Streaming illimitato
Ascolta subito questo album in alta qualità sulle nostre app
Inizia il mio periodo di prova e riproduci l'albumGoditi questo album sulle app Qobuz con il tuo abbonamento
AbbonatiGoditi questo album sulle app Qobuz con il tuo abbonamento
Download digitale
Acquista e scarica questo album in più formati, secondo le tue esigenze.
Lingua disponibile: inglese
The first thing most everybody who hears Dion’s Kickin’ Child is going to say, is that producer Tom Wilson made Dion sound like Bob Dylan. It's fair but inaccurate. If anything, Dion got Wilson -- in late 1964 -- to propose the electric sound to Dylan (who'd worshipped Dion from the '50s) in the first place. Dion convinced the producer to take some of the songwriter's session tapes and give them an electric treatment. He did so with live musicians, then played the results for Bob. In January 1965, Dylan cut the electric side of Bringing It All Back Home. Oddly enough, the title track opener that sounds the most like his Bob-ness wasn't produced by Wilson but by Bob Mersey (who’d helmed the sessions that gave Dion the hit "Ruby Baby"). Backed by the Wanderers (and Al Kooper's organ), Dion cut this set in three sessions between the spring and fall of 1965. What’s here is complete and properly sequenced for the first time. Why? Columbia refused to release the album at the time, prompting Dion to leave the label. They issued some singles, and other tracks appeared on various compilations, but this is complete.
This is Dion-the-Bronx-street-song-poet transformed by intuitive musicality and discipline into a refined singer/songwriter. He wrote or co-wrote all but four of these 15 tunes. He seamlessly blends folk and jangly rock guitars (Tom Paxton's "Wondering Where I’m Bound" and "Tomorrow Won’t Bring the Rain"); the blues (the title track); swaggering rock & roll (Dylan's "Baby, I’m in the Mood for You"), and Mort Shuman's "All I Want to Do Is Live My Life"), and pre-psychedelia ("Now," one of a pair co-written with the Wanderers' drummer Carlo Mastrangelo), and recasts it all in his own image. Check "Knowing I Won’t Go Back There" and "You Move Me Babe," where the seasoned doo wop crooner meets folk-rock head on, only to enfold both styles into himself holistically. Dylan's "It’s All Over Now, Baby Blue" and "Farewell" will never sound the same given the rippling, soulful beauty in his delivery. Wilson and Dion were made for each other. It’s too bad Columbia didn’t see it that way at the time -- history might have been different. This record would still be gathering dust if it weren't for stubborn rock & roll archivists Miriam Linna and Billy Miller, who doggedly pursued Sony to find the album in the label's vaults so they could release it on their Norton label. Sadly, Miller didn’t live to see it, but his final will and testament is presented here as he intended, with completely remastered sound. Kickin’ Child not only ranks with Dion’s best (standing between career highlights "Runaround Sue" and "Abraham Martin and John"), but it's absolutely one of the greatest folk-rock records ever.
© Thom Jurek /TiVo
Al momento stai ascoltando degli estratti.
Ascolta oltre 100 milioni di brani con un abbonamento streaming illimitato.
Ascolta questa playlist e più di 100 milioni di brani con i nostri abbonamenti di streaming illimitato
A partire da 12,49€/mese
Dion, Associated Performer, Main Artist - Robert Mersey, Producer - D. Dimucci, Composer, Lyricist - B. Lucas, Composer, Lyricist
Originally released 1965. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Dion & The Wanderers, Associated Performer, Main Artist - Dion, Associated Performer - D. DIMUCI, Composer - The Wanderers, Associated Performer - C. Mastrangelo, Composer
Originally released 1968. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Dion & The Wanderers, Associated Performer, Main Artist - Dion, Associated Performer - Tom Wilson, Producer - D. Dimucci, Composer, Lyricist - Chris Athens, Assistant Engineer - JIM CARUANA, Assistant Engineer - Vic Anesini, Mixing Engineer - Debra Parkinson, Mastering Engineer
Originally recorded 1965 & released 1997 Columbia Records, a division of Sony Music Entertainment
Dion & The Wanderers, Associated Performer, Main Artist - Robert Mersey, Producer - Tom Paxton, Composer, Lyricist - Tom Wilson, Producer - Chris Athens, Assistant Engineer - JIM CARUANA, Assistant Engineer - Vic Anesini, Mixing Engineer - Debra Parkinson, Mastering Engineer
Originally released 1965. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Dion & The Wanderers, Associated Performer, Main Artist - Dion, Associated Performer - D. DIMUCI, Composer - The Wanderers, Associated Performer
Originally released 1968. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Dion & The Wanderers, Associated Performer, Main Artist - Tom Wilson, Producer - Dion, Associated Performer - D. Dimucci, Composer, Lyricist - C. Mastrangelo, Composer, Lyricist
Originally released 1965. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Dion & The Wanderers, Associated Performer, Main Artist - Dion, Associated Performer - Tom Wilson, Producer - D. Dimucci, Composer, Lyricist - Chris Athens, Assistant Engineer - C. Mastrangelo, Composer, Lyricist - JIM CARUANA, Assistant Engineer - Vic Anesini, Mixing Engineer - Debra Parkinson, Mastering Engineer
Originally released 1965. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Dion, Associated Performer, Main Artist - Bob Mersey, Producer - Bob Dylan, Composer, Lyricist - Chris Herles, Mastering Engineer
