Categorie:
Carrello 0

Il tuo carrello è vuoto

Michael Kiwanuka|Love & Hate

Love & Hate

Michael Kiwanuka

Disponibile in
logo Hi-Res
24-Bit 96.0 kHz - Stereo

Streaming illimitato

Ascolta subito questo album in alta qualità sulle nostre app

Inizia il mio periodo di prova e riproduci l'album

Goditi questo album sulle app Qobuz con il tuo abbonamento

Registrati

Goditi questo album sulle app Qobuz con il tuo abbonamento

Download digitale

Acquista e scarica questo album in più formati, secondo le tue esigenze.

On his ambitious sophomore set, London native Michael Kiwanuka expands outward from the warm retro-soul of 2012 debut, Home Again. With its trio of producers and transatlantic recording locales, Love & Hate arrives with the weight of high expectations. Announcing his intentions from the start, Kiwanuka challenges listeners with "Cold Little Heart," an exquisitely arranged, ten-minute opus of lush strings and elegant backing vocals whose first line doesn't arrive until the halfway point. It's a Homeric bit of heartbroken prog-soul that shows off its creator's lead guitar chops as much as his rich, sandy voice. Co-produced by Danger Mouse and Inflo, it also introduces the heavy tonal palette that runs through the remainder of the album's ten tracks, even those produced by Kiwanuka's longtime collaborator, Paul Butler. Where Home Again was ultimately an intimate and gentler affair, Love & Hate puts some distance between singer and audience as he offers his worldweary introspections against the framework of '70s R&B, funk, and spaced-out rock. The timely social commentary of lead single "Black Man in a White World" feels lonesome and heavy in spite of its uptempo, hand-clapped rhythm and nimble guitar groove. Throughout the album, the space between parts is somehow wider, yet each tambourine hit, backing vocal, or funky guitar lick feels darker and more severe. The mildly psychedelic title cut is a mid-album standout whose slow-burning swagger and epic seven-minute length is countered by the tight, punchy "One More Night." Overall, Love & Hate has very little of the breezy, quietly strummed charm of its predecessor, but it represents serious growth from an artist deliberately pushing his boundaries. With this release, Kiwanuka has delivered a dark, graceful, and affecting artistic statement that is worth the patience it takes to experience it.
© Timothy Monger /TiVo

Maggiori informazioni

Love & Hate

Michael Kiwanuka

launch qobuz app Ho già scaricato Qobuz per Windows/MacOS Apri

download qobuz app Non ho ancora scaricato Qobuz per Windows/MacOS Scarica l'app Qobuz

Al momento stai ascoltando degli estratti.

Ascolta oltre 80 milioni di brani con un abbonamento streaming illimitato.

Ascolta questa playlist e più di 80 milioni di brani con i nostri abbonamenti di streaming illimitati

A partire da 12,50€/mese

1
Cold Little Heart
00:09:57

Brian Burton, Bass Guitar, Percussion, Drum Programming, AssociatedPerformer, ComposerLyricist - Richard Pryce, Double Bass, AssociatedPerformer - Guy Davie, Mastering Engineer, StudioPersonnel - Danger Mouse , Producer - Kennie Takahashi, Recording Engineer, StudioPersonnel - Todd Monfalcone, Recording Engineer, StudioPersonnel - Patrick Kiernan, Violin, AssociatedPerformer - Richard Woodcraft, Mixer, Engineer, Recording Engineer, StudioPersonnel - Gillon Cameron, Violin, AssociatedPerformer - Emma Owens, Viola, AssociatedPerformer - Bryony James, Cello, AssociatedPerformer - Eleanor Mathieson, Violin, AssociatedPerformer - Jenny Sacha, Violin, AssociatedPerformer - Kotono Sato, Violin, AssociatedPerformer - Rosie Danvers, String Arranger, Cello, AssociatedPerformer - Sally Jackson, Violin, AssociatedPerformer - Wired Strings, Chamber Ensemble, AssociatedPerformer - Debbie Widdup, Violin, AssociatedPerformer - Michael Kiwanuka, Guitar, Acoustic Guitar, Electric Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Anna Croad, Violin, AssociatedPerformer - Althea Edwards, Background Vocalist, AssociatedPerformer - Inflo, Producer, Drums, Piano, AssociatedPerformer - Nozomi Cohen, Viola, AssociatedPerformer - LaDonna Harley Peters, Background Vocalist, AssociatedPerformer - Paul Boldeau, Background Vocalist, AssociatedPerformer - Dean Josiah Cover, ComposerLyricist

℗ 2016 Polydor Ltd. (UK)

