Streaming illimitato
Ascolta subito questo album in alta qualità sulle nostre app
Inizia il mio periodo di prova e riproduci l'albumGoditi questo album sulle app Qobuz con il tuo abbonamento
AbbonatiGoditi questo album sulle app Qobuz con il tuo abbonamento
Download digitale
Acquista e scarica questo album in più formati, secondo le tue esigenze.
Toby Keith's first DreamWorks album, 1999's How Do You Like Me Now?!, unveiled a new persona -- one that didn't shy away from the ballads that helped bring him hits in the '90s but put them into the background, emphasizing his humor and his bravado to winning effect. And to success, too, as it became the album that truly turned him into a country star, thereby letting him dig into this new persona on its follow-up, 2001's Pull My Chain. In every regard, this is a bigger, better record than its predecessor, possessing a richer musicality and a more confident sense of humor. That humor may be most evident on its weakest track, the mocking macho white-rap "I Wanna Talk About Me" (written by Bobby Braddock, not Keith), but it's better heard on the album opener "I'm Just Talkin' About Tonight," a one-night stand anthem that's wry and clever, not obvious. That sly sense of craft has been evident in Keith's work since his debut but it truly comes to full fruition here, perhaps because of his new co-writer Scotty Emerick, who had only one credit on How Do You Like Me Now?! but five here, including "I'm Just Talkin' About Tonight," the mellow soul of "I Can't Take You Anywhere," the power ballad "You Leave Me Weak," the breezy '70s soft rock of "Tryin' to Matter" and the laid-back "Yesterday's Rain." These are the backbone of the record, but they don't dominate it, as Keith's collaborations with Chuck Cannon -- "The Sha La La Song," which is the opposite of the bluster of the title track, also written with Cannon -- a rocking cover of Dave Loggins' "Pick 'Em Up and Lay 'Em Down" and two collaborations with Elton John's lyricist Bernie Taupin (the ballad "You Didn't Have as Much to Lose" and the bonus track "Gimme Eight Seconds," which is pure arena rock country complete with guitars resurrected from the '80s) are equally as good. All these different co-writers and covers mean that Pull My Chain isn't quite coherent, but that's also part of its charm: with his new success, Keith is empowered to try a bit of everything, to sow his wild oats, and he does so in compelling fashion here.
© Stephen Thomas Erlewine /TiVo
Al momento stai ascoltando degli estratti.
Ascolta oltre 100 milioni di brani con un abbonamento streaming illimitato.
Ascolta questa playlist e più di 100 milioni di brani con i nostri abbonamenti di streaming illimitato
A partire da 12,49€/mese
Scotty Emerick, ComposerLyricist - Julian King, Mixer, Recording Engineer, StudioPersonnel - Rich Hanson, Asst. Recording Engineer, StudioPersonnel - Ricky cobble, Asst. Recording Engineer, StudioPersonnel - JAMES STROUD, Producer - Toby Keith, Producer, MainArtist, ComposerLyricist
℗ 2001 DreamWorks Records Nashville
Bobby Braddock, ComposerLyricist - Julian King, Mixer, Recording Engineer, StudioPersonnel - Rich Hanson, Asst. Recording Engineer, StudioPersonnel - Ricky cobble, Asst. Recording Engineer, StudioPersonnel - JAMES STROUD, Producer - Toby Keith, Producer, MainArtist
℗ 2001 DreamWorks Records Nashville
Scotty Emerick, Background Vocalist, AssociatedPerformer, ComposerLyricist - Julian King, Mixer, Recording Engineer, StudioPersonnel - Rich Hanson, Asst. Recording Engineer, StudioPersonnel - Ricky cobble, Asst. Recording Engineer, StudioPersonnel - JAMES STROUD, Producer - Toby Keith, Producer, MainArtist, ComposerLyricist
℗ 2001 SKG Music Nashville LLC/Dreamworks Records Nashville
Scotty Emerick, ComposerLyricist - Julian King, Mixer, Recording Engineer, StudioPersonnel - Rich Hanson, Asst. Recording Engineer, StudioPersonnel - Ricky cobble, Asst. Recording Engineer, StudioPersonnel - JAMES STROUD, Producer - Toby Keith, Producer, MainArtist, ComposerLyricist
℗ 2001 SKG Music Nashville LLC/Dreamworks Records Nashville
Scotty Emerick, Acoustic Guitar, AssociatedPerformer, ComposerLyricist - Julian King, Mixer, Recording Engineer, StudioPersonnel - Rich Hanson, Asst. Recording Engineer, StudioPersonnel - Ricky cobble, Asst. Recording Engineer, StudioPersonnel - JAMES STROUD, Producer - Toby Keith, Producer, MainArtist, ComposerLyricist
℗ 2001 SKG Music Nashville LLC/Dreamworks Records Nashville
Chuck Cannon, ComposerLyricist - Julian King, Mixer, Recording Engineer, StudioPersonnel - Rich Hanson, Asst. Recording Engineer, StudioPersonnel - Ricky cobble, Asst. Recording Engineer, StudioPersonnel - JAMES STROUD, Producer - Toby Keith, Producer, MainArtist, ComposerLyricist
℗ 2001 DreamWorks Records Nashville
Chuck Cannon, ComposerLyricist - Julian King, Mixer, Recording Engineer, StudioPersonnel - Rich Hanson, Asst. Recording Engineer, StudioPersonnel - Ricky cobble, Asst. Recording Engineer, StudioPersonnel - JAMES STROUD, Producer - Toby Keith, Producer, MainArtist, ComposerLyricist
℗ 2001 SKG Music Nashville LLC/Dreamworks Records Nashville
