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Moscow Symphony Orchestra - Pilati: Orchestral Works

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Pilati: Orchestral Works

Adriano, Moscow Symphony Orchestra

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Born in 1944 in Zurich and known only by his first name, Adriano was heavily influenced by the style and choreography of masters such as Joseph Keilberth and Ernest Ansermet. He fully dedicated himself to conducting having studied architecture, the dramatic arts and having gained some experience as an actor and an avant-garde writer during the 1970s. Adriano specifically dedicated himself to several recordings of film music composed by Bernard Herrmann and Arthur Honegger, to name the best-known of them. He also participated as a technician for the remastering of some historic recordings of Toscanini and Furtwängler.
The Neapolitan composer Mario Pilati is one of a rare breed of Italian composers who exclusively composed instrumental music. Dying in 1938 at only 35 years old, he left us symphonic works, chamber music and pieces for the piano. A professor of counterpoint in Naples, he also taught composition in Palermo after teaching in Milan as well. His opus began to emerge in the 1930s, particularly at the Venice Biennale under the direction of Dmitri Mitropoulos, before slowly fading into obscurity after his death.
It is thanks to Adriano’s efforts since 2001 that his music is being rediscovered… and played. This album is the result of a long-winded project aiming to record Pilati’s complete orchestral works for the label Naxos. His music appears to reinterpret folkloric and traditional music, subscribing to a resolutely neo-classical and neo-romantic style, a far cry from the research of musical novelty, a radical position which, for a long time, would have ostracised those who pursued it. © François Hudry

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Pilati: Orchestral Works

Moscow Symphony Orchestra

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Preludio, aria e tarantella "On Old Neapolitan Folk Tunes" (Mario Pilati)

1
I. Preludio
Moscow Symphony Orchestra
00:04:15

Adriano, Conductor - Moscow Symphony Orchestra, Orchestra, MainArtist - Mario Pilati, Composer

(C) 2020 Naxos (P) 2020 Naxos

2
II. Aria
Moscow Symphony Orchestra
00:04:42

Adriano, Conductor - Moscow Symphony Orchestra, Orchestra, MainArtist - Mario Pilati, Composer

(C) 2020 Naxos (P) 2020 Naxos

3
III. Tarantella. Allegro vivace
Moscow Symphony Orchestra
00:06:20

Adriano, Conductor - Moscow Symphony Orchestra, Orchestra, MainArtist - Mario Pilati, Composer

(C) 2020 Naxos (P) 2020 Naxos

4 Italian Folk Songs (Mario Pilati)

4
No. 1, Canzone a ballo
Vadim Davydov
00:01:29

Adriano, Conductor - Moscow Symphony Orchestra, Orchestra - Mario Pilati, Composer - Vadim Davydov, Artist, MainArtist - Aleksandr Kosolov, Artist

(C) 2020 Naxos (P) 2020 Naxos

5
No. 2, Filastrocca con variazioni
Vadim Davydov
00:02:40

Adriano, Conductor - Moscow Symphony Orchestra, Orchestra - Mario Pilati, Composer - Vadim Davydov, Artist, MainArtist - Aleksandr Kosolov, Artist

(C) 2020 Naxos (P) 2020 Naxos

6
No. 3, Ritorno dalla mietitura
Vadim Davydov
00:02:57

Adriano, Conductor - Moscow Symphony Orchestra, Orchestra - Mario Pilati, Composer - Vadim Davydov, Artist, MainArtist - Aleksandr Kosolov, Artist

(C) 2020 Naxos (P) 2020 Naxos

7
No. 4, L'addio
Vadim Davydov
00:02:00

Adriano, Conductor - Moscow Symphony Orchestra, Orchestra - Mario Pilati, Composer - Vadim Davydov, Artist, MainArtist - Aleksandr Kosolov, Artist

(C) 2020 Naxos (P) 2020 Naxos

Bagatelles for Chamber Orchestra (Mario Pilati)