2
Black Man In A White World
00:04:18

Guy Davie, Mastering Engineer, StudioPersonnel - Richard Woodcraft, Mixer, Engineer, Recording Engineer, StudioPersonnel - Emma Owens, Viola, AssociatedPerformer - Jenny Sacha, Violin, AssociatedPerformer - Rosie Danvers, String Arranger, Cello, AssociatedPerformer - Wired Strings, Chamber Ensemble, AssociatedPerformer - Natalia Bonner, Violin, AssociatedPerformer - Michael Kiwanuka, Bass Guitar, Electric Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Althea Edwards, Background Vocalist, AssociatedPerformer - Inflo, Producer, Piano, AssociatedPerformer - LaDonna Harley Peters, Background Vocalist, AssociatedPerformer - Graham Godfrey, Drums, Percussion, Clapping, AssociatedPerformer - Jay Abdul, Background Vocalist, AssociatedPerformer - Paul Boldeau, Background Vocalist, AssociatedPerformer - Dean Josiah Cover, ComposerLyricist

℗ 2016 Polydor Ltd. (UK)

3
Falling
00:04:16

Brian Burton, Organ, Percussion, Piano, AssociatedPerformer, ComposerLyricist - Guy Davie, Mastering Engineer, StudioPersonnel - Danger Mouse , Producer - Kennie Takahashi, Mixer, Recording Engineer, StudioPersonnel - Todd Monfalcone, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel - Richard Woodcraft, Engineer, StudioPersonnel - Jenny Sacha, Violin, AssociatedPerformer - Rosie Danvers, String Arranger, Cello, AssociatedPerformer - Kerenza Peacock, Violin, AssociatedPerformer - Wired Strings, Chamber Ensemble, AssociatedPerformer - Michael Kiwanuka, Guitar, Acoustic Guitar, Bass Guitar, Electric Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Becky Jones, Viola, AssociatedPerformer - Althea Edwards, Background Vocalist, AssociatedPerformer - Inflo, Producer, Co-Producer - LaDonna Harley Peters, Background Vocalist, AssociatedPerformer - Paul Boldeau, Background Vocalist, AssociatedPerformer - Jay 'J-Zone' Mumford, Drums, AssociatedPerformer

℗ 2016 Polydor Ltd. (UK)

4
Place I Belong
00:04:47

Paul Butler, Producer, Mixer, Cello, Percussion, Trumpet, Recording Engineer, AssociatedPerformer, StudioPersonnel - Guy Davie, Mastering Engineer, StudioPersonnel - Danger Mouse , Producer - Kennie Takahashi, Recording Engineer, StudioPersonnel - Todd Monfalcone, Engineer, StudioPersonnel - Richard Woodcraft, Mixer, StudioPersonnel - Andy Parkin, Violin, AssociatedPerformer - Michael Kiwanuka, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Inflo, Background Vocalist, AssociatedPerformer - Gary Plumley, Flute, Saxophone, AssociatedPerformer - Graham Godfrey, Drums, Percussion, AssociatedPerformer - Pete Randall, Double Bass, Bass Guitar, AssociatedPerformer - Dave Granshaw, Recording Engineer, StudioPersonnel - Jon McMullen, Mix Engineer, StudioPersonnel - Miles James, Electric Guitar, AssociatedPerformer

℗ 2016 Polydor Ltd. (UK)

5
Love & Hate
00:07:07

H. White, String Arranger, AssociatedPerformer - Brian Burton, Bass Guitar, Organ, AssociatedPerformer, ComposerLyricist - Richard Pryce, Double Bass, AssociatedPerformer - Guy Davie, Mastering Engineer, StudioPersonnel - Danger Mouse , Producer - Kennie Takahashi, Recording Engineer, StudioPersonnel - Todd Monfalcone, Recording Engineer, Asst. Recording Engineer, StudioPersonnel - Patrick Kiernan, Violin, AssociatedPerformer - Richard Woodcraft, Mixer, Engineer, Recording Engineer, StudioPersonnel - Gillon Cameron, Violin, AssociatedPerformer - Emma Owens, Viola, AssociatedPerformer - Bryony James, Cello, AssociatedPerformer - Eleanor Mathieson, Violin, AssociatedPerformer - Jenny Sacha, Violin, AssociatedPerformer - Kotono Sato, Violin, AssociatedPerformer - Rosie Danvers, Cello, AssociatedPerformer - Sally Jackson, Violin, AssociatedPerformer - Wired Strings, Chamber Ensemble, AssociatedPerformer - Debbie Widdup, Violin, AssociatedPerformer - Michael Kiwanuka, Guitar, Acoustic Guitar, Electric Guitar, Vocals, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Anna Croad, Violin, AssociatedPerformer - Althea Edwards, Background Vocalist, AssociatedPerformer - Inflo, Producer, Drums, Bass Guitar, Piano, Background Vocalist, AssociatedPerformer - Nozomi Cohen, Viola, AssociatedPerformer - LaDonna Harley Peters, Background Vocalist, AssociatedPerformer - Graham Godfrey, Percussion, AssociatedPerformer - Paul Boldeau, Background Vocalist, AssociatedPerformer - Dean Josiah Cover, ComposerLyricist

