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Lana Del Rey - Norman Fucking Rockwell!

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Norman Fucking Rockwell!

Lana Del Rey

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La sua voce sensuale è irresistibile. Elizabeth Grant, in arte Lana Del Rey, potrebbe cantare il manuale di istruzioni di un frigorifero senza perdere la nostra attenzione. Anche quando invita il mondo intero ad unirsi a lei (A$AP Rocky, The Weeknd, Stevie Nicks e Sean Lennon tutti presenti in Lust For Life, il suo album pubblicato nel 2017), vive nel suo piccolo mondo in cui il tempo scorre lentamente e la malinconia regna sovrana. Fare musica è il suo modo di parlare della sua epoca, dei suoi contemporanei, del sogno americano e, per quanto ne sappiamo, di sé stessa... Con il suo titolo oltraggioso, la copertina stilizzata dell’album (con Duke Nicholson, nipote di Jack Nicholson, a bordo di una barca che salpa da una costa in fiamme) e i suoi ritmi particolarmente lenti, Norman Fucking Rockwell! è in gran parte radicato nel folk. Del Rey si aggira per questo fantastico paesaggio sonoro, più malinconico ed evanescente che mai. Ha collaborato da vicino con Jack Antonoff in questo album (un produttore ricercato da pop star come Taylor Swift, St. Vincent, Lorde, Carly Rae Jepsen e Pink) e il produttore ha modellato la sua malinconia con sobrietà e lucidità ben dosate. I ritmi lenti di questo bellissimo lavoro offrono una gradita pausa dalle turbolenze quotidiane. Una delle tracce che spicca è la cover di Sublime’s Doin ‘Time (1996), come una nuova interpretazione di Summertime di Gershwin, che offre un’ulteriore prova dell’originalità di Lana Del Rey, qualcosa di molto più complesso di quanto alcuni vorrebbero farci credere. © Marc Zisman / Qobuz

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Norman Fucking Rockwell!

Lana Del Rey

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1
Norman fucking Rockwell 00:04:08

Chris Gehringer, Mastering Engineer, StudioPersonnel - Will Quinnell, Assistant Mastering Engineer, StudioPersonnel - Laura Sisk, Mixer, Recording Engineer, StudioPersonnel - Lana Del Rey, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Mixer, Keyboards, Piano, Recording Engineer, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Phillip Peterson, Cello, Flugelhorn, Baritone, AssociatedPerformer - Victoria Parker, Violin, AssociatedPerformer - Evan Smith, Saxophone, AssociatedPerformer

A Polydor Records Recording / An Interscope Records Recording in the USA; ℗ 2019 Lana Del Rey, under exclusive licence to Universal Music Operations Limited

2
Mariners Apartment Complex 00:04:05

John Hanes, Mix Engineer, StudioPersonnel - Chris Gehringer, Mastering Engineer, StudioPersonnel - Serban Ghenea, Mixer, StudioPersonnel - Will Quinnell, Mastering Engineer, StudioPersonnel - Laura Sisk, Engineer, Programmer, StudioPersonnel - Lana Del Rey, Producer, Vocals, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Drums, Acoustic Guitar, Electric Guitar, Piano, Programmer, Synthesizer, AssociatedPerformer, ComposerLyricist

A Polydor Records Recording / An Interscope Records Recording in the USA; ℗ 2018 Lana Del Rey, under exclusive license to Polydor Ltd. (UK), under exclusive license to Interscope Records in the USA.

3
Venice Bitch 00:09:37

Chris Gehringer, Mastering Engineer, StudioPersonnel - Will Quinnell, Mastering Engineer, StudioPersonnel - Laura Sisk, Mixer, Engineer, StudioPersonnel - Lana Del Rey, Producer, Vocals, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Mixer, Drums, Acoustic Guitar, Electric Guitar, Piano, Programmer, Synthesizer, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Greg Eliason, Asst. Recording Engineer, StudioPersonnel - Derrick Stockwell, Asst. Recording Engineer, StudioPersonnel

A Polydor Records Recording / An Interscope Records Recording in the USA; ℗ 2018 Lana Del Rey, under exclusive license to Polydor Ltd. (UK), under exclusive license to Interscope Records in the USA.

4
Fuck it I love you 00:03:38

Chris Gehringer, Mastering Engineer, StudioPersonnel - Will Quinnell, Assistant Mastering Engineer, StudioPersonnel - Paul Lamalfa, Engineer, StudioPersonnel - Laura Sisk, Mixer, Recording Engineer, StudioPersonnel - John Rooney, Asst. Recording Engineer, StudioPersonnel - Lana Del Rey, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Mixer, Drums, Acoustic Guitar, Electric Guitar, Keyboards, Piano, Recording Engineer, Programming, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Andrew Watt, Producer - Louis Bell, Producer, ComposerLyricist - Ben Fletcher, Asst. Recording Engineer, StudioPersonnel - Andrew Wotman, ComposerLyricist - Mikey Freedom Hart, Keyboards, AssociatedPerformer - Billy Cumella, Asst. Recording Engineer, StudioPersonnel