Originally released 1965. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Dion & The Wanderers, Associated Performer, Main Artist - Dion, Associated Performer - Bob Mersey, Producer - D. Dimucci, Composer, Lyricist - Chris Herles, Mastering Engineer
Originally released 1966. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Dion & The Wanderers, Associated Performer, Main Artist - Dion, Associated Performer - Tom Wilson, Producer - D. Dimucci, Composer, Lyricist - Chris Athens, Assistant Engineer - JIM CARUANA, Assistant Engineer - Vic Anesini, Mixing Engineer - Debra Parkinson, Mastering Engineer
Originally released 1968. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Dion & The Wanderers, Associated Performer, Main Artist - Dion, Associated Performer - B. Dylan, Composer - The Wanderers, Associated Performer
Originally released 1968. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Dion, Associated Performer, Main Artist - Tom Wilson, Producer - Mort Shuman, Composer, Lyricist - Chris Athens, Assistant Engineer - JIM CARUANA, Assistant Engineer - Vic Anesini, Mixing Engineer - Debra Parkinson, Mastering Engineer
Originally released 1965. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Dion & The Wanderers, Associated Performer, Main Artist - Dion DiMucci, Composer, Lyricist - Tom Wilson, Producer
Originally recorded 1965 & released 1997 Columbia Records, a division of Sony Music Entertainment
Dion, Associated Performer, Main Artist - B. Dylan, Composer
Originally released 1968. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Dion & The Wanderers, Associated Performer, Main Artist - Dion DiMucci, Composer, Lyricist - Robert Mersey, Producer
Originally recorded 1966 & released 2017. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Approfondimenti
The first thing most everybody who hears Dion’s Kickin’ Child is going to say, is that producer Tom Wilson made Dion sound like Bob Dylan. It's fair but inaccurate. If anything, Dion got Wilson -- in late 1964 -- to propose the electric sound to Dylan (who'd worshipped Dion from the '50s) in the first place. Dion convinced the producer to take some of the songwriter's session tapes and give them an electric treatment. He did so with live musicians, then played the results for Bob. In January 1965, Dylan cut the electric side of Bringing It All Back Home. Oddly enough, the title track opener that sounds the most like his Bob-ness wasn't produced by Wilson but by Bob Mersey (who’d helmed the sessions that gave Dion the hit "Ruby Baby"). Backed by the Wanderers (and Al Kooper's organ), Dion cut this set in three sessions between the spring and fall of 1965. What’s here is complete and properly sequenced for the first time. Why? Columbia refused to release the album at the time, prompting Dion to leave the label. They issued some singles, and other tracks appeared on various compilations, but this is complete.
This is Dion-the-Bronx-street-song-poet transformed by intuitive musicality and discipline into a refined singer/songwriter. He wrote or co-wrote all but four of these 15 tunes. He seamlessly blends folk and jangly rock guitars (Tom Paxton's "Wondering Where I’m Bound" and "Tomorrow Won’t Bring the Rain"); the blues (the title track); swaggering rock & roll (Dylan's "Baby, I’m in the Mood for You"), and Mort Shuman's "All I Want to Do Is Live My Life"), and pre-psychedelia ("Now," one of a pair co-written with the Wanderers' drummer Carlo Mastrangelo), and recasts it all in his own image. Check "Knowing I Won’t Go Back There" and "You Move Me Babe," where the seasoned doo wop crooner meets folk-rock head on, only to enfold both styles into himself holistically. Dylan's "It’s All Over Now, Baby Blue" and "Farewell" will never sound the same given the rippling, soulful beauty in his delivery. Wilson and Dion were made for each other. It’s too bad Columbia didn’t see it that way at the time -- history might have been different. This record would still be gathering dust if it weren't for stubborn rock & roll archivists Miriam Linna and Billy Miller, who doggedly pursued Sony to find the album in the label's vaults so they could release it on their Norton label. Sadly, Miller didn’t live to see it, but his final will and testament is presented here as he intended, with completely remastered sound. Kickin’ Child not only ranks with Dion’s best (standing between career highlights "Runaround Sue" and "Abraham Martin and John"), but it's absolutely one of the greatest folk-rock records ever.
© Thom Jurek /TiVo
A proposito dell'album
- 1 disco(i) - 15 traccia(e)
- Durata totale: 00:43:32
- Artisti principali: Dion
- Compositore: Various Composers
- Etichetta: Columbia - Legacy
- Genere: Pop/Rock Pop
This compilation (P) 2017 Columbia Records, a division of Sony Music Entertainment
Migliorare le informazioni sugli albumPerché acquistare su Qobuz
-
Ascolta la tua musica in streaming o download
Acquista un album o una singola traccia. Oppure ascolta il nostro intero catalogo con i nostri abbonamenti streaming illimitati di alta qualità.
-
Zero DRM
I file scaricati ti appartengono, senza limiti d’uso. Puoi scaricarli tutte le volte che vuoi.
-
Scegli il formato più adatto a te
Scarica i tuoi acquisti in un'ampia varietà di formati (FLAC, ALAC, WAV, AIF ...) a seconda delle tue esigenze.
-
Ascolta i tuoi acquisti sulle nostre app
Scarica le app Qobuz per smartphone, tablet e computer e ascolta i tuoi acquisti dappertutto.