℗ 2016 Polydor Ltd. (UK)

6
One More Night
00:03:53

Paul Butler, Producer, Mixer, Electric Guitar, Keyboards, Percussion, Recording Engineer, Drum Machine, Background Vocalist, AssociatedPerformer, StudioPersonnel - Guy Davie, Mastering Engineer, StudioPersonnel - Richard Woodcraft, Mixer, StudioPersonnel - Michael Kiwanuka, Electric Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Gary Plumley, Saxophone, AssociatedPerformer - Graham Godfrey, Drums, Percussion, Background Vocalist, AssociatedPerformer - Pete Randall, Bass Guitar, Fender Bass, Background Vocalist, AssociatedPerformer - Dave Granshaw, Recording Engineer, StudioPersonnel - Jon McMullen, Recording Engineer, Mix Engineer, StudioPersonnel - James Bateman, Saxophone, AssociatedPerformer

℗ 2016 Polydor Ltd. (UK)

7
I'll Never Love
00:02:45

Paul Butler, Producer, Mixer, Keyboards, Percussion, Piano, Recording Engineer, Clavichord, Moog Bass, AssociatedPerformer, StudioPersonnel - Guy Davie, Mastering Engineer, StudioPersonnel - Danger Mouse , Producer, Additional Producer - Kennie Takahashi, Mixer, Recording Engineer, StudioPersonnel - Todd Monfalcone, Recording Engineer, Assistant Mixer, StudioPersonnel - Michael Kiwanuka, Electric Guitar, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Samur Khouja, Recording Engineer, StudioPersonnel - Graham Godfrey, Drums, Percussion, AssociatedPerformer - Pete Randall, Bass Guitar, Sound Effects, AssociatedPerformer - Dave Granshaw, Recording Engineer, StudioPersonnel - Jon McMullen, Recording Engineer, Mix Engineer, StudioPersonnel

℗ 2016 Polydor Ltd. (UK)

8
Rule The World
00:05:42

Brian Burton, ComposerLyricist - Guy Davie, Mastering Engineer, StudioPersonnel - Danger Mouse , Producer - Kennie Takahashi, Recording Engineer, Co-Mixer, StudioPersonnel - Todd Monfalcone, Recording Engineer, Assistant Mixer, StudioPersonnel - Richard Woodcraft, Mixer, Engineer, Recording Engineer, StudioPersonnel - Jenny Sacha, Violin, AssociatedPerformer - Rosie Danvers, String Arranger, Cello, AssociatedPerformer - Kerenza Peacock, Violin, AssociatedPerformer - Wired Strings, Chamber Ensemble, AssociatedPerformer - Michael Kiwanuka, Guitar, Bass Guitar, Electric Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Becky Jones, Viola, AssociatedPerformer - Althea Edwards, Background Vocalist, AssociatedPerformer - Inflo, Producer, Drums, Recording Producer, AssociatedPerformer - LaDonna Harley Peters, Background Vocalist, AssociatedPerformer - Graham Godfrey, Percussion, AssociatedPerformer - Paul Boldeau, Background Vocalist, AssociatedPerformer - Dean Josiah Cover, ComposerLyricist

℗ 2016 Polydor Ltd. (UK)

9
Father's Child
00:07:05

Brian Burton, ComposerLyricist - Guy Davie, Mastering Engineer, StudioPersonnel - Danger Mouse , Producer - Kennie Takahashi, Recording Engineer, StudioPersonnel - Richard Woodcraft, Mixer, Engineer, Recording Engineer, StudioPersonnel - Jenny Sacha, Violin, AssociatedPerformer - Rosie Danvers, String Arranger, Cello, AssociatedPerformer - Kerenza Peacock, Violin, AssociatedPerformer - Wired Strings, Chamber Ensemble, AssociatedPerformer - Michael Kiwanuka, Guitar, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Becky Jones, Viola, AssociatedPerformer - Althea Edwards, Background Vocalist, AssociatedPerformer - Inflo, Producer, Drums, Bass Guitar, Piano, Recording Producer, AssociatedPerformer - LaDonna Harley Peters, Background Vocalist, AssociatedPerformer - Graham Godfrey, Percussion, AssociatedPerformer - Paul Boldeau, Background Vocalist, AssociatedPerformer - Dean Josiah Cover, ComposerLyricist

℗ 2016 Polydor Ltd. (UK)