8
No. 1, Marcia
Moscow Symphony Orchestra
00:03:20

Adriano, Conductor - Moscow Symphony Orchestra, Orchestra, MainArtist - Mario Pilati, Composer

(C) 2020 Naxos (P) 2020 Naxos

9
No. 2, Ninna nanna
Aleksandr Posikera
00:03:22

Adriano, Conductor - Moscow Symphony Orchestra, Orchestra - Mario Pilati, Composer - Ellena Alekseyeva, Artist - Aleksandr Posikera, Artist, MainArtist

(C) 2020 Naxos (P) 2020 Naxos

10
No. 3, Duetto. Contrasto rusticano
Aleksandr Posikera
00:04:54

Adriano, Conductor - Moscow Symphony Orchestra, Orchestra - Mario Pilati, Composer - Ellena Alekseyeva, Artist - Aleksandr Posikera, Artist, MainArtist

(C) 2020 Naxos (P) 2020 Naxos

11
No. 4, Rondò–Valzer
Ellena Alekseyeva
00:04:39

Adriano, Conductor - Moscow Symphony Orchestra, Orchestra - Mario Pilati, Composer - Ellena Alekseyeva, Artist, MainArtist

(C) 2020 Naxos (P) 2020 Naxos

12
No. 5, Fine
Aleksandr Posikera
00:01:23

Adriano, Conductor - Moscow Symphony Orchestra, Orchestra - Mario Pilati, Composer - Ellena Alekseyeva, Artist - Aleksandr Posikera, Artist, MainArtist

(C) 2020 Naxos (P) 2020 Naxos

Divertimento for Brass Ensemble (Mario Pilati)

13
I. Marcia
Moscow Symphony Orchestra
00:01:50

Adriano, Conductor - Moscow Symphony Orchestra, Ensemble, MainArtist - Mario Pilati, Composer

(C) 2020 Naxos (P) 2020 Naxos

14
II. Romanza
Moscow Symphony Orchestra
00:03:05

Adriano, Conductor - Moscow Symphony Orchestra, Ensemble, MainArtist - Mario Pilati, Composer

(C) 2020 Naxos (P) 2020 Naxos

15
III. Mazurka
Moscow Symphony Orchestra
00:03:43

Adriano, Conductor - Moscow Symphony Orchestra, Ensemble, MainArtist - Mario Pilati, Composer

(C) 2020 Naxos (P) 2020 Naxos

16
IV. Fanfara
Moscow Symphony Orchestra
00:01:54

Adriano, Conductor - Moscow Symphony Orchestra, Ensemble, MainArtist - Mario Pilati, Composer

(C) 2020 Naxos (P) 2020 Naxos

Descrizione dell'album

Born in 1944 in Zurich and known only by his first name, Adriano was heavily influenced by the style and choreography of masters such as Joseph Keilberth and Ernest Ansermet. He fully dedicated himself to conducting having studied architecture, the dramatic arts and having gained some experience as an actor and an avant-garde writer during the 1970s. Adriano specifically dedicated himself to several recordings of film music composed by Bernard Herrmann and Arthur Honegger, to name the best-known of them. He also participated as a technician for the remastering of some historic recordings of Toscanini and Furtwängler.
The Neapolitan composer Mario Pilati is one of a rare breed of Italian composers who exclusively composed instrumental music. Dying in 1938 at only 35 years old, he left us symphonic works, chamber music and pieces for the piano. A professor of counterpoint in Naples, he also taught composition in Palermo after teaching in Milan as well. His opus began to emerge in the 1930s, particularly at the Venice Biennale under the direction of Dmitri Mitropoulos, before slowly fading into obscurity after his death.
It is thanks to Adriano’s efforts since 2001 that his music is being rediscovered… and played. This album is the result of a long-winded project aiming to record Pilati’s complete orchestral works for the label Naxos. His music appears to reinterpret folkloric and traditional music, subscribing to a resolutely neo-classical and neo-romantic style, a far cry from the research of musical novelty, a radical position which, for a long time, would have ostracised those who pursued it. © François Hudry

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