire (LP Version) 00:07:05

Bruce Botnick, Engineer - Larry Knechtel, Bass Guitar - Doug Sax, Mastering Engineer - JOHN DENSMORE, Drums, Writer - Jim Morrison, Lead Vocals, Writer - Ray Manzarek, Keyboards, Writer - The Doors, MainArtist - Robby Krieger, Guitar, Writer - Paul A. Rothchild, Producer

1967 Elektra Entertainment for United States and WEA International Inc. for the world outside of the United States. 1967 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States

7
Back Door Man (LP Version) 00:03:32

Bruce Botnick, Engineer - Doug Sax, Mastering Engineer - JOHN DENSMORE, Drums - Jim Morrison, Lead Vocals - Ray Manzarek, Keyboards - The Doors, MainArtist - WILLIE DIXON, Writer - Robby Krieger, Guitar - Paul A. Rothchild, Producer

1967 Elektra Entertainment for United States and WEA International Inc. for the world outside of the United States. 1967 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States

8
I Looked at You (LP Version) 00:02:20

Bruce Botnick, Engineer - Larry Knechtel, Bass Guitar - Doug Sax, Mastering Engineer - JOHN DENSMORE, Drums, Writer - Jim Morrison, Lead Vocals, Writer - Ray Manzarek, Keyboards, Writer - The Doors, MainArtist - Robby Krieger, Guitar, Writer - Paul A. Rothchild, Producer

1967 Elektra Entertainment for United States and WEA International Inc. for the world outside of the United States. 1967 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States

9
End of the Night (LP Version) 00:02:50

Bruce Botnick, Engineer - Doug Sax, Mastering Engineer - JOHN DENSMORE, Drums, Writer - Jim Morrison, Lead Vocals, Writer - Ray Manzarek, Keyboards, Writer - The Doors, MainArtist - Robby Krieger, Guitar, Writer - Paul A. Rothchild, Producer

1967 Elektra Entertainment for United States and WEA International Inc. for the world outside of the United States. 1967 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States

10
Take It as It Comes (LP Version) 00:02:14

Bruce Botnick, Engineer - Larry Knechtel, Bass Guitar - Doug Sax, Mastering Engineer - JOHN DENSMORE, Drums, Writer - Jim Morrison, Lead Vocals, Writer - Ray Manzarek, Keyboards, Writer - The Doors, MainArtist - Robby Krieger, Guitar, Writer - Paul A. Rothchild, Producer

1967 Elektra Entertainment for United States and WEA International Inc. for the world outside of the United States. 1967 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States

11
The End (LP Version) 00:11:43

Bruce Botnick, Engineer - Doug Sax, Mastering Engineer - JOHN DENSMORE, Drums, Writer - Jim Morrison, Lead Vocals, Writer - Ray Manzarek, Keyboards, Writer - The Doors, MainArtist - Robby Krieger, Guitar, Writer - Paul A. Rothchild, Producer

1967 Elektra Entertainment for United States and WEA International Inc. for the world outside of the United States. 1967 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States

Descrizione dell'album

A tremendous debut album, and indeed one of the best first-time outings in rock history, introducing the band's fusion of rock, blues, classical, jazz, and poetry with a knockout punch. The lean, spidery guitar and organ riffs interweave with a hypnotic menace, providing a seductive backdrop for Jim Morrison's captivating vocals and probing prose. "Light My Fire" was the cut that topped the charts and established the group as stars, but most of the rest of the album is just as impressive, including some of their best songs: the propulsive "Break on Through" (their first single), the beguiling mystery of "The Crystal Ship," the mysterious "End of the Night," "Take It as It Comes" (one of several tunes besides "Light My Fire" that also had hit potential), and the stomping rock of "Soul Kitchen" and "Twentieth Century Fox." The 11-minute Oedipal drama "The End" was the group at its most daring and, some would contend, overambitious. It was nonetheless a haunting cap to an album whose nonstop melodicism and dynamic tension would never be equaled by the group again, let alone bettered. ~ Richie Unterberger

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