Qobuz Store wallpaper
Categorie:
Carrello 0

Il tuo carrello è vuoto

Pixels Ensemble - Debussy: Sonatas & Piano Works

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Debussy: Sonatas & Piano Works

Pixels Ensemble

Libretto digitale

Disponibile in
logo Hi-Res
24-Bit 96.0 kHz - Stereo

Streaming illimitato

Ascolta subito questo album in alta qualità sulle nostre app

Inizia il mio periodo di prova e riproduci l'album

Goditi questo album sulle app Qobuz con il tuo abbonamento

Resgistrati

Goditi questo album sulle app Qobuz con il tuo abbonamento

Download digitale

Seleziona la qualità audio

Per avere diritto a questo prezzo, Abbonati a Studio Sublime

Lingua disponibile: inglese

Debussy was seriously ill at the outbreak of World War I, and struggled to compose. A wartime performance of the Saint- Saëns Septet prompted the composer to consider writing chamber music again – for the first time since his string quartet of 1893. The plan was for a sequence of six sonatas for diverse instruments, harking back to the 18th century practice in France. The composer wrote ‘I wrote like a fury or like one who is doomed to die the next morning’.
He viewed these works as a memorial to the young French soldiers killed in the trenches. The Cello Sonata was premiered in Paris in 1916 by a young infantry-man on a cello made from an ammunition box and an old door. His health declining further, the Violin Sonata, turned out to be his last work. Debussy dismissed it as ‘an example of what may be produced by a sick man in time of war’. The final three sonatas were never composed.

This album concludes with three rarely heard piano pieces completed by Robert Orledge. Toomai des éléphants inspired by Kipling was originally intended as No. 11 in the Second Book of Preludes. Petite Valse, began as an 18 bar outline sketched in 1915, and receiving its world premiere recording, A Night in the House of Usher is a fantasy for piano (or organ) compiled from Debussy’s sketches for the one act opera (1915-17) after Edgar Allan Poe which was left unfinished. © Rubicon Classics

Maggiori informazioni

Debussy: Sonatas & Piano Works

Pixels Ensemble

launch qobuz app Ho già scaricato Qobuz per Windows/MacOS Apri

download qobuz app Non ho ancora scaricato Qobuz per Windows/MacOS Scarica l'app Qobuz

Copia il seguente link per condividerlo

Al momento stai ascoltando degli estratti.

Ascolta oltre 60 milioni di brani con un abbonamento streaming illimitato.

Ascolta questo album e oltre 60 milioni di brani con i gli abbonamenti di streaming illimitato.

1
Sonata for Cello & Piano, L. 135: I. Prologue. Lent, sostenuto e molto risoluto
Pixels Ensemble
00:05:19

Claude Debussy, Composer - Copyright Control, MusicPublisher - Pixels Ensemble, Ensemble, MainArtist

2020 Rubicon Classics Ltd 2020 Pixels Ensemble

2
Sonata for Cello & Piano, L. 135: II. Sérénade. Modérément animé
Pixels Ensemble
00:03:54

Claude Debussy, Composer - Copyright Control, MusicPublisher - Pixels Ensemble, Ensemble, MainArtist

2020 Rubicon Classics Ltd 2020 Pixels Ensemble

3
Sonata for Cello & Piano, L. 135: III. Final. Animé, leger et nerveux
Pixels Ensemble
00:03:52

Claude Debussy, Composer - Copyright Control, MusicPublisher - Pixels Ensemble, Ensemble, MainArtist

2020 Rubicon Classics Ltd 2020 Pixels Ensemble

4
Sonata for Flute, Viola & Harp, L. 137: I. Pastorale. Lento, dolde rubato
Pixels Ensemble
00:06:42

Claude Debussy, Composer - Copyright Control, MusicPublisher - Pixels Ensemble, Ensemble, MainArtist

2020 Rubicon Classics Ltd 2020 Pixels Ensemble

5
Sonata for Flute, Viola & Harp, L. 137: II. Interlude. Tempo di minuetto
Pixels Ensemble
00:05:43

Claude Debussy, Composer - Copyright Control, MusicPublisher - Pixels Ensemble, Ensemble, MainArtist

2020 Rubicon Classics Ltd 2020 Pixels Ensemble

6
Sonata for Flute, Viola & Harp, L. 137: III. Final. Allegro moderato ma risoluto
Pixels Ensemble
00:04:46

Claude Debussy, Composer - Copyright Control, MusicPublisher - Pixels Ensemble, Ensemble, MainArtist

2020 Rubicon Classics Ltd 2020 Pixels Ensemble

7
Sonata for Violin & Piano, L. 140: I. Allegro vivo
Pixels Ensemble
00:05:22

Claude Debussy, Composer - Copyright Control, MusicPublisher - Pixels Ensemble, Ensemble, MainArtist

