Categorie:
Carrello 0

Il tuo carrello è vuoto

Bat For Lashes - Lost Girls

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Lost Girls

Bat For Lashes

Streaming illimitato

Ascolta subito questo album in alta qualità sulle nostre app

Goditi questo album sulle app Qobuz con il tuo abbonamento

Download digitale

Seleziona la qualità audio

Per avere diritto a questo prezzo, abbonati a Sublime+

Lingua disponibile: inglese

Some artists just fit into the whole 80s revival genre effortlessly. Vintage synths, saxophone solos and gated reverb have never been further away from cheesy than with Lost Girls by Bat For Lashes. Maybe because those tools are at the root of a baroque electro-pop sound that’s been brewing for over a decade. Natasha Khan’s ever-changing approach to music started with Fur and Gold (2007)’s lascivious chamber-folk: the seeds of her 5th album were already planted by then – an astonishing soprano, an overactive imagination, and colorful instrumentation. Comparisons with Kate Bush came one after the other. These days, it might be easier to reference contemporaries such as CHVRCHES or Ladytron, thanks to her recognizable synth groove signature.


However, that first comparison still stands today, despite some stylistic changes. Bush and Khan have the same propensity for ambivalence: the ambiguity of desire, or melancholy and feminine strength, in addition to being a major theme for both singers, is manifested through tasteful vocal nuance that allows each to glide between whispers and sky-high melodies. The voices on Lost Girls are characterized by that same sense of restraint, but the instrumentation doesn’t necessarily follow in the same stride. For example, on the barely camouflaged sexual allegory of The Hunger (supposedly about vampires …), Khan combines the majesty of a reverb-drenched organ with a syncopated funk bass line, communicating a very on-point sense of urgency. As far as albums go, this one is enjoyably retro, bringing the listener far away from 2019 and any socio-political turmoil. Some much-needed escapism for “interesting” times. © Alexis Renaudat/Qobuz

Maggiori informazioni

Lost Girls

Bat For Lashes

launch qobuz app Ho già scaricato Qobuz per Windows/MacOS Apri

download qobuz app Non ho ancora scaricato Qobuz per Windows/MacOS Scarica l'app Qobuz
Ascolta sul Webplayer

Copia il seguente link per condividerlo

Al momento stai ascoltando degli estratti.

Ascolta oltre 40 milioni di brani con un abbonamento streaming illimitato.

Ascolta questo album e oltre 40 milioni di brani con i gli abbonamenti di streaming illimitato.

1
Kids In The Dark 00:03:28

Natasha Khan, Producer, Writer - Bat For Lashes, MainArtist - Charles Leslie Scott, Writer - Charles Scott IV, Producer

2019 Bat For Lashes under exclusive license to AWAL Recordings Ltd 2019 Bat For Lashes under exclusive license to AWAL Recordings Ltd

2
The Hunger 00:04:59

Natasha Khan, Producer, Writer - Bat For Lashes, MainArtist - Charles Leslie Scott, Writer - Charles Scott IV, Producer

2019 Bat For Lashes under exclusive license to AWAL Recordings Ltd 2019 Bat For Lashes under exclusive license to AWAL Recordings Ltd

3
Feel For You 00:03:39

Natasha Khan, Producer, Writer - Bat For Lashes, MainArtist - Jenn Decilveo, Producer, Writer

2019 Bat For Lashes under exclusive license to AWAL Recordings Ltd 2019 Bat For Lashes under exclusive license to AWAL Recordings Ltd

4
Desert Man 00:03:26

Natasha Khan, Producer, Writer - Bat For Lashes, MainArtist - Jenn Decilveo, Producer, Writer - Charles Scott IV, Producer

2019 Bat For Lashes under exclusive license to AWAL Recordings Ltd 2019 Bat For Lashes under exclusive license to AWAL Recordings Ltd

5
Jasmine 00:02:55

Natasha Khan, Producer, Writer - Bat For Lashes, MainArtist - Charles Leslie Scott, Writer - Charles Scott IV, Producer

2019 Bat For Lashes under exclusive license to AWAL Recordings Ltd 2019 Bat For Lashes under exclusive license to AWAL Recordings Ltd

6
Vampires 00:03:02

Natasha Khan, Producer, Writer - Bat For Lashes, MainArtist - Charles Leslie Scott, Writer - Charles Scott IV, Producer

2019 Bat For Lashes under exclusive license to AWAL Recordings Ltd 2019 Bat For Lashes under exclusive license to AWAL Recordings Ltd

