Lucy Rose No Words Left

No Words Left

Lucy Rose

Uscito il 22 marzo 2019 presso Communion Music

Artista principale: Lucy Rose

Genere: Pop/Rock > Rock > Musica alternativa e indie

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Bringing back Something's Changing (2017) producer Tim Bidwell for her fourth album, No Words Left, singer/songwriter Lucy Rose remains in the intimate, hushed acoustic sphere of her third release. It soon becomes evident, however, that, while stylistically similar, No Words Left is a more somber, heartbroken outing. First track "Conversation" establishes minor intervals and a gentle, woebegone tone from its opening picked-acoustic guitar and partly dissonant, spare strings. Meanwhile, Rose's resigned vocals seem to come from the adjoining sofa cushion rather than any kind of performance when she confesses "No one loves me quite like you do/But no one lets me down like you do." The song eventually adds instruments like piano and vintage electric piano to its eerie soundscape. Elsewhere, songs like "Treat Me Like a Woman" and "Save Me from Your Kindness" build likewise elegantly textured arrangements that still seem as quiet as rain or that would notice the subtle scrape of a stool against the kitchen floor. That's despite the fact that the latter song is built upon electric guitar. In fact, there's a deceptively large list of instruments represented here, ranging from strings, woodwinds, and percussion to electric guitar, organ and synths. The brief "No Words Left, Pt. 1" has vocals but no words, adding Rose's tuneful wail to a psychedelic swirl of strummed acoustic guitar and improvisational double bass, piano, congas, and other, harder-to-identify timbres. The instrumental "Just a Moment" is the album's lone solo acoustic guitar track. In addition to its tone and palette, unifying No Words Left is an overarching loneliness expressed in titles like "Solo(w)" and "Nobody Comes Round Here." When the album closes with the lucid "Song After Song" ("Song after song after song all about me and my misery…"), it's a touching, unexpectedly hummable end to a set that's intricate yet understated, and sad yet comforting. ~ Marcy Donelson
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Album : 1 disco - 11 tracce Durata totale : 00:34:52

  1. 1 Conversation

    Cenzo Townsend, Mixer, StudioPersonnel - Frank Arkwright, Mastering Engineer, StudioPersonnel - Matthew Kelly, Violin & Viola, AssociatedPerformer - Bjorn Agren, Electric Guitar, AssociatedPerformer - Lucy Rose, Acoustic Guitar, Bass Guitar, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Ben Daniels, Bass Guitar, AssociatedPerformer - Tim Bidwell, Producer, Recording Engineer, StudioPersonnel - Andrew Stuart-Buttle, Electric Guitar, AssociatedPerformer - Charlotte Eksteen, Cello, AssociatedPerformer Copyright : ℗ 2019 Lucy Rose, under exclusive license to Communion Group Ltd

  2. 2 No Words Left (Pt. 1)

    David Dyson, Conga, AssociatedPerformer - Cenzo Townsend, Mixer, StudioPersonnel - Frank Arkwright, Mastering Engineer, StudioPersonnel - Bjorn Agren, Electric Guitar, AssociatedPerformer - Lucy Rose, Guitar, Acoustic Guitar, Bass Guitar, Piano, Vocals, Hammond B3, MainArtist, AssociatedPerformer, ComposerLyricist - Ben Daniels, Bass Guitar, AssociatedPerformer - Tim Bidwell, Producer, Recording Engineer, StudioPersonnel Copyright : ℗ 2019 Lucy Rose, under exclusive license to Communion Group Ltd

  3. 3 Solo(w)

    David Dyson, Percussion, Timpani, AssociatedPerformer - Cenzo Townsend, Mixer, StudioPersonnel - Frank Arkwright, Mastering Engineer, StudioPersonnel - Matthew Kelly, Cello, Violin & Viola, AssociatedPerformer - Bjorn Agren, Electric Guitar, AssociatedPerformer - Lucy Rose, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Ben Daniels, Bass Guitar, AssociatedPerformer - Tim Bidwell, Producer, Recording Engineer, StudioPersonnel - Bjorn McAteer Dahlberg, Saxophone, AssociatedPerformer Copyright : ℗ 2019 Lucy Rose, under exclusive license to Communion Group Ltd

  4. 4 Treat Me Like A Woman

    David Dyson, Conga, AssociatedPerformer - Cenzo Townsend, Mixer, StudioPersonnel - Frank Arkwright, Mastering Engineer, StudioPersonnel - Matthew Kelly, Violin & Viola, AssociatedPerformer - Lucy Rose, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Ben Daniels, Bass Guitar, AssociatedPerformer - Tim Bidwell, Producer, Recording Engineer, StudioPersonnel - Andrew Stuart-Buttle, Electric Guitar, AssociatedPerformer - Charlotte Eksteen, Cello, AssociatedPerformer Copyright : ℗ 2019 Lucy Rose, under exclusive license to Communion Group Ltd

  5. 5 The Confines Of This World

    Cenzo Townsend, Mixer, StudioPersonnel - Frank Arkwright, Mastering Engineer, StudioPersonnel - Bjorn Agren, Electric Guitar, AssociatedPerformer - Lucy Rose, Bass Guitar, Electric Guitar, Vocals, Rhodes , Wurlitzer Electric Piano, MainArtist, AssociatedPerformer, ComposerLyricist - Tim Bidwell, Producer, Recording Engineer, StudioPersonnel - Marcus Hamblett, Synthesizer, AssociatedPerformer - Bjorn McAteer Dahlberg, Woodwinds, AssociatedPerformer Copyright : ℗ 2019 Lucy Rose, under exclusive license to Communion Group Ltd