10
The Final Frame
00:04:59

Brian Burton, ComposerLyricist - Guy Davie, Mastering Engineer, StudioPersonnel - Danger Mouse , Producer - Kennie Takahashi, Mixer, Recording Engineer, StudioPersonnel - Todd Monfalcone, Recording Engineer, Assistant Mixer, StudioPersonnel - Richard Woodcraft, Mixer, Engineer, StudioPersonnel - Emma Owens, Viola, AssociatedPerformer - Rosie Danvers, String Arranger, Cello, AssociatedPerformer - Kerenza Peacock, Violin, AssociatedPerformer - Wired Strings, Chamber Ensemble, AssociatedPerformer - Natalia Bonner, Violin, AssociatedPerformer - Michael Kiwanuka, Bass Guitar, Electric Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Inflo, Producer, Drums, Piano, AssociatedPerformer - Dean Josiah Cover, ComposerLyricist

℗ 2016 Polydor Ltd. (UK)

Descrizione dell'album

On his ambitious sophomore set, London native Michael Kiwanuka expands outward from the warm retro-soul of 2012 debut, Home Again. With its trio of producers and transatlantic recording locales, Love & Hate arrives with the weight of high expectations. Announcing his intentions from the start, Kiwanuka challenges listeners with "Cold Little Heart," an exquisitely arranged, ten-minute opus of lush strings and elegant backing vocals whose first line doesn't arrive until the halfway point. It's a Homeric bit of heartbroken prog-soul that shows off its creator's lead guitar chops as much as his rich, sandy voice. Co-produced by Danger Mouse and Inflo, it also introduces the heavy tonal palette that runs through the remainder of the album's ten tracks, even those produced by Kiwanuka's longtime collaborator, Paul Butler. Where Home Again was ultimately an intimate and gentler affair, Love & Hate puts some distance between singer and audience as he offers his worldweary introspections against the framework of '70s R&B, funk, and spaced-out rock. The timely social commentary of lead single "Black Man in a White World" feels lonesome and heavy in spite of its uptempo, hand-clapped rhythm and nimble guitar groove. Throughout the album, the space between parts is somehow wider, yet each tambourine hit, backing vocal, or funky guitar lick feels darker and more severe. The mildly psychedelic title cut is a mid-album standout whose slow-burning swagger and epic seven-minute length is countered by the tight, punchy "One More Night." Overall, Love & Hate has very little of the breezy, quietly strummed charm of its predecessor, but it represents serious growth from an artist deliberately pushing his boundaries. With this release, Kiwanuka has delivered a dark, graceful, and affecting artistic statement that is worth the patience it takes to experience it.
© Timothy Monger /TiVo

A proposito dell'album

Distinzioni:

Migliora questa pagina

Qobuz logo Perché acquistare su Qobuz

ORA IN OFFERTA...

Innervisions

Stevie Wonder

Innervisions Stevie Wonder

The Marvin Gaye Collection

Marvin Gaye

What's Going On

Marvin Gaye

What's Going On Marvin Gaye

Delta Kream

The Black Keys

Delta Kream The Black Keys
Altro su Qobuz
Di Michael Kiwanuka

Beautiful Life

Michael Kiwanuka

Beautiful Life Michael Kiwanuka

KIWANUKA

Michael Kiwanuka

KIWANUKA Michael Kiwanuka

Home Again (Deluxe)

Michael Kiwanuka

Home Again (Deluxe) Michael Kiwanuka

Love & Hate

Michael Kiwanuka

Love & Hate Michael Kiwanuka

Beautiful Life

Michael Kiwanuka

Beautiful Life Michael Kiwanuka
Ti potrebbe piacere anche...

Never Forget My Love

Joss Stone

If Words Were Flowers

Curtis Harding

If Words Were Flowers Curtis Harding

Sensational

Erika de Casier

Sensational Erika de Casier

Summer Of Soul (...Or, When The Revolution Could Not Be Televised) Original Motion Picture Soundtrack

Various Artists

Bad

Michael Jackson

Bad Michael Jackson
Nelle Panoramiche...
Soul Music, uno sguardo al passato

Negli ultimi anni, dopo il 2010, parecchie voci fanno rivivere il soul degli anni ’60 e ’70 a colpi di album registrati «alla vecchia maniera». Con Amy Winehouse, Leon Bridges, Sharon Jones, Michael Kiwanuka e Curtis Harding, il groove vintage ha il suo ritorno di fiamma.

L’età dell'oro del funk di James Brown

Tra il 1967 e il 1974 il soul del Godfather si trasforma in funk. Circondato dai musicisti più groovy del momento, James Brown orchestrerà la colonna sonora che accompagnerà i cambiamenti della società americana di quel momento. Tutti impazziranno e vorranno salire sulla sua Sex Machine!

Che cosa succede, Marvin?

C'era una volta "What's Going On", uno dei più grandi successi soul, pubblicato esattamente cinquant'anni fa, con cui Marvin Gaye cambiò la storia dell'etichetta Motown e della musica popolare degli anni '70...

Nel magazine...