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Deena Abdelwahed|Dhakar

Dhakar

Deena Abdelwahed

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Lingua disponibile: inglese

A year after her first album Khonnar, Tunisian DJ and producer Deena Abdelwahed is back in our speakers with a four-track-long EP on which she continues to pursue her unique sonic collisions between bass music, techno and experimental, and all this from the first track Lala Fi Tounes, a real session of increasing hypnosis. With a clear goal of getting people on the dancefloor (but never just for simple dancing), the producer inspires herself from Tunisian Gnawa music on Ah’na Hakkek, a hybrid track which is carried by a dark bass and an unpredictable drum machine. She then takes on the patriarchy on Insaniyti, rhythmed by metallic percussion à la Stomp and synths which increase the pressure, while the closing Zardet Sidi Bagran takes its inspiration from hardcore techno. But as always, Deena Abdelwahed offers up her own twisted non-conformist version. © Smaël Bouaici/Qobuz

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Dhakar

Deena Abdelwahed

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A partire da 12,49€/mese

1
Lila Fi Tounes
00:05:28

Deena Abdelwahed, Composer, MainArtist

2019 InFiné 2019 InFiné

2
Ah'na Hakkeka
00:05:41

Deena Abdelwahed, Composer, MainArtist

2019 InFiné 2019 InFiné

3
Insaniyti
00:04:34

Deena Abdelwahed, Composer, MainArtist

2019 InFiné 2019 InFiné

4
Zardet Sidi Bagra
00:03:42

Deena Abdelwahed, Composer, MainArtist

2019 InFiné 2019 InFiné

Approfondimenti

A year after her first album Khonnar, Tunisian DJ and producer Deena Abdelwahed is back in our speakers with a four-track-long EP on which she continues to pursue her unique sonic collisions between bass music, techno and experimental, and all this from the first track Lala Fi Tounes, a real session of increasing hypnosis. With a clear goal of getting people on the dancefloor (but never just for simple dancing), the producer inspires herself from Tunisian Gnawa music on Ah’na Hakkek, a hybrid track which is carried by a dark bass and an unpredictable drum machine. She then takes on the patriarchy on Insaniyti, rhythmed by metallic percussion à la Stomp and synths which increase the pressure, while the closing Zardet Sidi Bagran takes its inspiration from hardcore techno. But as always, Deena Abdelwahed offers up her own twisted non-conformist version. © Smaël Bouaici/Qobuz

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