Categorie:
Carrello 0

Il tuo carrello è vuoto

Creedence Clearwater Revival - Green River

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Green River

Creedence Clearwater Revival

Libretto digitale

Disponibile in
logo Hi-Res
24-Bit 192.0 kHz - Stereo

Streaming illimitato

Ascolta subito questo album in alta qualità sulle nostre app

Inizia il mio periodo di prova e riproduci l'album

Goditi questo album sulle app Qobuz con il tuo abbonamento

Resgistrati

Goditi questo album sulle app Qobuz con il tuo abbonamento

Download digitale

Seleziona la qualità audio

Per avere diritto a questo prezzo, abbonati a Sublime+

Lingua disponibile: inglese

If anything, CCR's third album Green River represents the full flower of their classic sound initially essayed on its predecessor, Bayou Country. One of the differences between the two albums is that Green River is tighter, with none of the five-minute-plus jams that filled out both their debut and Bayou Country, but the true key to its success is a peak in John Fogerty's creativity. Although CCR had at least one cover on each album, they relied on Fogerty to crank out new material every month. He was writing so frequently that the craft became second-nature and he laid his emotions and fears bare, perhaps unintentionally. Perhaps that's why Green River has fear, anger, dread, and weariness creeping on the edges of gleeful music. This was a band that played rock & roll so joyously that they masked the, well, "sinister" undercurrents in Fogerty's songs. "Bad Moon Rising" has the famous line "Hope you've got your things together/Hope you're quite prepared to die," but that was only the most obvious indication of Fogerty's gloom. Consider all the other dark touches: the "Sinister purpose knocking at your door"; the chaos of "Commotion"; the threat of death in "Tombstone Shadow"; you only return to the idyllic "Green River" once you get lost and realize the "world is smolderin'." Even the ballads have a strong melancholy undercurrent, highlighted by "Lodi," where Fogerty imagines himself stuck playing in dead-end towns for the rest of his life. Not the typical thoughts of a newly famous rock & roller, but certainly an indication of Fogerty's inner tumult. For all its darkness, Green River is ultimately welcoming music, since the band rocks hard and bright and the melancholy feels comforting, not alienating. ~ Stephen Thomas Erlewine

Maggiori informazioni

Green River

Creedence Clearwater Revival

launch qobuz app Ho già scaricato Qobuz per Windows/MacOS Apri

download qobuz app Non ho ancora scaricato Qobuz per Windows/MacOS Scarica l'app Qobuz
Ascolta sul Webplayer

Copia il seguente link per condividerlo

Al momento stai ascoltando degli estratti.

Ascolta oltre 40 milioni di brani con un abbonamento streaming illimitato.

Ascolta questo album e oltre 40 milioni di brani con i gli abbonamenti di streaming illimitato.

1
Green River 00:02:36

John Fogerty, Producer, Guitar, Acoustic Guitar, Vocals, Recording Arranger, AssociatedPerformer, ComposerLyricist - Stu Cook, Bass Guitar, AssociatedPerformer - Creedence Clearwater Revival, MainArtist - Doug Clifford, Drums, AssociatedPerformer - Thomas Fogerty, Guitar, AssociatedPerformer

℗ 1969 Fantasy, Inc.

2
Commotion 00:02:44

John Fogerty, Producer, Guitar, Acoustic Guitar, Vocals, Recording Arranger, AssociatedPerformer, ComposerLyricist - Stu Cook, Bass Guitar, AssociatedPerformer - Creedence Clearwater Revival, MainArtist - Doug Clifford, Drums, AssociatedPerformer - Thomas Fogerty, Guitar, AssociatedPerformer

℗ 1969 Fantasy, Inc.

3
Tombstone Shadow 00:03:39

John Fogerty, Producer, Guitar, Acoustic Guitar, Vocals, Recording Arranger, AssociatedPerformer, ComposerLyricist - Stu Cook, Bass Guitar, AssociatedPerformer - Creedence Clearwater Revival, MainArtist - Doug Clifford, Drums, AssociatedPerformer - Thomas Fogerty, Guitar, AssociatedPerformer

℗ 1969 Fantasy, Inc.

4
Wrote A Song For Everyone 00:04:56

John Fogerty, Producer, Guitar, Acoustic Guitar, Vocals, Recording Arranger, AssociatedPerformer, ComposerLyricist - Stu Cook, Bass Guitar, AssociatedPerformer - Creedence Clearwater Revival, MainArtist - Doug Clifford, Drums, AssociatedPerformer - Thomas Fogerty, Guitar, AssociatedPerformer

℗ 1969 Fantasy, Inc.

5
Bad Moon Rising 00:02:21

John Fogerty, Producer, Guitar, Acoustic Guitar, Vocals, Recording Arranger, AssociatedPerformer, ComposerLyricist - Stu Cook, Bass Guitar, AssociatedPerformer - Creedence Clearwater Revival, MainArtist - Doug Clifford, Drums, AssociatedPerformer - Thomas Fogerty, Guitar, AssociatedPerformer

℗ 1969 Fantasy, Inc.

6
Lodi 00:03:12

John Fogerty, Producer, Guitar, Acoustic Guitar, Vocals, Recording Arranger, AssociatedPerformer, ComposerLyricist - Stu Cook, Bass Guitar, AssociatedPerformer - Creedence Clearwater Revival, MainArtist - Doug Clifford, Drums, AssociatedPerformer - Thomas Fogerty, Guitar, AssociatedPerformer

℗ 1969 Fantasy, Inc.