Dave Loggins, ComposerLyricist - Julian King, Mixer, Recording Engineer, StudioPersonnel - Rich Hanson, Asst. Recording Engineer, StudioPersonnel - Ricky cobble, Asst. Recording Engineer, StudioPersonnel - JAMES STROUD, Producer - Toby Keith, Producer, MainArtist
℗ 2001 SKG Music Nashville LLC/Dreamworks Records Nashville
Julian King, Mixer, Recording Engineer, StudioPersonnel - Rich Hanson, Asst. Recording Engineer, StudioPersonnel - Ricky cobble, Asst. Recording Engineer, StudioPersonnel - JAMES STROUD, Producer - Jim Femino, ComposerLyricist - Toby Keith, Producer, MainArtist, ComposerLyricist
℗ 2001 SKG Music Nashville LLC/Dreamworks Records Nashville
Scotty Emerick, ComposerLyricist - Julian King, Mixer, Recording Engineer, StudioPersonnel - Rich Hanson, Asst. Recording Engineer, StudioPersonnel - Ricky cobble, Asst. Recording Engineer, StudioPersonnel - JAMES STROUD, Producer - Toby Keith, Producer, MainArtist, ComposerLyricist
℗ 2001 SKG Music Nashville LLC/Dreamworks Records Nashville
Tim James, ComposerLyricist - Julian King, Mixer, Recording Engineer, StudioPersonnel - Rich Hanson, Asst. Recording Engineer, StudioPersonnel - Ricky cobble, Asst. Recording Engineer, StudioPersonnel - JAMES STROUD, Producer - Toby Keith, Producer, MainArtist - Rand Bishop, ComposerLyricist
℗ 2001 DreamWorks Records Nashville
Chuck Cannon, ComposerLyricist - Julian King, Mixer, Recording Engineer, StudioPersonnel - Rich Hanson, Asst. Recording Engineer, StudioPersonnel - Ricky cobble, Asst. Recording Engineer, StudioPersonnel - JAMES STROUD, Producer - Toby Keith, Producer, MainArtist, ComposerLyricist
℗ 2001 SKG Music Nashville LLC/Dreamworks Records Nashville
Bernie Taupin, ComposerLyricist - JOHN GUESS, Mixer, Recording Engineer, StudioPersonnel - JAMES STROUD, Producer - Eddie Bayers, Drums, AssociatedPerformer - Patrick Murphy, Asst. Recording Engineer, StudioPersonnel - Toby Keith, Producer, MainArtist, ComposerLyricist - Jason Lefan, Asst. Recording Engineer, StudioPersonnel
℗ 2001 DreamWorks Records Nashville
Approfondimenti
Toby Keith's first DreamWorks album, 1999's How Do You Like Me Now?!, unveiled a new persona -- one that didn't shy away from the ballads that helped bring him hits in the '90s but put them into the background, emphasizing his humor and his bravado to winning effect. And to success, too, as it became the album that truly turned him into a country star, thereby letting him dig into this new persona on its follow-up, 2001's Pull My Chain. In every regard, this is a bigger, better record than its predecessor, possessing a richer musicality and a more confident sense of humor. That humor may be most evident on its weakest track, the mocking macho white-rap "I Wanna Talk About Me" (written by Bobby Braddock, not Keith), but it's better heard on the album opener "I'm Just Talkin' About Tonight," a one-night stand anthem that's wry and clever, not obvious. That sly sense of craft has been evident in Keith's work since his debut but it truly comes to full fruition here, perhaps because of his new co-writer Scotty Emerick, who had only one credit on How Do You Like Me Now?! but five here, including "I'm Just Talkin' About Tonight," the mellow soul of "I Can't Take You Anywhere," the power ballad "You Leave Me Weak," the breezy '70s soft rock of "Tryin' to Matter" and the laid-back "Yesterday's Rain." These are the backbone of the record, but they don't dominate it, as Keith's collaborations with Chuck Cannon -- "The Sha La La Song," which is the opposite of the bluster of the title track, also written with Cannon -- a rocking cover of Dave Loggins' "Pick 'Em Up and Lay 'Em Down" and two collaborations with Elton John's lyricist Bernie Taupin (the ballad "You Didn't Have as Much to Lose" and the bonus track "Gimme Eight Seconds," which is pure arena rock country complete with guitars resurrected from the '80s) are equally as good. All these different co-writers and covers mean that Pull My Chain isn't quite coherent, but that's also part of its charm: with his new success, Keith is empowered to try a bit of everything, to sow his wild oats, and he does so in compelling fashion here.
© Stephen Thomas Erlewine /TiVo
A proposito dell'album
- 1 disco(i) - 13 traccia(e)
- Durata totale: 00:43:39
- Artisti principali: Toby Keith
- Compositore: Various Composers
- Etichetta: DreamWorks Nashville
- Genere: Blues/Country/Folk Country
© 2001 UMG Recordings, Inc. ℗ 2001 UMG Recordings, Inc.
Migliorare le informazioni sugli album
Perché acquistare su Qobuz
-
Ascolta la tua musica in streaming o download
Acquista un album o una singola traccia. Oppure ascolta il nostro intero catalogo con i nostri abbonamenti streaming illimitati di alta qualità.
-
Zero DRM
I file scaricati ti appartengono, senza limiti d’uso. Puoi scaricarli tutte le volte che vuoi.
-
Scegli il formato più adatto a te
Scarica i tuoi acquisti in un'ampia varietà di formati (FLAC, ALAC, WAV, AIF ...) a seconda delle tue esigenze.
-
Ascolta i tuoi acquisti sulle nostre app
Scarica le app Qobuz per smartphone, tablet e computer e ascolta i tuoi acquisti dappertutto.