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Trisha Yearwood - Real Live Woman

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Real Live Woman

Trisha Yearwood

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Once an artist like Trisha Yearwood enters her second decade of recording, it's easy to take her for granted. Why? Well, consistency doesn't make for quite as dramatic a story as dramatic swings between brilliance and failure. That may be unfair, but that's the way it is. Yearwood has never swung between such extremes. She has released some exceptional albums, plus a couple of sub-par efforts, but for the most part, she has remained an artist that is reliable -- you pay your money, and you know you'll get something satisfactory. Real Live Woman is one of those records; it may not rock your world, but it will hardly disappoint. A little more mature and straight-ahead than even her latter-day efforts, Real Live Woman is a measured, deliberate record in the best possible sense. The tempo never gets too heated, but the songs never drift into laziness, either. The tunes are always melodic and always well-chosen. They don't just play to Yearwood's strengths, but they're solid songs in their own right, whether it's a new Matraca Berg and Al Anderson song ("I'm Still Alive"), an overlooked Springsteen tune ("Sad Eyes") or a Linda Ronstadt chestnut ("Try Me Again"). Yes, there are a couple of moments where the momentum drags ever so slightly, but as soon as they occur, the album perks back up with the next song. Real Live Woman isn't significantly better or worse than the average Trisha Yearwood album, but that's not a bad thing, since few people do this mainstream country -- meaning, by late-'90s/early-'00s standards, country music that still sounds country but is also melodic enough for pop -- quite as well as this. ~ Stephen Thomas Erlewine

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Real Live Woman

Trisha Yearwood

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1
Where Are You Now 00:03:10

Garth Fundis, Producer - Trisha Yearwood, Producer, MainArtist - Kim Richey, ComposerLyricist - Mary Chapin Carpenter, ComposerLyricist

℗ 2000 MCA Nashville

2
One Love (Album Version) 00:04:24

Al Anderson, ComposerLyricist - JEFF BALDING, Recording Engineer, StudioPersonnel - Gary Nicholson, ComposerLyricist - Garth Fundis, Producer - CHUCK AINLAY, Mixer, StudioPersonnel - Trisha Yearwood, Producer, MainArtist - Matt Andrews, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - DAVE SINKO, Recording Engineer, StudioPersonnel - Kimmie Rhodes, ComposerLyricist - Mark Ralston, Assistant Mixer, StudioPersonnel

℗ 2000 MCA Nashville

3
Sad Eyes 00:04:10

Garth Fundis, Producer - Bruce Springsteen, ComposerLyricist - Trisha Yearwood, Producer, MainArtist

℗ 2000 MCA Nashville

4
Some Days 00:03:50

Tia Sillers, ComposerLyricist - Mark Selby, ComposerLyricist - Garth Fundis, Producer - Trisha Yearwood, Producer, MainArtist

℗ 2000 MCA Nashville

5
I Did 00:03:53

Richard "Spady" Brannan, ComposerLyricist - Spady Brannan, ComposerLyricist - Garth Fundis, Producer - Trisha Yearwood, Producer, MainArtist - John Sharp, ComposerLyricist

℗ 2000 MCA Nashville

6
Try Me Again 00:04:27

Andrew Gold, ComposerLyricist - Linda Ronstadt, ComposerLyricist - Garth Fundis, Producer - Trisha Yearwood, Producer, MainArtist

℗ 2000 MCA Nashville

7
Too Bad You're No Good 00:03:49

Paul Craft, ComposerLyricist - Garth Fundis, Producer - Trisha Yearwood, Producer, MainArtist - Cadillac Holmes, ComposerLyricist

℗ 2000 MCA Nashville

8
Real Live Woman (Album Version) 00:03:54

Bobbie Cryner, ComposerLyricist - JEFF BALDING, Recording Engineer, StudioPersonnel - Garth Fundis, Producer - CHUCK AINLAY, Mixer, StudioPersonnel - Trisha Yearwood, Producer, MainArtist - Matt Andrews, Asst. Recording Engineer, StudioPersonnel - DAVE SINKO, Asst. Recording Engineer, StudioPersonnel - Mark Ralston, Assistant Mixer, StudioPersonnel

℗ 1999 MCA Nashville, a Division of UMG Recordings, Inc.

9
I'm Still Alive (You're Gone) 00:04:02

Matraca Berg, ComposerLyricist - Al Anderson, ComposerLyricist - Garth Fundis, Producer - Trisha Yearwood, Producer, MainArtist

℗ 1999 MCA Nashville

10
Wild For You Baby 00:04:31

Tom Snow, ComposerLyricist - Garth Fundis, Producer - Trisha Yearwood, Producer, MainArtist - David Batteau, ComposerLyricist

℗ 2000 MCA Nashville

11
Come Back When It Ain't Rainin' 00:03:13

Matraca Berg, ComposerLyricist - Harlan Howard, ComposerLyricist - Garth Fundis, Producer - Trisha Yearwood, Producer, MainArtist

℗ 2000 MCA Nashville

12
When A Love Song Sings The Blues 00:04:27

Matraca Berg, ComposerLyricist - Ronnie Samoset, ComposerLyricist - Garth Fundis, Producer - Trisha Yearwood, Producer, MainArtist

℗ 2000 MCA Nashville

Descrizione dell'album

Once an artist like Trisha Yearwood enters her second decade of recording, it's easy to take her for granted. Why? Well, consistency doesn't make for quite as dramatic a story as dramatic swings between brilliance and failure. That may be unfair, but that's the way it is. Yearwood has never swung between such extremes. She has released some exceptional albums, plus a couple of sub-par efforts, but for the most part, she has remained an artist that is reliable -- you pay your money, and you know you'll get something satisfactory. Real Live Woman is one of those records; it may not rock your world, but it will hardly disappoint. A little more mature and straight-ahead than even her latter-day efforts, Real Live Woman is a measured, deliberate record in the best possible sense. The tempo never gets too heated, but the songs never drift into laziness, either. The tunes are always melodic and always well-chosen. They don't just play to Yearwood's strengths, but they're solid songs in their own right, whether it's a new Matraca Berg and Al Anderson song ("I'm Still Alive"), an overlooked Springsteen tune ("Sad Eyes") or a Linda Ronstadt chestnut ("Try Me Again"). Yes, there are a couple of moments where the momentum drags ever so slightly, but as soon as they occur, the album perks back up with the next song. Real Live Woman isn't significantly better or worse than the average Trisha Yearwood album, but that's not a bad thing, since few people do this mainstream country -- meaning, by late-'90s/early-'00s standards, country music that still sounds country but is also melodic enough for pop -- quite as well as this. ~ Stephen Thomas Erlewine

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