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Philip Cutlip - Steinberg : Passion Week, Op. 13

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Steinberg : Passion Week, Op. 13

The Clarion Choir - Steven Fox

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The work on this Grammy-nominated recording has a complex history: it was written by its composer, a Lithuanian Jew who had converted to Christianity to marry the daughter of his teacher, Rimsky-Korsakov, just as the Soviet Union got serious about banning religious observances. The work was published abroad, but attracted little publicity. It was known to Shostakovich, who gave a copy to a Russian-American conductor, whose daughter passed it along to the present forces. This and a version by the Cappella Romana (also an American choir) are the first recordings of the piece. It's quite compelling. Steinberg's most important model is the Rachmaninov All-Night Vigil, Op. 37, with the similarity residing in the degree to which Slavonic chant melodies permeate the music. Most of the 16 sections of Steinberg's work use chant in some way (some are simply pieces of chant), and you can sample one of the movements (such as "Of Thy Mystical Supper") that elaborates on the chant immediately preceding. Steinberg does not exploit the characteristic Russian bass sound as much as Rachmaninov does, but his choral writing is satisfyingly dense, and the small Clarion Choir keeps things clear with the divisi passages that at times include as many as 12 parts. The sound from New York's Archdiocesan Cathedral of the Holy Trinity is a major attraction. Another model for Steinberg was the similarly titled work by Alexander Grechaninov, which, like Steinberg's, was a concert work, and it seems certain that listeners who have heard only the Rachmaninov work in this somewhat forgotten tradition will value this release highly.
© TiVo

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Steinberg : Passion Week, Op. 13

Philip Cutlip

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Passion Week, Op. 13 (Maximilian Steinberg)

1
Alleluia
Philip Cutlip
00:01:55

Philip Cutlip, Performer - Anonymous, Lyricist - Bible, Lyricist - Maximilian Steinberg, Composer - Steven Fox, Conductor - The Clarion Choir, Choir

2016 Naxos 2016 Naxos

2
Behold, the Bridegroom Comes
Steven Fox
00:03:44

Anonymous, Lyricist - Bible, Lyricist - Maximilian Steinberg, Composer - Steven Fox, Conductor - The Clarion Choir, Choir

2016 Naxos 2016 Naxos

Chertog Tvoy (Thy Bridal Chamber) [Kievan Chant] (Anonymous)

3
Thy Bridal Chamber (Kievan Chant)
Steven Fox
00:01:49

Anonymous, Composer - Steven Fox, Conductor - The Clarion Choir, Choir

2016 Naxos 2016 Naxos

Passion Week, Op. 13 (Maximilian Steinberg)

4
Thy Bridal Chamber
Timothy Krol
00:02:50

Anonymous, Lyricist - Bible, Lyricist - Maximilian Steinberg, Composer - Steven Fox, Conductor - The Clarion Choir, Choir - Timothy Krol, Performer

2016 Naxos 2016 Naxos

5
When the Glorious Disciples
Kate Maroney
00:04:59

Anonymous, Lyricist - Bible, Lyricist - Maximilian Steinberg, Composer - Kate Maroney, Performer - Steven Fox, Conductor - The Clarion Choir, Choir

2016 Naxos 2016 Naxos

Stranstviya Vladïchnia (The Master's Hospitality) [Znamenny Chant] (Anonymous)

6
The Master's Hospitality (Znamenny Chant)
Steven Fox
00:02:01

Anonymous, Composer - Steven Fox, Conductor - The Clarion Choir, Choir

2016 Naxos 2016 Naxos

Passion Week, Op. 13 (Maximilian Steinberg)

7
The Master's Hospitality
Estelí Gomez
00:03:11

Anonymous, Lyricist - Bible, Lyricist - Estelí Gomez, Performer - Maximilian Steinberg, Composer - Steven Fox, Conductor - The Clarion Choir, Choir

2016 Naxos 2016 Naxos

Vecheri Tvoyeya taynïya (Of Thy Mystical Supper) [Znamenny Chant] (Anonymous)

8
Of Thy Mystical Supper (Znamenny Chant)
Steven Fox
00:02:45

Anonymous, Composer - Steven Fox, Conductor - The Clarion Choir, Choir

2016 Naxos 2016 Naxos

Passion Week, Op. 13 (Maximilian Steinberg)