7
So Good 00:03:33

Natasha Khan, Producer, Writer - Bat For Lashes, MainArtist - Charles Leslie Scott, Writer - Charles Scott IV, Producer

2019 Bat For Lashes under exclusive license to AWAL Recordings Ltd 2019 Bat For Lashes under exclusive license to AWAL Recordings Ltd

8
Safe Tonight 00:04:16

Natasha Khan, Producer, Writer - Bat For Lashes, MainArtist - MNEK, Producer - Charles Scott IV, Producer

2019 Bat For Lashes under exclusive license to AWAL Recordings Ltd 2019 Bat For Lashes under exclusive license to AWAL Recordings Ltd

9
Peach Sky 00:04:34

Natasha Khan, Producer, Writer - Bat For Lashes, MainArtist - Jenn Decilveo, Producer, Writer

2019 Bat For Lashes under exclusive license to AWAL Recordings Ltd 2019 Bat For Lashes under exclusive license to AWAL Recordings Ltd

10
Mountains 00:04:31

Natasha Khan, Producer, Writer - Bat For Lashes, MainArtist - Charles Scott IV, Producer

2019 Bat For Lashes under exclusive license to AWAL Recordings Ltd 2019 Bat For Lashes under exclusive license to AWAL Recordings Ltd

Descrizione dell'album

Some artists just fit into the whole 80s revival genre effortlessly. Vintage synths, saxophone solos and gated reverb have never been further away from cheesy than with Lost Girls by Bat For Lashes. Maybe because those tools are at the root of a baroque electro-pop sound that’s been brewing for over a decade. Natasha Khan’s ever-changing approach to music started with Fur and Gold (2007)’s lascivious chamber-folk: the seeds of her 5th album were already planted by then – an astonishing soprano, an overactive imagination, and colorful instrumentation. Comparisons with Kate Bush came one after the other. These days, it might be easier to reference contemporaries such as CHVRCHES or Ladytron, thanks to her recognizable synth groove signature.


However, that first comparison still stands today, despite some stylistic changes. Bush and Khan have the same propensity for ambivalence: the ambiguity of desire, or melancholy and feminine strength, in addition to being a major theme for both singers, is manifested through tasteful vocal nuance that allows each to glide between whispers and sky-high melodies. The voices on Lost Girls are characterized by that same sense of restraint, but the instrumentation doesn’t necessarily follow in the same stride. For example, on the barely camouflaged sexual allegory of The Hunger (supposedly about vampires …), Khan combines the majesty of a reverb-drenched organ with a syncopated funk bass line, communicating a very on-point sense of urgency. As far as albums go, this one is enjoyably retro, bringing the listener far away from 2019 and any socio-political turmoil. Some much-needed escapism for “interesting” times. © Alexis Renaudat/Qobuz

A proposito dell'album

Migliora questa pagina

Qobuz logo Perché acquistare su Qobuz

ORA IN OFFERTA...
Altro su Qobuz
Di Bat For Lashes
Kids In The Dark Bat For Lashes Lo streaming o Acquista per
The Haunted Man Bat For Lashes Lo streaming o Acquista per
Fur And Gold Bat For Lashes Lo streaming o Acquista per
Desert Man Bat For Lashes Lo streaming o Acquista per
Ti potrebbe piacere anche...
Nelle Panoramiche...
Indie Rock USA in 10 album

Dopo i “sintetici” anni '80, le chitarre hanno fatto il loro ritorno violento nel decennio successivo, infiltrandosi dappertutto nel rock indipendente. Indipendente da un sistema e dalla massa. Come una corrente alternativa ereditata dallo spirito sovversivo e dal "do-it-yourself" di quel punk che troviamo già nei Velvet Underground di Lou Reed o negli Stooges di Iggy Pop. Panoramica dei 10 album che hanno marcato quei densi anni '90.

Americana, alle radici dell’America

Il nome saprà anche di trovata commerciale un po’ fumosa, ma il genere Americana designa da una ventina d’anni quel mix di rock, country, blues e rhythm&blues. E come in ogni grande famiglia che si rispetti, si ritrovano un po’ tutti i personaggi: la figlia ribelle, lo zio colto, il padre irrequieto, la cugina esaltata…

Soul Music, uno sguardo al passato

Negli ultimi anni, dopo il 2010, parecchie voci fanno rivivere il soul degli anni ’60 e ’70 a colpi di album registrati «alla vecchia maniera». Con Amy Winehouse, Leon Bridges, Sharon Jones, Michael Kiwanuka e Curtis Harding, il groove vintage ha il suo ritorno di fiamma.

Nel magazine...