A Polydor Records Recording / An Interscope Records Recording in the USA; ℗ 2019 Lana Del Rey, under exclusive licence to Universal Music Operations Limited

5
Doin' Time 00:03:20

Happy Perez, Producer - Rick Rubin, ComposerLyricist - Adam Nathaniel Yauch, ComposerLyricist - Josh Freese, Drums, AssociatedPerformer - George Gershwin, ComposerLyricist - Ira Gershwin, ComposerLyricist - Dorothy Heyward, ComposerLyricist - Dubose Heyward, ComposerLyricist - Dave Kutch, Mastering Engineer, StudioPersonnel - Paul Lamalfa, Mixer, Recording Engineer, Mix Engineer, StudioPersonnel - Adam Keefe Horovitz, ComposerLyricist - Bud Gaugh, Drums, AssociatedPerformer - Eric Wilson, Bass Guitar, AssociatedPerformer - Lana Del Rey, Vocals, MainArtist, AssociatedPerformer - Andrew Watt, Producer, Mixer, Guitar, Programmer, Recording Arranger, AssociatedPerformer, StudioPersonnel - Bradley James Nowell, ComposerLyricist - Marshall Raymond Goodman, ComposerLyricist - Gale Levant, Harp, AssociatedPerformer

A Polydor Records Recording / An Interscope Records Recording In The USA; ℗ 2019 Lana Del Rey, under exclusive licence to Polydor Records a division of Universal Music Operations Limited

6
Love song 00:03:47

Chris Gehringer, Mastering Engineer, StudioPersonnel - Will Quinnell, Assistant Mastering Engineer, StudioPersonnel - Laura Sisk, Mixer, Recording Engineer, StudioPersonnel - Lana Del Rey, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Mixer, Electric Guitar, Keyboards, Piano, Recording Engineer, Programming, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Phillip Peterson, Cello, AssociatedPerformer - Victoria Parker, Violin, AssociatedPerformer

A Polydor Records Recording / An Interscope Records Recording in the USA; ℗ 2019 Lana Del Rey, under exclusive licence to Universal Music Operations Limited

7
Cinnamon Girl 00:04:59

Chris Gehringer, Mastering Engineer, StudioPersonnel - Will Quinnell, Assistant Mastering Engineer, StudioPersonnel - Laura Sisk, Mixer, Recording Engineer, StudioPersonnel - Lana Del Rey, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Mixer, Guitar, Keyboards, Piano, Recording Engineer, Programming, AssociatedPerformer, StudioPersonnel, ComposerLyricist

A Polydor Records Recording / An Interscope Records Recording in the USA; ℗ 2019 Lana Del Rey, under exclusive licence to Universal Music Operations Limited

8
How to disappear 00:03:46

Chris Gehringer, Mastering Engineer, StudioPersonnel - Will Quinnell, Assistant Mastering Engineer, StudioPersonnel - Laura Sisk, Mixer, Recording Engineer, StudioPersonnel - Lana Del Rey, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Mixer, Drums, Acoustic Guitar, Electric Guitar, Keyboards, Percussion, Piano, Vibraphone, Recording Engineer, Programming, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Tate McDowell, Asst. Recording Engineer, StudioPersonnel

A Polydor Records Recording / An Interscope Records Recording in the USA; ℗ 2019 Lana Del Rey, under exclusive licence to Universal Music Operations Limited

9
California 00:05:05

Benji Lysaght, Guitar, AssociatedPerformer - Adam Ayan, Mastering Engineer, StudioPersonnel - Kieron Menzies, Engineer, Synthesizer, Mellotron, AssociatedPerformer, StudioPersonnel - Dean Reid, Engineer, Bass Guitar, AssociatedPerformer, StudioPersonnel - Zachary Dawes, Producer, Piano, AssociatedPerformer - Laura Sisk, Mixer, StudioPersonnel - Lana Del Rey, Producer, Additional Producer, Vocals, Synthesizer Programming, MainArtist, AssociatedPerformer, ComposerLyricist - Jack Antonoff, Mixer, StudioPersonnel - John Congleton, Engineer, StudioPersonnel - Darren Weiss, Drums, AssociatedPerformer - Tyler Parkford, Hammond B3, AssociatedPerformer - Evan Weiss, Guitar, AssociatedPerformer - Loren Humphrey, Drums, AssociatedPerformer - Nicolas Jodoin, Asst. Recording Engineer, StudioPersonnel - Travis Pavur, Asst. Recording Engineer, StudioPersonnel - Zachary Edwin Dawes, ComposerLyricist

A Polydor Records Recording / An Interscope Records Recording in the USA; ℗ 2019 Lana Del Rey, under exclusive licence to Universal Music Operations Limited