2020 Rubicon Classics Ltd 2020 Pixels Ensemble

8
Sonata for Violin & Piano, L. 140: II. Intermède: fantasque et léger
Pixels Ensemble
00:04:48

Claude Debussy, Composer - Copyright Control, MusicPublisher - Pixels Ensemble, Ensemble, MainArtist

2020 Rubicon Classics Ltd 2020 Pixels Ensemble

9
Sonata for Violin & Piano, L. 140: III. Finale: très animé
Pixels Ensemble
00:04:57

Claude Debussy, Composer - Copyright Control, MusicPublisher - Pixels Ensemble, Ensemble, MainArtist

2020 Rubicon Classics Ltd 2020 Pixels Ensemble

10
Toomai des Éléphants (completed by Robert Orledge)
Ian Buckle
00:06:21

Claude Debussy, Composer - Copyright Control, MusicPublisher - Robert Orledge, Composer - Ian Buckle, MainArtist, AssociatedPerformer

2020 Rubicon Classics Ltd 2020 Pixels Ensemble

11
Petite Valse (completed by Robert Orledge)
Ian Buckle
00:01:54

Claude Debussy, Composer - Copyright Control, MusicPublisher - Robert Orledge, Composer - Ian Buckle, MainArtist, AssociatedPerformer

2020 Rubicon Classics Ltd 2020 Pixels Ensemble

12
A Night in the House of Usher, L. 112 (completed by Robert Orledge)
Ian Buckle
00:06:58

Claude Debussy, Composer - Copyright Control, MusicPublisher - Robert Orledge, Composer - Ian Buckle, MainArtist, AssociatedPerformer

2020 Rubicon Classics Ltd 2020 Pixels Ensemble

Descrizione dell'album

Debussy was seriously ill at the outbreak of World War I, and struggled to compose. A wartime performance of the Saint- Saëns Septet prompted the composer to consider writing chamber music again – for the first time since his string quartet of 1893. The plan was for a sequence of six sonatas for diverse instruments, harking back to the 18th century practice in France. The composer wrote ‘I wrote like a fury or like one who is doomed to die the next morning’.
He viewed these works as a memorial to the young French soldiers killed in the trenches. The Cello Sonata was premiered in Paris in 1916 by a young infantry-man on a cello made from an ammunition box and an old door. His health declining further, the Violin Sonata, turned out to be his last work. Debussy dismissed it as ‘an example of what may be produced by a sick man in time of war’. The final three sonatas were never composed.

This album concludes with three rarely heard piano pieces completed by Robert Orledge. Toomai des éléphants inspired by Kipling was originally intended as No. 11 in the Second Book of Preludes. Petite Valse, began as an 18 bar outline sketched in 1915, and receiving its world premiere recording, A Night in the House of Usher is a fantasy for piano (or organ) compiled from Debussy’s sketches for the one act opera (1915-17) after Edgar Allan Poe which was left unfinished. © Rubicon Classics

A proposito dell'album

Migliora questa pagina

Qobuz logo Perché acquistare su Qobuz

ORA IN OFFERTA...

Playlist

Ti potrebbe piacere anche...
some kind of peace Ólafur Arnalds
Seasons: Orchestral Music of Michael Fine The Royal Scottish National Orchestra
Debussy – Rameau Víkingur Ólafsson
Nelle Panoramiche...
Nils Frahm: il pianoforte come non lo avete mai sentito suonare

Salutato dai critici di musica classica come dagli amanti di esperimenti elettronici, il talento di Nils Frahm ha messo d’accordo tutti negli ultimi dieci anni. Che usi un organo da chiesa o un sintetizzatore dotato di pedali per effetti, il pianista tedesco guarda sempre avanti. Impossibile non restarne affascinati.

Neoclassica: un nuovo mondo ai confini dell’elettronica e della classica

Ólafur Arnalds, Nils Frahm, Max Richter, Poppy Ackroyd, Peter Broderick, Joana Gama… Da qualche anno tutti questi nomi alla moda sono stati raggruppati sotto la vasta ed eterogenea etichetta “neoclassica”. A dire il vero, questo “panorama” somiglia piuttosto ad una banda eterogenea di artisti indagatori, che mescolano strumenti classici e produzione elettronica – in connessione cosciente con i pionieri del minimalismo americano – che deliziano i sensi ed aprono nuove prospettive da entrambi i lati del loro spettro musicale.

Sofia Coppola on air

Per il suo ultimo film, L’inganno, Sofia Coppola si rivolge nuovamente a Thomas Mars, cantante del gruppo francese Phoenix, un collaboratore abituale della regista. L’occasione ideale per passare in rassegna alcuni grandi momenti musicali della filmografia della figlia di Francis, e in particolare la mitica colonna sonora del Giardino delle vergini suicide, firmata dai versagliesi Air.

Nel magazine...