Streaming illimitato
Ascolta subito questo album in alta qualità sulle nostre app
Inizia il mio periodo di prova e riproduci l'albumGoditi questo album sulle app Qobuz con il tuo abbonamento
AbbonatiGoditi questo album sulle app Qobuz con il tuo abbonamento
Download digitale
Acquista e scarica questo album in più formati, secondo le tue esigenze.
Polish pianist Krystian Zimerman has been something of an anti-Gould, avoiding recordings in favor of live performances. This recording of Schubert's last two piano sonatas was done with a custom keyboard with which, Zimerman says, "the hammer strikes a different point of the string, enhancing its ability to sustain a singing sound -- though it does also set up different overtones and the piano might sound strangely tuned." Further, he recorded the album at a small Japanese auditorium near an earthquake-damaged nuclear plant (not Fukushima), where he had played a benefit concert. It all sounds a bit eccentric, but Zimerman matches his interpretations to his innovations, and the results are of considerable interest. Start right in at the beginning, where you can hear the overtone effect Zimerman is talking about: the opening of the Piano Sonata in A major, D. 959, comes out not as grand but as an altogether modern statement of spiky nervousness and dread. This sets up an unusual dynamic that is resolved only by the finale, where Zimerman brings the piano's songful qualities into play. Nor does he take the usual approach of treating the two final sonatas as a pair. The Piano Sonata in B flat major, D. 960, is strikingly quiet and transparent, with a tragic sense in the slow movement, a feeling of impending death, perhaps, that is not present in the other sonata. Your mileage may vary, perhaps, but this is a statement well worth considering for any lover of the late Schubert.
© TiVo
Al momento stai ascoltando degli estratti.
Ascolta oltre 100 milioni di brani con un abbonamento streaming illimitato.
Ascolta questa playlist e più di 100 milioni di brani con i nostri abbonamenti di streaming illimitato
A partire da 12,49€/mese
Piano Sonata No. 20 In A Major, D.959 (Franz Schubert)
Krystian Zimerman, Piano - Franz Schubert, Composer - (Rainer Maillard, Recording Engineer)
℗ 2017 Deutsche Grammophon GmbH, Berlin
Krystian Zimerman, Piano - Franz Schubert, Composer - (Rainer Maillard, Recording Engineer)
℗ 2017 Deutsche Grammophon GmbH, Berlin
Krystian Zimerman, Piano - Franz Schubert, Composer - (Rainer Maillard, Recording Engineer)
℗ 2017 Deutsche Grammophon GmbH, Berlin
Krystian Zimerman, Piano - Franz Schubert, Composer - (Rainer Maillard, Recording Engineer)
℗ 2017 Deutsche Grammophon GmbH, Berlin
Piano Sonata No. 21 In B Flat Major, D.960 (Franz Schubert)
Krystian Zimerman, Piano - Franz Schubert, Composer - (Rainer Maillard, Recording Engineer)
℗ 2017 Deutsche Grammophon GmbH, Berlin
Krystian Zimerman, Piano - Franz Schubert, Composer - (Rainer Maillard, Recording Engineer)
℗ 2017 Deutsche Grammophon GmbH, Berlin
Krystian Zimerman, Piano - Franz Schubert, Composer - (Rainer Maillard, Recording Engineer)
℗ 2017 Deutsche Grammophon GmbH, Berlin
Krystian Zimerman, Piano - Franz Schubert, Composer - (Rainer Maillard, Recording Engineer)
℗ 2017 Deutsche Grammophon GmbH, Berlin
Approfondimenti
Polish pianist Krystian Zimerman has been something of an anti-Gould, avoiding recordings in favor of live performances. This recording of Schubert's last two piano sonatas was done with a custom keyboard with which, Zimerman says, "the hammer strikes a different point of the string, enhancing its ability to sustain a singing sound -- though it does also set up different overtones and the piano might sound strangely tuned." Further, he recorded the album at a small Japanese auditorium near an earthquake-damaged nuclear plant (not Fukushima), where he had played a benefit concert. It all sounds a bit eccentric, but Zimerman matches his interpretations to his innovations, and the results are of considerable interest. Start right in at the beginning, where you can hear the overtone effect Zimerman is talking about: the opening of the Piano Sonata in A major, D. 959, comes out not as grand but as an altogether modern statement of spiky nervousness and dread. This sets up an unusual dynamic that is resolved only by the finale, where Zimerman brings the piano's songful qualities into play. Nor does he take the usual approach of treating the two final sonatas as a pair. The Piano Sonata in B flat major, D. 960, is strikingly quiet and transparent, with a tragic sense in the slow movement, a feeling of impending death, perhaps, that is not present in the other sonata. Your mileage may vary, perhaps, but this is a statement well worth considering for any lover of the late Schubert.
© TiVo
A proposito dell'album
- 1 disco(i) - 8 traccia(e)
- Durata totale: 01:22:06
- 1 Libretto digitale
- Artisti principali: Krystian Zimerman
- Compositore: Franz Schubert
- Etichetta: Deutsche Grammophon (DG)
- Genere: Classica Musica da camera Assoli per pianoforte
© 2017 Deutsche Grammophon GmbH, Berlin, under exclusive license to Verve Label Group, a Division of UMG Recordings, Inc. ℗ 2017 Deutsche Grammophon GmbH, Berlin, under exclusive license to Verve Label Group, a Division of UMG Recordings, Inc.
Distinzioni:
Migliorare le informazioni sugli album
Perché acquistare su Qobuz
-
Ascolta la tua musica in streaming o download
Acquista un album o una singola traccia. Oppure ascolta il nostro intero catalogo con i nostri abbonamenti streaming illimitati di alta qualità.
-
Zero DRM
I file scaricati ti appartengono, senza limiti d’uso. Puoi scaricarli tutte le volte che vuoi.
-
Scegli il formato più adatto a te
Scarica i tuoi acquisti in un'ampia varietà di formati (FLAC, ALAC, WAV, AIF ...) a seconda delle tue esigenze.
-
Ascolta i tuoi acquisti sulle nostre app
Scarica le app Qobuz per smartphone, tablet e computer e ascolta i tuoi acquisti dappertutto.