9
Of Thy Mystical Supper
Steven Fox
00:04:00

Anonymous, Lyricist - Bible, Lyricist - Maximilian Steinberg, Composer - Steven Fox, Conductor - The Clarion Choir, Choir

2016 Naxos 2016 Naxos

10
The Noble Joseph
Steven Fox
00:04:42

Anonymous, Lyricist - Bible, Lyricist - Maximilian Steinberg, Composer - Steven Fox, Conductor - The Clarion Choir, Choir

2016 Naxos 2016 Naxos

11
The Wise Thief
Steven Fox
00:02:34

Anonymous, Lyricist - Bible, Lyricist - Luthien Brackett, Performer - Maximilian Steinberg, Composer - Steven Fox, Conductor - Sarah Brailey, Performer - Michael Steinberger, Performer - The Clarion Choir, Choir - Molly Netter, Performer

2016 Naxos 2016 Naxos

Ne rïday Mene, Mati (Do Not Lament Me, O Mother) [Znamenny Chant] (Anonymous)

12
Do Not Lament Me, O Mother (Znamenny Chant)
Steven Fox
00:02:12

Anonymous, Composer - Steven Fox, Conductor - The Clarion Choir, Choir

2016 Naxos 2016 Naxos

Passion Week, Op. 13 (Maximilian Steinberg)

13
Do Not Lament Me, O Mother
Michael Steinberger
00:02:54

Anonymous, Lyricist - Bible, Lyricist - Maximilian Steinberg, Composer - Steven Fox, Conductor - Michael Steinberger, Performer - The Clarion Choir, Choir

2016 Naxos 2016 Naxos

Voskresni, Bozhe (Arise, O God) [Znamenny Chant] (Anonymous)

14
Arise, O God (Znamenny Chant)
Steven Fox
00:00:46

Anonymous, Composer - Steven Fox, Conductor - The Clarion Choir, Choir

2016 Naxos 2016 Naxos

Passion Week, Op. 13 (Maximilian Steinberg)

15
Arise, O God
Molly Netter
00:06:43

Anonymous, Lyricist - Bible, Lyricist - Maximilian Steinberg, Composer - Steven Fox, Conductor - The Clarion Choir, Choir - Timothy Krol, Performer - Molly Netter, Performer

2016 Naxos 2016 Naxos

16
Let All Mortal Flesh Keep Silence
Kate Maroney
00:07:43

Anonymous, Lyricist - Bible, Lyricist - Maximilian Steinberg, Composer - Kate Maroney, Performer - Steven Fox, Conductor - The Clarion Choir, Choir

2016 Naxos 2016 Naxos

Descrizione dell'album

The work on this Grammy-nominated recording has a complex history: it was written by its composer, a Lithuanian Jew who had converted to Christianity to marry the daughter of his teacher, Rimsky-Korsakov, just as the Soviet Union got serious about banning religious observances. The work was published abroad, but attracted little publicity. It was known to Shostakovich, who gave a copy to a Russian-American conductor, whose daughter passed it along to the present forces. This and a version by the Cappella Romana (also an American choir) are the first recordings of the piece. It's quite compelling. Steinberg's most important model is the Rachmaninov All-Night Vigil, Op. 37, with the similarity residing in the degree to which Slavonic chant melodies permeate the music. Most of the 16 sections of Steinberg's work use chant in some way (some are simply pieces of chant), and you can sample one of the movements (such as "Of Thy Mystical Supper") that elaborates on the chant immediately preceding. Steinberg does not exploit the characteristic Russian bass sound as much as Rachmaninov does, but his choral writing is satisfyingly dense, and the small Clarion Choir keeps things clear with the divisi passages that at times include as many as 12 parts. The sound from New York's Archdiocesan Cathedral of the Holy Trinity is a major attraction. Another model for Steinberg was the similarly titled work by Alexander Grechaninov, which, like Steinberg's, was a concert work, and it seems certain that listeners who have heard only the Rachmaninov work in this somewhat forgotten tradition will value this release highly.
© TiVo

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