7
Cross-Tie Walker 00:03:19

John Fogerty, Producer, Guitar, Acoustic Guitar, Vocals, Recording Arranger, AssociatedPerformer, ComposerLyricist - Stu Cook, Bass Guitar, AssociatedPerformer - Creedence Clearwater Revival, MainArtist - Doug Clifford, Drums, AssociatedPerformer - Thomas Fogerty, Guitar, AssociatedPerformer

℗ 1969 Fantasy, Inc.

8
Sinister Purpose 00:03:23

John Fogerty, Producer, Guitar, Acoustic Guitar, Vocals, Recording Arranger, AssociatedPerformer, ComposerLyricist - Stu Cook, Bass Guitar, AssociatedPerformer - Creedence Clearwater Revival, MainArtist - Doug Clifford, Drums, AssociatedPerformer - Thomas Fogerty, Guitar, AssociatedPerformer

℗ 1969 Fantasy, Inc.

9
The Night Time Is The Right Time 00:03:07

Herman, ComposerLyricist - John Fogerty, Producer, Guitar, Acoustic Guitar, Vocals, Recording Arranger, AssociatedPerformer - Stu Cook, Bass Guitar, AssociatedPerformer - Creedence Clearwater Revival, MainArtist - Doug Clifford, Drums, AssociatedPerformer - Cadena, ComposerLyricist - Thomas Fogerty, Guitar, AssociatedPerformer

℗ 1969 Fantasy, Inc.

Descrizione dell'album

If anything, CCR's third album Green River represents the full flower of their classic sound initially essayed on its predecessor, Bayou Country. One of the differences between the two albums is that Green River is tighter, with none of the five-minute-plus jams that filled out both their debut and Bayou Country, but the true key to its success is a peak in John Fogerty's creativity. Although CCR had at least one cover on each album, they relied on Fogerty to crank out new material every month. He was writing so frequently that the craft became second-nature and he laid his emotions and fears bare, perhaps unintentionally. Perhaps that's why Green River has fear, anger, dread, and weariness creeping on the edges of gleeful music. This was a band that played rock & roll so joyously that they masked the, well, "sinister" undercurrents in Fogerty's songs. "Bad Moon Rising" has the famous line "Hope you've got your things together/Hope you're quite prepared to die," but that was only the most obvious indication of Fogerty's gloom. Consider all the other dark touches: the "Sinister purpose knocking at your door"; the chaos of "Commotion"; the threat of death in "Tombstone Shadow"; you only return to the idyllic "Green River" once you get lost and realize the "world is smolderin'." Even the ballads have a strong melancholy undercurrent, highlighted by "Lodi," where Fogerty imagines himself stuck playing in dead-end towns for the rest of his life. Not the typical thoughts of a newly famous rock & roller, but certainly an indication of Fogerty's inner tumult. For all its darkness, Green River is ultimately welcoming music, since the band rocks hard and bright and the melancholy feels comforting, not alienating. ~ Stephen Thomas Erlewine

A proposito dell'album

Migliora questa pagina

Qobuz logo Perché acquistare su Qobuz

ORA IN OFFERTA...
Altro su Qobuz
Di Creedence Clearwater Revival
Live At Woodstock Creedence Clearwater Revival
The Complete Studio Albums Creedence Clearwater Revival
Cosmo's Factory Creedence Clearwater Revival
Creedence Clearwater Revival - Best Of Creedence Clearwater Revival
Chronicle: 20 Greatest Hits (Ecopac) Creedence Clearwater Revival
Ti potrebbe piacere anche...
Nelle Panoramiche...
British blues boom, cronaca di una rivoluzione

Se Joe Bonamassa ritornò con British Blues Explosion, un anno dopo Blue And Lonesome dei Rolling Stones, fu perché il boom del blues inglese si rivelò essere qualcosa di più di una semplice moda... Più che una semplice tendenza musicale, l'interesse di una giovane generazione per le grandi icone del blues americano, ignorate nella loro terra, generò un'autentica rivoluzione guidata da tre principali agitatori: Eric Clapton, Jeff Beck e Jimmy Page, considerati oltre la Manica, niente meno che la Santissima Trinità della storia del rock o della chitarra. Sebbene non fossero gli unici musicisti coinvolti, fu attraverso le loro rispettive carriere che si scoprì che il blues, lungi dall'essere una musica che aveva passato la sua data di scadenza, era come un salto verso altre dimensioni musicali che avrebbe permesso molteplici innovazioni.

Obbiettivo la luna: The Dark Side Of The Moon

The Dark Side of the Moon, album-chiave dei Pink Floyd fu il risultato di un lungo processo creativo iniziato intorno al 1968. A Saucerful of Secrets (il brano principale dell'omonimo album) fu, almeno per Nick Mason, il punto di partenza. L'album successivo, Ummagumma (1969), diede a ciascun membro della band l'opportunità di creare un brano solista, anche se avrebbero dovuto unire i loro talenti per fare davvero il jackpot. I Pink Floyd hanno continuato a cercare il disco perfetto con Meddle, un album che ha messo in evidenza le loro abilità in studio, e Atom Heart Mother, prima del tanto atteso nirvana con The Dark Side of the Moon. E la perfezione di quest'opera non è stata intaccata nel tempo, nemmeno a quarantacinque anni dalla sua uscita.

Mark Knopfler e Dire Straits, un amore difficile

Il 14 aprile 2018, i Dire Straits facevano il loro ingresso nella Rock and Roll Hall of Fame ed erano in parecchi a pensare che fosse il momento dell’ «ora o mai più». Perfino Mark Knopfler sembrava toccato da quest’onore, nella speranza di essere premiato da Bob Dylan o Eric Clapton. Alla fine, i Dire Straits sono entrati nel pantheon dei rocker senza la loro star, che ha disertato una cerimonia tra le più tristi della storia. Quasi un simbolo del rapporto tra lui e il suo gruppo.

Nel magazine...