  6. 6 Just A Moment

    Cenzo Townsend, Mixer, StudioPersonnel - Frank Arkwright, Mastering Engineer, StudioPersonnel - Lucy Rose, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Tim Bidwell, Producer, Recording Engineer, StudioPersonnel Copyright : ℗ 2019 Lucy Rose, under exclusive license to Communion Group Ltd

  7. 7 Nobody Comes Round Here

    David Dyson, Conga, AssociatedPerformer - Cenzo Townsend, Mixer, StudioPersonnel - Frank Arkwright, Mastering Engineer, StudioPersonnel - Lucy Rose, Bass Guitar, Electric Guitar, Piano, Vocals, Shaker, Wurlitzer Electric Piano, MainArtist, AssociatedPerformer, ComposerLyricist - Ben Daniels, Bass Guitar, AssociatedPerformer - Tim Bidwell, Producer, Recording Engineer, StudioPersonnel Copyright : ℗ 2019 Lucy Rose, under exclusive license to Communion Group Ltd

  8. 8 What Does It Take

    David Dyson, Percussion, Conga, AssociatedPerformer - Cenzo Townsend, Mixer, StudioPersonnel - Frank Arkwright, Mastering Engineer, StudioPersonnel - Matthew Kelly, Violin & Viola, AssociatedPerformer - Lucy Rose, Guitar, Electric Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Ben Daniels, Bass Guitar, AssociatedPerformer - Tim Bidwell, Producer, Recording Engineer, StudioPersonnel - Charlotte Eksteen, Cello, AssociatedPerformer Copyright : ℗ 2019 Lucy Rose, under exclusive license to Communion Group Ltd

  9. 9 Save Me From Your Kindness

    David Dyson, Percussion, Conga, AssociatedPerformer - Cenzo Townsend, Mixer, StudioPersonnel - Frank Arkwright, Mastering Engineer, StudioPersonnel - Matthew Kelly, Violin & Viola, AssociatedPerformer - Lucy Rose, Guitar, Bass Guitar, Electric Guitar, Percussion, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Ben Daniels, Bass Guitar, AssociatedPerformer - Tim Bidwell, Producer, Recording Engineer, StudioPersonnel - Andrew Stuart-Buttle, Piano, AssociatedPerformer - Charlotte Eksteen, Cello, AssociatedPerformer Copyright : ℗ 2019 Lucy Rose, under exclusive license to Communion Group Ltd

  10. 10 Pt. 2

    David Dyson, Percussion, Conga, AssociatedPerformer - Cenzo Townsend, Mixer, StudioPersonnel - Frank Arkwright, Mastering Engineer, StudioPersonnel - Matthew Kelly, Violin & Viola, AssociatedPerformer - Bjorn Agren, Electric Guitar, AssociatedPerformer - Lucy Rose, Bass Guitar, Piano, Vocals, Rhodes , MainArtist, AssociatedPerformer, ComposerLyricist - Ben Daniels, Bass Guitar, AssociatedPerformer - Tim Bidwell, Producer, Recording Engineer, StudioPersonnel - Charlotte Eksteen, Cello, AssociatedPerformer Copyright : ℗ 2019 Lucy Rose, under exclusive license to Communion Group Ltd

  11. 11 Song After Song

    Cenzo Townsend, Mixer, StudioPersonnel - Frank Arkwright, Mastering Engineer, StudioPersonnel - Matthew Kelly, Mandolin, Violin & Viola, AssociatedPerformer - Lucy Rose, Guitar, Acoustic Guitar, Electric Guitar, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Ben Daniel, Acoustic Guitar, AssociatedPerformer - Ben Daniels, Bass Guitar, AssociatedPerformer - Tim Bidwell, Producer, Recording Engineer, StudioPersonnel - Charlotte Eksteen, Cello, AssociatedPerformer Copyright : ℗ 2019 Lucy Rose, under exclusive license to Communion Group Ltd

  • Descrizione dell'album
  • Bringing back Something's Changing (2017) producer Tim Bidwell for her fourth album, No Words Left, singer/songwriter Lucy Rose remains in the intimate, hushed acoustic sphere of her third release. It soon becomes evident, however, that, while stylistically similar, No Words Left is a more somber, heartbroken outing. First track "Conversation" establishes minor intervals and a gentle, woebegone tone from its opening picked-acoustic guitar and partly dissonant, spare strings. Meanwhile, Rose's resigned vocals seem to come from the adjoining sofa cushion rather than any kind of performance when she confesses "No one loves me quite like you do/But no one lets me down like you do." The song eventually adds instruments like piano and vintage electric piano to its eerie soundscape. Elsewhere, songs like "Treat Me Like a Woman" and "Save Me from Your Kindness" build likewise elegantly textured arrangements that still seem as quiet as rain or that would notice the subtle scrape of a stool against the kitchen floor. That's despite the fact that the latter song is built upon electric guitar. In fact, there's a deceptively large list of instruments represented here, ranging from strings, woodwinds, and percussion to electric guitar, organ and synths. The brief "No Words Left, Pt. 1" has vocals but no words, adding Rose's tuneful wail to a psychedelic swirl of strummed acoustic guitar and improvisational double bass, piano, congas, and other, harder-to-identify timbres. The instrumental "Just a Moment" is the album's lone solo acoustic guitar track. In addition to its tone and palette, unifying No Words Left is an overarching loneliness expressed in titles like "Solo(w)" and "Nobody Comes Round Here." When the album closes with the lucid "Song After Song" ("Song after song after song all about me and my misery…"), it's a touching, unexpectedly hummable end to a set that's intricate yet understated, and sad yet comforting. ~ Marcy Donelson

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