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The Streets|Original Pirate Material

Original Pirate Material

The Streets

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When Streets tracks first appeared in DJ sets and on garage mix albums circa 2000, they made for an interesting change of pace; instead of hyper-speed ragga chatting or candy-coated divas (or both), listeners heard banging tracks hosted by a strangely conversational bloke with a mock cockney accent and a half-singing, half-rapping delivery. It was Mike Skinner, producer and MC, the half-clued-up, half-clueless voice behind club hits "Has It Come to This?" and "Let's Push Things Forward." Facing an entire full-length of Streets tracks hardly sounded like a pleasant prospect, but Skinner's debut, Original Pirate Material, is an excellent listen -- much better than the heavy-handed hype would make you think. Unlike most garage LPs, it's certainly not a substitute for a night out; it's more a statement on modern-day British youth, complete with all the references to Playstations, Indian takeaway, and copious amounts of cannabis you'd expect. Skinner also has a refreshing way of writing songs, not tracks, that immediately distinguishes him from most in the garage scene. True, describing his delivery as rapping would be giving an undeserved compliment (you surely wouldn't hear any American rappers dropping bombs like this line: "I wholeheartedly agree with your viewpoint"). Still, nearly every song here succeeds wildly, first place (after the hits) going to "The Irony of It All," on which Skinner and a stereotypical British lout go back and forth "debating" the merits of weed and lager, respectively (Skinner's meek, agreeable commentary increasingly, and hilariously, causes "Terry" to go off the edge). The production is also excellent; "Let's Push Things Forward" is all lurching ragga flow, with a one-note organ line and drunken trumpets barely pushing the chorus forward. "Sharp Darts" and "Too Much Brandy" have short, brutal tech lines driving them, and really don't need any more for maximum impact. Though club-phobic listeners may find it difficult placing Skinner as just the latest dot along a line connecting quintessentially British musicians/humorists/social critics Nöel Coward, the Kinks, Ian Dury, the Jam, the Specials, and Happy Mondays, Original Pirate Material is a rare garage album: that is, one with a shelf life beyond six months.

© John Bush /TiVo

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Original Pirate Material

The Streets

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1
Turn the Page (Album Version)
00:03:15

Mike Skinner, Producer, Mixer, Arranger, Writer - The Streets, MainArtist

© 2002 Pure Groove Ltd trading as Locked On ℗ 2001 Pure Groove Ltd trading as Locked On

2
Has It Come to This? (Original Mix)
00:04:03

Moore, Composer - Matt Robertson, Keyboards - Mike Skinner, Composer, Producer, Mixer - Ford, Composer - The Streets, MainArtist - European Bob, Composer

© 2002 Pure Groove Ltd trading as Locked On ℗ 2001 Pure Groove Ltd trading as Locked On

3
Let's Push Things Forward (Album Version) Explicit
00:03:50

Mike Skinner, Composer, Producer, Mixer, Arranger - The Streets, MainArtist - Kevin Mark Trail, Vocals

© 2002 Pure Groove Ltd trading as Locked On ℗ 2001 Pure Groove Ltd trading as Locked On

4
Sharp Darts (Album Version) Explicit
00:01:33

Mike Skinner, Producer, Mixer, Arranger, Writer - The Streets, MainArtist

© 2002 Pure Groove Ltd trading as Locked On ℗ 2001 Pure Groove Ltd trading as Locked On

5
Same Old Thing (Album Version)
00:03:22

Mike Skinner, Producer, Mixer, Arranger, Writer - The Streets, MainArtist - Kevin Mark Trail, Vocals

© 2002 Pure Groove Ltd trading as Locked On ℗ 2001 Pure Groove Ltd trading as Locked On

6
Geezers Need Excitement Explicit
00:03:45

Mike Skinner, Composer, Producer, Mixer, Arranger - The Streets, MainArtist

© 2002 Pure Groove Ltd trading as Locked On ℗ 2001 Pure Groove Ltd trading as Locked On

7
It's Too Late (Album Version)
00:04:11

Mike Skinner, Composer, Producer, Mixer, Arranger - The Streets, MainArtist - Jacqueline Rawe, Vocals

