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Lukas Geniušas - Prokofiev: Piano Sonata No. 2 & No. 5 - 10 Pieces, Op. 12

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Prokofiev: Piano Sonata No. 2 & No. 5 - 10 Pieces, Op. 12

Lukas Geniušas

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Through his “brilliance and maturity” (as described by The Guardian) the Russian-Lithuanian pianist Lukas Geniušas has established himself on the international scene as one of the most interesting artists of his generation. He has appeared in London's Wigmore Hall, Amsterdam's Concertgebouw, Milan's Salle Verdi, Moscow's Conservatory and Roque d'Anthéron, and with orchestras such as the Philharmonique de Radio France, the National de Lyon, the NHK of Tokyo, the Saint Petersburg Philharmonic, the Russian National Orchestra, the list goes on... He has chosen here a Prokofiev programme combining early works from his younger years (the Ten Pieces Op. 12 which is a junior work and yet so intimately prokofievian already!) with the work from his first stage of maturity (Second Sonata from 1912) and the work from his full maturity (the Fifth Sonata). Even better, this Fifth Sonata was written "for the first time" in 1923 after his time in Paris, then revised three decades later under the constraint, undoubtedly, of the infamous Jdanov decree which had accused the composer of all anti-Soviet evils, but also due to a very personal concern (he wanted to purify the piano gesture). In a way this work seems almost "Parisian" as it has so many similarities with Poulenc's style. © SM/Qobuz

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Prokofiev: Piano Sonata No. 2 & No. 5 - 10 Pieces, Op. 12

Lukas Geniušas

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Piano Sonata No. 2 Op. 14 (Sergei Prokofiev)

1
I. Allegro ma non troppo 00:06:37

Lukas Geniušas, Piano - Sergei Prokofiev, Composer

2
II. Scherzo. Allegro marcato 00:01:59

Lukas Geniušas, Piano - Sergei Prokofiev, Composer

3
III. Andante 00:05:25

Lukas Geniušas, Piano - Sergei Prokofiev, Composer

4
VI. Vivace 00:04:31

Lukas Geniušas, Piano - Sergei Prokofiev, Composer

Piano Sonata No. 5, Op. 38/135 (Sergei Prokofiev)

5
I. Allegro tranquillo 00:06:32

Lukas Geniušas, Piano - Sergei Prokofiev, Composer

6
II. Andantino 00:04:18

Lukas Geniušas, Piano - Sergei Prokofiev, Composer

7
III. Un poco allegretto 00:04:43

Lukas Geniušas, Piano - Sergei Prokofiev, Composer

10 Pieces for Piano, Op. 12 (Sergei Prokofiev)

8
I. March 00:01:45

Lukas Geniušas, Piano - Sergei Prokofiev, Composer

9
II. Gavotte 00:03:03

Lukas Geniušas, Piano - Sergei Prokofiev, Composer

10
III. Rigaudon 00:01:25

Lukas Geniušas, Piano - Sergei Prokofiev, Composer

11
IV. Mazurka 00:01:32

Lukas Geniušas, Piano - Sergei Prokofiev, Composer

12
V. Capriccio 00:03:33

Lukas Geniušas, Piano - Sergei Prokofiev, Composer

13
VI. Legenda 00:03:24

Lukas Geniušas, Piano - Sergei Prokofiev, Composer

14
VII. Prelude 00:02:08

Lukas Geniušas, Piano - Sergei Prokofiev, Composer

15
VIII. Allemande 00:03:45

Lukas Geniušas, Piano - Sergei Prokofiev, Composer

16
IX. Humorous Scherzo 00:02:16

Lukas Geniušas, Piano - Sergei Prokofiev, Composer

17
X. Scherzo 00:02:29

Lukas Geniušas, Piano - Sergei Prokofiev, Composer

Mirare Mirare

Descrizione dell'album

Through his “brilliance and maturity” (as described by The Guardian) the Russian-Lithuanian pianist Lukas Geniušas has established himself on the international scene as one of the most interesting artists of his generation. He has appeared in London's Wigmore Hall, Amsterdam's Concertgebouw, Milan's Salle Verdi, Moscow's Conservatory and Roque d'Anthéron, and with orchestras such as the Philharmonique de Radio France, the National de Lyon, the NHK of Tokyo, the Saint Petersburg Philharmonic, the Russian National Orchestra, the list goes on... He has chosen here a Prokofiev programme combining early works from his younger years (the Ten Pieces Op. 12 which is a junior work and yet so intimately prokofievian already!) with the work from his first stage of maturity (Second Sonata from 1912) and the work from his full maturity (the Fifth Sonata). Even better, this Fifth Sonata was written "for the first time" in 1923 after his time in Paris, then revised three decades later under the constraint, undoubtedly, of the infamous Jdanov decree which had accused the composer of all anti-Soviet evils, but also due to a very personal concern (he wanted to purify the piano gesture). In a way this work seems almost "Parisian" as it has so many similarities with Poulenc's style. © SM/Qobuz

Dettagli della registrazione originale : Recorded May 2018, Gustav-Mahler-Saal, Toblach/Dobbiaco (Italie)

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