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Elliott Smith|Elliott Smith: Expanded 25th Anniversary Edition

Elliott Smith: Expanded 25th Anniversary Edition

Elliott Smith

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Elliott Smith's self-titled second album was his first for the Kill Rock Stars label and also his first major artistic statement. Its sound is fairly similar to that of Roman Candle -- it's mostly just Smith and his gently fingerpicked acoustic guitar, embellished a bit more often with drums, harmony vocals, and the odd additional instrument. The main difference here is that Smith's melodies and lyrics reveal their greater strength and substance with repeated listens. And make no mistake, the songs do require repeated listens -- not just because of Smith's often whispery, spiderweb-thin delivery, but also because of his deceptively angular melodies and chord progressions, which threaten to float away until the listener hears them enough to latch on and know where they're going. Smith is often compared to Paul Simon or the Beatles in their softer moments, but perhaps the best touchstone for this early sound is Nick Drake's even more minimalistic Pink Moon; while Smith's language is rawer and tougher than Drake's haunting poetics, his songs also deal with depression and loneliness, creating an almost uncomfortable intimacy with their bare-bones arrangements. The quiet prettiness of Smith's sound can make it easy to overlook the darker, edgier side of his songs -- many of Smith's embittered characters cope with their dysfunctional relationships or breakups through substance abuse, while some of the lyrics read more like angry, defiant punk rants when separated from the music. Smith would flesh out his sound with the albums to come, but Elliott Smith contains the blueprint for his later successes, and more importantly, it's a fully realized work itself.

© Steve Huey /TiVo

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Elliott Smith: Expanded 25th Anniversary Edition

Elliott Smith

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1
Needle In The Hay (25th Anniversary Mix)
00:04:16

Elliott Smith, MainArtist, ComposerLyricist

℗ 2020 Successors in interest to the Estate of Elliott Smith

2
Christian Brothers (25th Anniversary Mix) Explicit
00:04:30

Elliott Smith, MainArtist, ComposerLyricist

℗ 2020 Successors in interest to the Estate of Elliott Smith

3
Clementine (25th Anniversary Mix)
00:02:46

Elliott Smith, MainArtist, ComposerLyricist

℗ 2020 Successors in interest to the Estate of Elliott Smith

4
Southern Belle (25th Anniversary Mix)
00:03:06

Elliott Smith, MainArtist, ComposerLyricist

℗ 2020 Successors in interest to the Estate of Elliott Smith

5
Single File (25th Anniversary Mix)
00:02:26

Elliott Smith, MainArtist, ComposerLyricist

℗ 2020 Successors in interest to the Estate of Elliott Smith

6
Coming Up Roses (25th Anniversary Mix)
00:03:10

Elliott Smith, MainArtist, ComposerLyricist

℗ 2020 Successors in interest to the Estate of Elliott Smith

7
Satellite (25th Anniversary Mix)
00:02:25

Elliott Smith, MainArtist, ComposerLyricist

℗ 2020 Successors in interest to the Estate of Elliott Smith

8
Alphabet Town (25th Anniversary Mix)
00:04:11

Elliott Smith, MainArtist, ComposerLyricist

℗ 2020 Successors in interest to the Estate of Elliott Smith

9
St. Ides Heaven (25th Anniversary Mix) Explicit
00:03:00

Elliott Smith, MainArtist, ComposerLyricist

℗ 2020 Successors in interest to the Estate of Elliott Smith

10
Good To Go (25th Anniversary Mix)
00:02:24

Elliott Smith, MainArtist, ComposerLyricist

℗ 2020 Successors in interest to the Estate of Elliott Smith

11
The White Lady Loves You More (25th Anniversary Mix)
00:02:24

Elliott Smith, MainArtist, ComposerLyricist

℗ 2020 Successors in interest to the Estate of Elliott Smith

12
The Biggest Lie (25th Anniversary Mix)
00:02:39

Elliott Smith, MainArtist, ComposerLyricist

℗ 2020 Successors in interest to the Estate of Elliott Smith

13
Some Song (Live At Umbra Penumbra - September 17th, 1994) Explicit
00:02:56

Elliott Smith, MainArtist, ComposerLyricist

℗ 2020 Successors in interest to the Estate of Elliott Smith

14
Alphabet Town (Live At Umbra Penumbra - September 17th, 1994)
00:04:42

Elliott Smith, MainArtist, ComposerLyricist

℗ 2020 Successors in interest to the Estate of Elliott Smith

15
Whatever (Folk Song In C) (Live At Umbra Penumbra - September 17th, 1994)
00:02:53

Elliott Smith, MainArtist, ComposerLyricist

℗ 2020 Successors in interest to the Estate of Elliott Smith

16
No Name #4 (Live At Umbra Penumbra - September 17th, 1994)
00:02:43

Elliott Smith, MainArtist, ComposerLyricist

℗ 2020 Successors in interest to the Estate of Elliott Smith

17
Big Decision (Live At Umbra Penumbra - September 17th, 1994)
00:02:36

Elliott Smith, MainArtist, ComposerLyricist

℗ 2020 Successors in interest to the Estate of Elliott Smith

18
Condor Ave (Live At Umbra Penumbra - September 17th, 1994)
00:03:32

Elliott Smith, MainArtist, ComposerLyricist

℗ 2020 Successors in interest to the Estate of Elliott Smith

19
No Name #1 (Live At Umbra Penumbra - September 17th, 1994)
00:03:18

Elliott Smith, MainArtist, ComposerLyricist

℗ 2020 Successors in interest to the Estate of Elliott Smith

20
No Confidence Man (Live At Umbra Penumbra - September 17th, 1994)
00:04:33

Elliott Smith, MainArtist, ComposerLyricist

℗ 2020 Successors in interest to the Estate of Elliott Smith

21
Crazy Fucker (Live At Umbra Penumbra - September 17th, 1994) Explicit
00:03:34

Elliott Smith, MainArtist, ComposerLyricist

℗ 2020 Successors in interest to the Estate of Elliott Smith

22
Half Right (Live At Umbra Penumbra - September 17th, 1994) Explicit
00:04:31

Elliott Smith, MainArtist, ComposerLyricist

℗ 2020 Successors in interest to the Estate of Elliott Smith

Approfondimenti

Elliott Smith's self-titled second album was his first for the Kill Rock Stars label and also his first major artistic statement. Its sound is fairly similar to that of Roman Candle -- it's mostly just Smith and his gently fingerpicked acoustic guitar, embellished a bit more often with drums, harmony vocals, and the odd additional instrument. The main difference here is that Smith's melodies and lyrics reveal their greater strength and substance with repeated listens. And make no mistake, the songs do require repeated listens -- not just because of Smith's often whispery, spiderweb-thin delivery, but also because of his deceptively angular melodies and chord progressions, which threaten to float away until the listener hears them enough to latch on and know where they're going. Smith is often compared to Paul Simon or the Beatles in their softer moments, but perhaps the best touchstone for this early sound is Nick Drake's even more minimalistic Pink Moon; while Smith's language is rawer and tougher than Drake's haunting poetics, his songs also deal with depression and loneliness, creating an almost uncomfortable intimacy with their bare-bones arrangements. The quiet prettiness of Smith's sound can make it easy to overlook the darker, edgier side of his songs -- many of Smith's embittered characters cope with their dysfunctional relationships or breakups through substance abuse, while some of the lyrics read more like angry, defiant punk rants when separated from the music. Smith would flesh out his sound with the albums to come, but Elliott Smith contains the blueprint for his later successes, and more importantly, it's a fully realized work itself.

© Steve Huey /TiVo

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