10
The Next Best American Record 00:05:48

Zac Rae, Keyboards, AssociatedPerformer - Chris Gehringer, Mastering Engineer, StudioPersonnel - David Levita, Electric Guitar, AssociatedPerformer - Rick Nowels, Producer, Acoustic Guitar, Piano, AssociatedPerformer, ComposerLyricist - Kieron Menzies, Producer, Mixer, Drums, Engineer, Programmer, Sound Effects, AssociatedPerformer, StudioPersonnel - Dean Reid, Producer, Mixer, Engineer, Electric Guitar, Keyboards, Programmer, Sound Effects, AssociatedPerformer, StudioPersonnel - Lana Del Rey, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Mighty Mike, Producer, Drums, Additional Producer, Programmer, AssociatedPerformer - Trevor Yasuda, Engineer, StudioPersonnel - Chris Rockwell, Asst. Recording Engineer, StudioPersonnel - John Christopher Fee, Asst. Recording Engineer, StudioPersonnel

A Polydor Records Recording / An Interscope Records Recording in the USA; ℗ 2019 Lana Del Rey, under exclusive licence to Universal Music Operations Limited

11
The greatest 00:04:59

Chris Gehringer, Mastering Engineer, StudioPersonnel - Will Quinnell, Assistant Mastering Engineer, StudioPersonnel - Laura Sisk, Mixer, Recording Engineer, StudioPersonnel - Lana Del Rey, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Mixer, Drums, Acoustic Guitar, Electric Guitar, Keyboards, Piano, Recording Engineer, Programming, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Phillip Peterson, Cello, AssociatedPerformer - Victoria Parker, Violin, AssociatedPerformer - Tate McDowell, Asst. Recording Engineer, StudioPersonnel - Evan Smith, Flute, Saxophones, AssociatedPerformer

A Polydor Records Recording / An Interscope Records Recording in the USA; ℗ 2019 Lana Del Rey, under exclusive licence to Universal Music Operations Limited

12
Bartender 00:04:21

Chris Gehringer, Mastering Engineer, StudioPersonnel - Rick Nowels, Producer, Piano, AssociatedPerformer, ComposerLyricist - Kieron Menzies, Mixer, Recording Engineer, StudioPersonnel - Dean Reid, Mixer, StudioPersonnel - Lana Del Rey, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

A Polydor Records Recording / An Interscope Records Recording in the USA; ℗ 2019 Lana Del Rey, under exclusive licence to Universal Music Operations Limited

13
Happiness is a butterfly 00:04:31

Chris Gehringer, Mastering Engineer, StudioPersonnel - Will Quinnell, Assistant Mastering Engineer, StudioPersonnel - Rick, ComposerLyricist - Rick Nowels, Producer, Additional Producer - Laura Sisk, Mixer, Recording Engineer, StudioPersonnel - Lana Del Rey, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Mixer, Guitar, Keyboards, Piano, Recording Engineer, Programming, AssociatedPerformer, StudioPersonnel, ComposerLyricist

A Polydor Records Recording / An Interscope Records Recording in the USA; ℗ 2019 Lana Del Rey, under exclusive licence to Universal Music Operations Limited

14
hope is a dangerous thing for a woman like me to have - but I have it 00:05:24

Chris Gehringer, Mastering Engineer, StudioPersonnel - Laura Sisk, Mixer, Engineer, StudioPersonnel - Lana Del Rey, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Jack Antonoff, Producer, ComposerLyricist

℗ 2019 Lana Del Rey, under exclusive license to Polydor Ltd. (UK), under exclusive license to Interscope Records in the USA.

Descrizione dell'album

La sua voce sensuale è irresistibile. Elizabeth Grant, in arte Lana Del Rey, potrebbe cantare il manuale di istruzioni di un frigorifero senza perdere la nostra attenzione. Anche quando invita il mondo intero ad unirsi a lei (A$AP Rocky, The Weeknd, Stevie Nicks e Sean Lennon tutti presenti in Lust For Life, il suo album pubblicato nel 2017), vive nel suo piccolo mondo in cui il tempo scorre lentamente e la malinconia regna sovrana. Fare musica è il suo modo di parlare della sua epoca, dei suoi contemporanei, del sogno americano e, per quanto ne sappiamo, di sé stessa... Con il suo titolo oltraggioso, la copertina stilizzata dell’album (con Duke Nicholson, nipote di Jack Nicholson, a bordo di una barca che salpa da una costa in fiamme) e i suoi ritmi particolarmente lenti, Norman Fucking Rockwell! è in gran parte radicato nel folk. Del Rey si aggira per questo fantastico paesaggio sonoro, più malinconico ed evanescente che mai. Ha collaborato da vicino con Jack Antonoff in questo album (un produttore ricercato da pop star come Taylor Swift, St. Vincent, Lorde, Carly Rae Jepsen e Pink) e il produttore ha modellato la sua malinconia con sobrietà e lucidità ben dosate. I ritmi lenti di questo bellissimo lavoro offrono una gradita pausa dalle turbolenze quotidiane. Una delle tracce che spicca è la cover di Sublime’s Doin ‘Time (1996), come una nuova interpretazione di Summertime di Gershwin, che offre un’ulteriore prova dell’originalità di Lana Del Rey, qualcosa di molto più complesso di quanto alcuni vorrebbero farci credere. © Marc Zisman / Qobuz

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