© 2002 Pure Groove Ltd trading as Locked On ℗ 2001 Pure Groove Ltd trading as Locked On

8
Too Much Brandy (Album Version) Explicit
00:03:01

Mike Skinner, Composer, Producer, Mixer, Arranger - The Streets, MainArtist

© 2002 Pure Groove Ltd trading as Locked On ℗ 2001 Pure Groove Ltd trading as Locked On

9
Don't Mug Yourself (Album Version) Explicit
00:02:38

Mike Skinner, Composer, Producer, Mixer, Arranger, Writer - The Streets, MainArtist - Calvin Bailey, Additional Vocals, Writer

© 2002 Pure Groove Ltd trading as Locked On ℗ 2001 Pure Groove Ltd trading as Locked On

10
Who Got the Funk? (Album Version)
00:01:50

Mike Skinner, Producer, Mixer, Arranger, Writer - The Streets, MainArtist

© 2002 Pure Groove Ltd trading as Locked On ℗ 2001 Pure Groove Ltd trading as Locked On

11
The Irony of It All (Album Version)
00:03:29

Mike Skinner, Producer, Mixer, Arranger, Writer - The Streets, MainArtist

© 2002 Pure Groove Ltd trading as Locked On ℗ 2001 Pure Groove Ltd trading as Locked On

12
Weak Become Heroes (Album Version)
00:05:33

Mike Skinner, Producer, Mixer, Arranger, Writer - The Streets, MainArtist

© 2002 Pure Groove Ltd trading as Locked On ℗ 2001 Pure Groove Ltd trading as Locked On

13
Who Dares Wins (Album Version) Explicit
00:00:34

Mike Skinner, Producer, Mixer, Arranger, Writer - The Streets, MainArtist

© 2002 Pure Groove Ltd trading as Locked On ℗ 2001 Pure Groove Ltd trading as Locked On

14
Stay Positive (Album Version) Explicit
00:06:16

Mike Skinner, Producer, Mixer, Arranger, Writer - The Streets, MainArtist

© 2002 Pure Groove Ltd trading as Locked On ℗ 2001 Pure Groove Ltd trading as Locked On

Approfondimenti

When Streets tracks first appeared in DJ sets and on garage mix albums circa 2000, they made for an interesting change of pace; instead of hyper-speed ragga chatting or candy-coated divas (or both), listeners heard banging tracks hosted by a strangely conversational bloke with a mock cockney accent and a half-singing, half-rapping delivery. It was Mike Skinner, producer and MC, the half-clued-up, half-clueless voice behind club hits "Has It Come to This?" and "Let's Push Things Forward." Facing an entire full-length of Streets tracks hardly sounded like a pleasant prospect, but Skinner's debut, Original Pirate Material, is an excellent listen -- much better than the heavy-handed hype would make you think. Unlike most garage LPs, it's certainly not a substitute for a night out; it's more a statement on modern-day British youth, complete with all the references to Playstations, Indian takeaway, and copious amounts of cannabis you'd expect. Skinner also has a refreshing way of writing songs, not tracks, that immediately distinguishes him from most in the garage scene. True, describing his delivery as rapping would be giving an undeserved compliment (you surely wouldn't hear any American rappers dropping bombs like this line: "I wholeheartedly agree with your viewpoint"). Still, nearly every song here succeeds wildly, first place (after the hits) going to "The Irony of It All," on which Skinner and a stereotypical British lout go back and forth "debating" the merits of weed and lager, respectively (Skinner's meek, agreeable commentary increasingly, and hilariously, causes "Terry" to go off the edge). The production is also excellent; "Let's Push Things Forward" is all lurching ragga flow, with a one-note organ line and drunken trumpets barely pushing the chorus forward. "Sharp Darts" and "Too Much Brandy" have short, brutal tech lines driving them, and really don't need any more for maximum impact. Though club-phobic listeners may find it difficult placing Skinner as just the latest dot along a line connecting quintessentially British musicians/humorists/social critics Nöel Coward, the Kinks, Ian Dury, the Jam, the Specials, and Happy Mondays, Original Pirate Material is a rare garage album: that is, one with a shelf life beyond six months.

© John Bush /TiVo

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