Streaming illimitato
Ascolta subito questo album in alta qualità sulle nostre app
Inizia il mio periodo di prova e riproduci l'albumGoditi questo album sulle app Qobuz con il tuo abbonamento
AbbonatiGoditi questo album sulle app Qobuz con il tuo abbonamento
Download digitale
Acquista e scarica questo album in più formati, secondo le tue esigenze.
Longtime bandmates in the expansive Third World Love quartet, Israeli-born duo trumpeter Avishai Cohen and pianist Yonathan Avishai display their vibrantly empathetic interplay on their 2019 ECM album Playing the Room. In many ways, the album is a continuation of the work the pair did on Cohen's 2016's ECM debut, Into the Silence, and 2017 follow-up Cross My Palm with Silver. As with those works, Playing the Room is an intensely lyrical album that finds the duo in thoughtful harmonic conversation. There's a symbiotic, teeter-totter-esque balance to Cohen's and Avishai's playing that goes far beyond their first name/last name connection. They clearly listen to each other, and play off each other's lines with a warm, almost intuitive empathy. They start things off slowly with Cohen's aptly titled "The Opening," a yearning ballad that evokes the classic standard "My One and Only Love." Similarly engaging, Avishai's rhapsodic "Two Lines" moves from focused, classical introspection to a buoyant mid-section in which Cohen dances with glassy elan over Avishai's ringing chords. There are also several deftly rendered covers here, including a heartfelt reading of John Coltrane's "Crescent," an urbane, Harmon-muted version of Duke Ellington's "Azalea," and a spritely take of Ornette Coleman's "Dee Dee." Also surprisingly affecting is the duo's delicately ornate reworking of Stevie Wonder's "Sir Duke." No less affecting is their burnished rendition of the Israeli lullaby "Shir Eres." While Playing the Room fits nicely into the atmospheric and gentle ECM aesthetic, it's never cold or too spare. These are colorful, organic performances that move between ruminative balladry and moments of bright, swinging exuberance.
© Matt Collar /TiVo
Al momento stai ascoltando degli estratti.
Ascolta oltre 100 milioni di brani con un abbonamento streaming illimitato.
Ascolta questa playlist e più di 100 milioni di brani con i nostri abbonamenti di streaming illimitato
A partire da 12,49€/mese
Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer - Yonathan Avishai, Piano, MainArtist, AssociatedPerformer - Stefano Amerio, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Composer, Trumpet, MainArtist, AssociatedPerformer
℗ 2019 ECM Records GmbH
Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer - Yonathan Avishai, Composer, Piano, MainArtist, AssociatedPerformer - Stefano Amerio, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Trumpet, MainArtist, AssociatedPerformer
℗ 2019 ECM Records GmbH
John Coltrane, Composer - Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer - Yonathan Avishai, Piano, MainArtist, AssociatedPerformer - Stefano Amerio, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Trumpet, MainArtist, AssociatedPerformer
℗ 2019 ECM Records GmbH
Duke Ellington, ComposerLyricist - Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer - Yonathan Avishai, Piano, MainArtist, AssociatedPerformer - Stefano Amerio, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Trumpet, MainArtist, AssociatedPerformer
℗ 2019 ECM Records GmbH
ABDULLAH IBRAHIM, Composer - Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer - Yonathan Avishai, Piano, MainArtist, AssociatedPerformer - Stefano Amerio, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Trumpet, MainArtist, AssociatedPerformer
℗ 2019 ECM Records GmbH
Ornette Coleman, Composer - Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer - Yonathan Avishai, Piano, MainArtist, AssociatedPerformer - Stefano Amerio, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Trumpet, MainArtist, AssociatedPerformer
℗ 2019 ECM Records GmbH
Milt Jackson, ComposerLyricist - Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer - Yonathan Avishai, Piano, MainArtist, AssociatedPerformer - Stefano Amerio, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Trumpet, MainArtist, AssociatedPerformer
℗ 2019 ECM Records GmbH
Stevie Wonder, Composer - Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer - Yonathan Avishai, Piano, MainArtist, AssociatedPerformer - Stefano Amerio, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Trumpet, MainArtist, AssociatedPerformer
℗ 2019 ECM Records GmbH
Christoph Stickel, Mastering Engineer, StudioPersonnel - Manfred Eicher, Producer - Yonathan Avishai, Piano, MainArtist, AssociatedPerformer - Nathan Alterman, Author - Stefano Amerio, Mixer, Recording Engineer, StudioPersonnel - Alexander Argov, Composer - Avishai Cohen, Trumpet, MainArtist, AssociatedPerformer
℗ 2019 ECM Records GmbH
Approfondimenti
Longtime bandmates in the expansive Third World Love quartet, Israeli-born duo trumpeter Avishai Cohen and pianist Yonathan Avishai display their vibrantly empathetic interplay on their 2019 ECM album Playing the Room. In many ways, the album is a continuation of the work the pair did on Cohen's 2016's ECM debut, Into the Silence, and 2017 follow-up Cross My Palm with Silver. As with those works, Playing the Room is an intensely lyrical album that finds the duo in thoughtful harmonic conversation. There's a symbiotic, teeter-totter-esque balance to Cohen's and Avishai's playing that goes far beyond their first name/last name connection. They clearly listen to each other, and play off each other's lines with a warm, almost intuitive empathy. They start things off slowly with Cohen's aptly titled "The Opening," a yearning ballad that evokes the classic standard "My One and Only Love." Similarly engaging, Avishai's rhapsodic "Two Lines" moves from focused, classical introspection to a buoyant mid-section in which Cohen dances with glassy elan over Avishai's ringing chords. There are also several deftly rendered covers here, including a heartfelt reading of John Coltrane's "Crescent," an urbane, Harmon-muted version of Duke Ellington's "Azalea," and a spritely take of Ornette Coleman's "Dee Dee." Also surprisingly affecting is the duo's delicately ornate reworking of Stevie Wonder's "Sir Duke." No less affecting is their burnished rendition of the Israeli lullaby "Shir Eres." While Playing the Room fits nicely into the atmospheric and gentle ECM aesthetic, it's never cold or too spare. These are colorful, organic performances that move between ruminative balladry and moments of bright, swinging exuberance.
© Matt Collar /TiVo
A proposito dell'album
- 1 disco(i) - 9 traccia(e)
- Durata totale: 00:45:52
- 1 Libretto digitale
- Artisti principali: Avishai Cohen Yonathan Avishai
- Compositore: Various Composers
- Etichetta: ECM Records
- Genere: Jazz
© 2019 ECM Records GmbH ℗ 2019 ECM Records GmbH
Migliorare le informazioni sugli album
Perché acquistare su Qobuz
-
Ascolta la tua musica in streaming o download
Acquista un album o una singola traccia. Oppure ascolta il nostro intero catalogo con i nostri abbonamenti streaming illimitati di alta qualità.
-
Zero DRM
I file scaricati ti appartengono, senza limiti d’uso. Puoi scaricarli tutte le volte che vuoi.
-
Scegli il formato più adatto a te
Scarica i tuoi acquisti in un'ampia varietà di formati (FLAC, ALAC, WAV, AIF ...) a seconda delle tue esigenze.
-
Ascolta i tuoi acquisti sulle nostre app
Scarica le app Qobuz per smartphone, tablet e computer e ascolta i tuoi acquisti dappertutto.